Dvorák: Cello Concerto

AvJan Smaczny

Inbunden, Engelska, 1999

Del i serien Cambridge Music Handbooks

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Beskrivning

Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.

Produktinformation

Utgivningsdatum:1999-09-28
Mått:140 x 216 x 11 mm
Vikt:320 g
Format:Inbunden
Språk:Engelska
Serie:Cambridge Music Handbooks
Antal sidor:132
Förlag:Cambridge University Press
ISBN:9780521660501

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Recensioner i media

"Musicians in general and cellists in particular have reason to celebrate: Jan Smaczny has written an erudite, well researched and complete handbook on the Dvorák cello concerto. Smaczny has met the challenge of writing a complete study that is detailed and balanced, as well as consistently interesting. A work like this handbook is a rare and precious thing. It explores in some detail a specific concerto and is able to ompart to readers, through that exploration, and increased understanding and appreciation of music and performance in general and a view of a very personal and meaningful source of artistic creation." American Music Teacher

Innehållsförteckning

Preface and acknowledgements; 1. Dvorák and the cello; 2. Preludes to the Concerto; 3. The Concerto and Dvorák's 'American manner'; 4. 'Decisions and revisions': sketch and compositional process; 5. The score I: forms and melodies; 6. The score II: interpretations; 7. Performers and performances; Notes; Select bibliography; Select discography; Index.