Alexandra Gillespie is Associate Professor of English at the University of Toronto. Daniel Wakelin is Lecturer in English at the University of Cambridge.

'The chapters that form The Production of Books in England, 1350–1500 are consistently high quality essays that create a well-integrated unit. Gillespie and Wakelin have taken care to envision the overarching purpose of the text and to solicit chapters that further the purpose - historicizing the creation of manuscript texts at the beginning of the print revolution. If their challenges are accepted, we can look forward to more varied and vital productions in history of the book.' Linda Englade, Rare Books Newsletter

• Foreword Derek Pearsall; Introduction Alexandra Gillespie and Daniel Wakelin; 1. Materials Orietta Da Rold; 2. Writing the words Daniel Wakelin; 3. Mapping the words Simon Horobin; 4. Designing the page Stephen Partridge; 5. Decorating and illustrating the page Martha Driver and Michael Orr; 6. Compiling the book Margaret Connolly; 7. Bookbinding Alexandra Gillespie; 8. Commercial organization and innovation Erik Kwakkel; 9. Vernacular literary manuscripts and their scribes Linne R. Mooney; 10. Book production outside commercial contexts Jean-Pascal Pouzet; 11. Censorship Fiona Somerset; 12. Books beyond England John Thompson; 13. English books and the Continent David Rundle; Afterword: the book in culture Wendy Scase; Bibliography; Manuscript index; Index.

Alexandra Gillespie is Associate Professor of English at the University of Toronto. Daniel Wakelin is Lecturer in English at the University of Cambridge.

'The chapters that form The Production of Books in England, 1350–1500 are consistently high quality essays that create a well-integrated unit. Gillespie and Wakelin have taken care to envision the overarching purpose of the text and to solicit chapters that further the purpose - historicizing the creation of manuscript texts at the beginning of the print revolution. If their challenges are accepted, we can look forward to more varied and vital productions in history of the book.' Linda Englade, Rare Books Newsletter

• Foreword Derek Pearsall; Introduction Alexandra Gillespie and Daniel Wakelin; 1. Materials Orietta Da Rold; 2. Writing the words Daniel Wakelin; 3. Mapping the words Simon Horobin; 4. Designing the page Stephen Partridge; 5. Decorating and illustrating the page Martha Driver and Michael Orr; 6. Compiling the book Margaret Connolly; 7. Bookbinding Alexandra Gillespie; 8. Commercial organization and innovation Erik Kwakkel; 9. Vernacular literary manuscripts and their scribes Linne R. Mooney; 10. Book production outside commercial contexts Jean-Pascal Pouzet; 11. Censorship Fiona Somerset; 12. Books beyond England John Thompson; 13. English books and the Continent David Rundle; Afterword: the book in culture Wendy Scase; Bibliography; Manuscript index; Index.

Alexandra Gillespie is Associate Professor of English at the University of Toronto. Daniel Wakelin is Lecturer in English at the University of Cambridge.

'The chapters that form The Production of Books in England, 1350–1500 are consistently high quality essays that create a well-integrated unit. Gillespie and Wakelin have taken care to envision the overarching purpose of the text and to solicit chapters that further the purpose - historicizing the creation of manuscript texts at the beginning of the print revolution. If their challenges are accepted, we can look forward to more varied and vital productions in history of the book.' Linda Englade, Rare Books Newsletter

• Foreword Derek Pearsall; Introduction Alexandra Gillespie and Daniel Wakelin; 1. Materials Orietta Da Rold; 2. Writing the words Daniel Wakelin; 3. Mapping the words Simon Horobin; 4. Designing the page Stephen Partridge; 5. Decorating and illustrating the page Martha Driver and Michael Orr; 6. Compiling the book Margaret Connolly; 7. Bookbinding Alexandra Gillespie; 8. Commercial organization and innovation Erik Kwakkel; 9. Vernacular literary manuscripts and their scribes Linne R. Mooney; 10. Book production outside commercial contexts Jean-Pascal Pouzet; 11. Censorship Fiona Somerset; 12. Books beyond England John Thompson; 13. English books and the Continent David Rundle; Afterword: the book in culture Wendy Scase; Bibliography; Manuscript index; Index.