Sidney Gottlieb is Professor of English and Media Studies at Sacred Heart University in Fairfield, Connecticut. He has edited Hitchcock on Hitchcock: Selected Writings and Interviews and Framing Hitchcock: Essays from the Hitchcock Annual, and serves as Co-Editor of the Hitchcock Annual.

• Introduction: Open City: reappropriating the old, making the new Sidney Gottlieb; 1. Rossellini, Open City, and neorealism Sidney Gottlieb; 2. The making of Roma città aperta: the legacy of fascism and the birth of neorealism Peter Bondanella; 3. Celluloide and the palimpsest of cinematic memory: Carlo Lizzani's film of the story behind Open City Millicent Marcus; 4. Diverting clichés: femininity, masculinity, melodrama, and neorealism in Open City Marcia Landy; 5. Space, rhetoric, and the divided city in Roma città aperta David Forgacs; 6. Mourning, melancholia, and the popular front: Roberto Rossellini's beautiful revolution Michael P. Rogin; Reviews of Open City; Filmography.

Sidney Gottlieb is Professor of English and Media Studies at Sacred Heart University in Fairfield, Connecticut. He has edited Hitchcock on Hitchcock: Selected Writings and Interviews and Framing Hitchcock: Essays from the Hitchcock Annual, and serves as Co-Editor of the Hitchcock Annual.

• Introduction: Open City: reappropriating the old, making the new Sidney Gottlieb; 1. Rossellini, Open City, and neorealism Sidney Gottlieb; 2. The making of Roma città aperta: the legacy of fascism and the birth of neorealism Peter Bondanella; 3. Celluloide and the palimpsest of cinematic memory: Carlo Lizzani's film of the story behind Open City Millicent Marcus; 4. Diverting clichés: femininity, masculinity, melodrama, and neorealism in Open City Marcia Landy; 5. Space, rhetoric, and the divided city in Roma città aperta David Forgacs; 6. Mourning, melancholia, and the popular front: Roberto Rossellini's beautiful revolution Michael P. Rogin; Reviews of Open City; Filmography.

Sidney Gottlieb is Professor of English and Media Studies at Sacred Heart University in Fairfield, Connecticut. He has edited Hitchcock on Hitchcock: Selected Writings and Interviews and Framing Hitchcock: Essays from the Hitchcock Annual, and serves as Co-Editor of the Hitchcock Annual.

• Introduction: Open City: reappropriating the old, making the new Sidney Gottlieb; 1. Rossellini, Open City, and neorealism Sidney Gottlieb; 2. The making of Roma città aperta: the legacy of fascism and the birth of neorealism Peter Bondanella; 3. Celluloide and the palimpsest of cinematic memory: Carlo Lizzani's film of the story behind Open City Millicent Marcus; 4. Diverting clichés: femininity, masculinity, melodrama, and neorealism in Open City Marcia Landy; 5. Space, rhetoric, and the divided city in Roma città aperta David Forgacs; 6. Mourning, melancholia, and the popular front: Roberto Rossellini's beautiful revolution Michael P. Rogin; Reviews of Open City; Filmography.