Dr White examines the ways in which Shakespeare uses formal conventions from romance throughout his writing career, especially in giving formal completion to a play without forfeiting the ''open-ended'' sense of life''s complexity. In his romantic comedies these conventions are modified to imply that the cosy womb of marriage is not the end of lovers'' lives; in the ''problem'' comedies they are used to challenge the artifice of the comic ending; in some tragedies they are used to provide an ideal of fulfilment which has been destroyed by the tragic events - and in the last plays or ''romances'' they are used to invoke the full sense of life''s continuing comprehensiveness.
