Women on the Stage in Early Modern France

1540-1750

Inbunden, Engelska, 2010

821 kr

Beställningsvara. Skickas inom 7-10 vardagar. Fri frakt över 249 kr.

Beskrivning

Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferré - who signed a contract for 12 livres a year in 1545 to perform the 'antiquailles de Rome or other histories, moralities, farces, and acrobatics' in the provinces - to the queens of the eighteenth-century Paris stage, whose 'adventures' have overshadowed their artistic triumphs. The book also investigates the ways in which actresses made invaluable contributions to the development of the French theatre in the seventeenth and eighteenth centuries, and looks at the 'afterlives' of such women as Armande Béjart, Marquise Du Parc, Charlotte Desmares, Adrienne Lecouvreur, and Hippolyte Clairon in biographies, plays, and films.

Produktinformation

Utgivningsdatum:2010-07-08
Mått:158 x 235 x 21 mm
Vikt:670 g
Format:Inbunden
Språk:Engelska
Antal sidor:336
Förlag:Cambridge University Press
ISBN:9780521896757

Utforska kategorier

Genusvetenskap inom Samhälle och politik
Skådespelare och artister inom Kultur
Teater inom Kultur

Mer om författaren

Virginia Scott is Professor Emerita in the Department of Theater, University of Massachusetts at Amherst. She specializes in Commedia dell'arte and French theatre of the sixteenth, seventeenth, and eighteenth centuries. Her books include The Commedia dell'arte in Paris, which won the George Freedley award, and Molière: A Theatrical Life. Professor Scott is also a dramaturge, playwright, actor, and director.

Recensioner i media

'In this lively and engaging study, Virginia Scott examines the careers of actresses in France from the late sixteenth to the early eighteenth centuries, placing them firmly in their social and artistic context. Refreshingly, she eschews anecdotal evidence, thereby providing us, perhaps for the first time, with an unbiased and even-handed account of her subjects' lives and work, but which nonetheless explores the fascination these first celebrities have exercised on audiences and critics both then and since.' Professor Jan Clarke, Durham University

Innehållsförteckning

Preface; 1. The actress and the anecdote; 2. 'So perverse was her wantonness': antitheatricalism and the actress; 3. In the beginning: 'Twelve Livres per year'; 4. 'Those diverting little ways': 1630–40; 5. 'Mademoiselle L'Étoile': 1640–1700; 6. 'Embellished by art': 1680–1720; 7. Lives and afterlives: 1700–2010; Works consulted.