Cubism, Stieglitz, and the Early Poetry of William Carlos Williams

Häftad, Engelska, 1978

396 kr

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Beskrivning

Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.

Produktinformation

Utgivningsdatum:1978-07-21
Mått:127 x 203 x 15 mm
Vikt:312 g
Format:Häftad
Språk:Engelska
Antal sidor:256
Förlag:Princeton University Press
ISBN:9780691013459

Utforska kategorier

Konsthistoria inom Kultur
Litteraturvetenskap inom Skönlitteratur

Mer om författaren

Bram Dijkstra is Professor of American and Comparative Literature at the University of California, San Diego. He is the author of numerous books, including Georgia O'Keeffe and the Eros of Place, Evil Sisters: The Threat of Female Sexuality and the Cult of Manhood, Defoe and Economics: The Fortune of Roxana in the History of Interpretation, and Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture.

Recensioner i media

"Dijkstra has demonstrated beyond any doubt that Williams was enormously influenced by experimentation in the visual arts and that he attempted to emulate the Stieglitz group in focusing on the object itself, delineating it as precisely as possible and letting it represent the moment of perception without intruding personal comment."--Comparative Literature

Innehållsförteckning

PrefaceList of IllustrationsIThe New York Avant Garde, 1910-19173IIThe Poem as a Canvas of Broken Parts47IIIStieglitz82IVThe Evangelists of the American Moment108VDoctor Williams and the New World127VIThe Hieroglyphics of a New Speech145VIIThe Poem as Still-Life161Selective Bibliography199Index211