The Films of John Cassavetes

Pragmatism, Modernism, and the Movies

AvRay Carney

Häftad, Engelska, 1994

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Beskrivning

The first book to tell in detail the story of a maverick filmmaker who worked outside the studio system. Providing extended critical discussion on six of his most important films (Shadows, Faces, Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, and Love Streams), Ray Carney argues that Cassavetes' work is a distinctly life-affirming form of modernist expression that is at odds with the world-denying modernism of many of the most important art works produced in this century. Cassavetes is revealed to be a profoundly thoughtful and self-aware filmmaker and a deeply philosophical thinker, whose work takes its place in the American tradition along with the writing of Ralph Waldo Emerson and William James. The six films treated here emerge as expressive interpretations of the bewildering challenges in contemporary American cultural experience.

Produktinformation

Utgivningsdatum:1994-01-28
Mått:158 x 236 x 18 mm
Vikt:480 g
Format:Häftad
Språk:Engelska
Serie:Cambridge Film Classics
Antal sidor:336
Förlag:Cambridge University Press
ISBN:9780521388153

Utforska kategorier

Film inom Kultur

Recensioner i media

"...it is a special event...when Carney publishes a book that illustrates what film study and analysis can be at their most visionary and inspiring. Carney is clearly a born teacher....Every page of The Films of John Cassavetes is informed by the passion of a man on a mission to change the way movies are thought and written about. Carney has an extraordinarily exalted vision of the function of cinematic art. Film is, for him, neither escapist entertainment and recreation...nor an intricate stylistic game played off to one side of life...but a way of exploring the most important and complex aspects of human experience." Diane Cherkerzian, The Boston Globe

Innehållsförteckning

Acknowledgments; Introduction: thinking in space, time and the body; 1. Selves in the making (Shadows); 2. Noncontemplative art (Faces); 3. Beating the system (Minnie and Moskowitz); 4. An artist of the ordinary (A Woman Under the Influence); 5. The path of greatest resistance (The Killing of a Chinese Bookie); 6. Compositions and decompositions (Love Streams); Epilogue: The religion of doing; Notes; Bibliography; Filmography; Index.