"...it is a delight to find such a text immediately setting about debunking the kind of canonical valorization which is our critical heritage since the Back Revival. No mere collection of empirical data here, however, as Sisman links audience rowdiness and aestheic attitudes with unproblematic ease; a critical turn which should be less alien to more writers." Steve Sweeney-Turner, The Musical Times

• Preface; 1. The symphony in Mozart's Vienna; 2. Grand style and sublime in eighteenth-century aesthetics; 3. The composition and reception of the Jupiter Symphony; 4. Gesture and expectation: Allegro vivace; 5. Structure and expression: Andante cantabile; 6. Phrase rhythm: Menuetto, Allegretto; 7. The rhetoric of the learned style: Finale, molto allegro; Appendix: A. Oulibicheff, The Jupiter Symphony of Mozart (1843).

"...it is a delight to find such a text immediately setting about debunking the kind of canonical valorization which is our critical heritage since the Back Revival. No mere collection of empirical data here, however, as Sisman links audience rowdiness and aestheic attitudes with unproblematic ease; a critical turn which should be less alien to more writers." Steve Sweeney-Turner, The Musical Times

• Preface; 1. The symphony in Mozart's Vienna; 2. Grand style and sublime in eighteenth-century aesthetics; 3. The composition and reception of the Jupiter Symphony; 4. Gesture and expectation: Allegro vivace; 5. Structure and expression: Andante cantabile; 6. Phrase rhythm: Menuetto, Allegretto; 7. The rhetoric of the learned style: Finale, molto allegro; Appendix: A. Oulibicheff, The Jupiter Symphony of Mozart (1843).

"...it is a delight to find such a text immediately setting about debunking the kind of canonical valorization which is our critical heritage since the Back Revival. No mere collection of empirical data here, however, as Sisman links audience rowdiness and aestheic attitudes with unproblematic ease; a critical turn which should be less alien to more writers." Steve Sweeney-Turner, The Musical Times

• Preface; 1. The symphony in Mozart's Vienna; 2. Grand style and sublime in eighteenth-century aesthetics; 3. The composition and reception of the Jupiter Symphony; 4. Gesture and expectation: Allegro vivace; 5. Structure and expression: Andante cantabile; 6. Phrase rhythm: Menuetto, Allegretto; 7. The rhetoric of the learned style: Finale, molto allegro; Appendix: A. Oulibicheff, The Jupiter Symphony of Mozart (1843).