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    1. Kultur
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    Critical Entertainments

    Music Old and New

    AvCharles Rosen

    Häftad, Engelska, 2001

    515 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    An extraordinarily gifted musician and writer, Charles Rosen is a peerless commentator on the history and performance of music. Critical Entertainments brings together many of the essays that have established him as one of the most influential and eloquent voices in the field of music in our time.These essays cover a broad range of musical forms, historical periods, and issues—from Bach through Brahms to Carter and Schoenberg, from contrapuntal keyboard music to opera, from performance practices to music history as a discipline. They revisit Rosen’s favorite subjects and pursue some less familiar paths. They court controversy (with strong opinions about performance on historical instruments, the so-called New Musicology, and the alleged “death” of classical music) and offer enlightenment on subjects as diverse as music dictionaries and the aesthetics of stage fright. All are unified by Rosen’s abiding concerns and incomparable style. In sum, Critical Entertainments is a treasury of the vast learning, wit, and insight that we have come to expect from this remarkable writer. It will delight all music lovers.

    Produktinformation

    • Utgivningsdatum:2001-11-30
    • Mått:162 x 235 x 20 mm
    • Vikt:476 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:336
    • Förlag:Harvard University Press
    • ISBN:9780674006843

    Utforska kategorier

    • Musikvetenskap inom Kultur

    Mer om författaren

    Charles Rosen (1927–2012) was an American concert pianist and the author of more than a dozen books, including the National Book Award–winning The Classical Style. The recipient of a National Humanities Medal, he was Professor of Music and Social Thought at the University of Chicago.

    Recensioner i media

    [A] stimulating read...Over the course of 300 pages, Rosen addresses such disparate subjects as stage fright, the keyboard music of Bach and Handel, the libretto for "Le Nozze di Figaro," Brahms as classicist and subversive, the 1980 edition of the New Grove Dictionary of Music and Musicians, and the "Double Concerto" (1961) by the American composer Elliott Carter. Rosen casts a skeptical eye on the politicized musicology that occasionally passed for scholarship in the early 1990s, while admiring certain practitioners of this dubious trade.

    Innehållsförteckning

    • Introduction I Performance and Musicology 1. The Aesthetics of Stage Fright 2. The Discipline of Philology: Oliver Strunk II The Eighteenth Century 3. Keyboard Music of Bach and Handel 4. The Rediscovering of Haydn 5. Describing Mozart 6. Beaumarchais: Inventor of Modern Opera 7. Radical, Conventional Mozart 8. Beethoven's Career III Brahms 9. Brahms: Influence, Plagiarism, and Inspiration 10. Brahms the Subversive 11. Brahms: Classicism and the Inspiration of Awkwardness IV Musical Studies: Contrasting Views 12. The Benefits of Authenticity 13. Dictionaries: the Old Harvard 14. Dictionaries: the New Grove's 15. The New Musicology V The Crisis of the Modern 16. Schoenberg: The Possibilities of Disquiet 17. The Performance of Contemporary Music: Carter's Double Concerto 18. The Irrelevance of Serious Music Credits Index