Mario Vargas Llosa is a prolific novelist and essayist whose literary criticism includes "A Writer's Reality, Letters to a Young Novelist", and studies of Flaubert and Gabriel Garcia Marquez. One of his books of essays, "Making Waves" (Penguin), won the National Book Critics Circle Award. His novels include "Aunt Julia and the Scriptwriter, The Notebooks of Don Rigoberto", and "The Feast of the Goat". Born in Peru, he now divides his time among Lima, London, and Madrid.

One of Choice's Outstanding Academic Titles for 2007 "Although books about other books abound, there are very few that actually tell us what it is like to read. The Temptation of the Impossible, Mario Vargas Llosa's book about Victor Hugo's Les Miserables, is one of these rare confessions."--Benjamin Lytal, Los Angeles Times "Vargas Llosa discerns genius in the French novelist's artistic transmutation of ... leaden terrestrial events into a golden utopian fantasy. Readers who cherish Hugo's powerful novel will value this insightful study."--Booklist "Among the things that most fascinate Vargas Llosa is how very fictional Les Miserables is--in the sense of not being true to reality... Among the best parts are when Vargas Llosa goes at it from a writer's point of view--such as in explaining the necessity and use of the great lengths to which Hugo took this work--but even in professor-mode Vargas Llosa offers many useful tidbits (about Hugo, about the reception of the book, etc.) and opinions... Even if [Les Miserables] is only a distant memory, Vargas Llosa's look makes one eager to pick it up again."--The Complete Review "Novelist Mario Vargas Llosa contributes to the canon with his provoking and insightful study of 19th century French novelist Victor Hugo's Les Miserables in his book-length essay, Temptation of the Impossible...Vargas Llosa's study reaches beyond an analysis of Les Miserables to help define the very essence of the novel and fiction."--Robert Hicks, San Francisco Chronicle "Part literary criticism, part biography, and part personal essay, The Temptation of the Impossible is the author's perceptive tribute to Hugo's Les Miserables. For Vargas Llosa ... Hugo's marvelous novel is a brilliant portrayal of 'a world blazing with extreme misfortune, love, courage, happiness, and vile deeds.'... Some literary critics may disagree with his provocative claims regarding the role of fiction in readers' lives, but Vargas Llosa argues so passionately that even dissenting critics will admire his zealous and meticulous reasoning... For any student of world literature who is interested in an important and hugely readable, one-stop critical analysis of Hugo's canonical novel, Vargas Llosa's book is the perfect destination."--Tim Davis, ForeWord "Vargas Llosa is ideally placed to lead a reconsideration of Victor Hugo... [He] examines the providential vein in Les Miserables that runs through both individual destinies and the life of nations."--Algis Valiunas, First Things "Mario Vargas Llosa, acclaimed novelist, critic and one-time conservative politician, has, in Hugo's epic, found the perfect vehicle for a study that is a combination of literary criticism, general essay and philosophical speculation. He dissects Hugo's style, emphasizing not just his larger-than-life characters, but, more importantly, his narrator--the biggest and most dangerous 'character' in the book of dangerous characters. What makes Hugo's book dangerous is that it just might stir the reader to pursue the ideals of a better world. Llosa, with an eloquent ease that has to be admired, relates this danger to the novel form itself, and how societies--especially repressive regimes of military, religious, left or right persuasion--have distrusted the novel."--Steve Carroll, The Age "When one distinguished author critiques the masterpiece of another, the result is not always exceptional. But in this case, it is. In this expanded version of lectures he delivered at Oxford in 2004, Vargas Llosa offers both probing insights into the characters, themes, and ultimate significance of Les Miserables and powerful lessons on the art of fiction writing."--C.B. Kerr, Choice "Vargas Llosa's book is a significant addition to the criticism of Les Miserables and of Hugo as a novelist. Vargas Llosa makes Hugo accessible to the reader as an author who was not fettered by the time period in which he wrote. He also presents valuable insights into the genre of fiction and what 'reality' means in a fictional work. Since Vargas Llosa is himself a highly respected novelist, his book has been particularly welcomed by critics in the field."--Shawncey Webb, Magill's Literary Annual

• Acknowledgments xi Introduction: Victor Hugo, the Ocean 1 Chapter I. The Divine Stenographer 11 Chapter II. The Dark Vein of Destiny 34 The Law of Chance or the Order of Coincidence 34 The Irresistible Traps 41 The Ambush in the Gorbeau Tenement 43 The Barricade at la Chanvrerie 45 The Paris Sewers 47 Elusive Freedom 52 Chapter III. Touchy Monsters 56 A Character without Qualities 57 The Saint 61 The Just Man 65 A Puritan World 70 The Fanatic 75 An Angel with a Dirty Face 80 Collective Characters 84 Chapter IV. The Great Theater of the World 87 Adjectives to Describe the Show 89 Performance, Beauty, and Life 92 Light and Shadow 95 Sets 96 The Victor at Waterloo 97 Human Putrefaction 98 Life as Fiction 102 Chapter V. Rich, Poor, Leisured, Idle, and Marginal 105 Reformist Idealism 110 The Just 114 A Society Rebuilt 118 The Victims: Confinement and Women 120 A Source of Social Injustice: The Law 122 A Stupid and Cruel Monster 124 Chapter VI. Civilized Barbarians 131 Long Live Death! 132 Slow-Motion Progress 134 Victor Hugo and the Insurrection of 1832 138 Chapter VII. From Heaven Above 146 The Enumeration of the Infinite 148 Attempting the Impossible 154 The Total Novel or the Deicidal Impulse 156 Chapter VIII. The Temptation of the Impossible 165 Notes 179 Index 185

Mario Vargas Llosa is a prolific novelist and essayist whose literary criticism includes "A Writer's Reality, Letters to a Young Novelist", and studies of Flaubert and Gabriel Garcia Marquez. One of his books of essays, "Making Waves" (Penguin), won the National Book Critics Circle Award. His novels include "Aunt Julia and the Scriptwriter, The Notebooks of Don Rigoberto", and "The Feast of the Goat". Born in Peru, he now divides his time among Lima, London, and Madrid.

One of Choice's Outstanding Academic Titles for 2007 "Although books about other books abound, there are very few that actually tell us what it is like to read. The Temptation of the Impossible, Mario Vargas Llosa's book about Victor Hugo's Les Miserables, is one of these rare confessions."--Benjamin Lytal, Los Angeles Times "Vargas Llosa discerns genius in the French novelist's artistic transmutation of ... leaden terrestrial events into a golden utopian fantasy. Readers who cherish Hugo's powerful novel will value this insightful study."--Booklist "Among the things that most fascinate Vargas Llosa is how very fictional Les Miserables is--in the sense of not being true to reality... Among the best parts are when Vargas Llosa goes at it from a writer's point of view--such as in explaining the necessity and use of the great lengths to which Hugo took this work--but even in professor-mode Vargas Llosa offers many useful tidbits (about Hugo, about the reception of the book, etc.) and opinions... Even if [Les Miserables] is only a distant memory, Vargas Llosa's look makes one eager to pick it up again."--The Complete Review "Novelist Mario Vargas Llosa contributes to the canon with his provoking and insightful study of 19th century French novelist Victor Hugo's Les Miserables in his book-length essay, Temptation of the Impossible...Vargas Llosa's study reaches beyond an analysis of Les Miserables to help define the very essence of the novel and fiction."--Robert Hicks, San Francisco Chronicle "Part literary criticism, part biography, and part personal essay, The Temptation of the Impossible is the author's perceptive tribute to Hugo's Les Miserables. For Vargas Llosa ... Hugo's marvelous novel is a brilliant portrayal of 'a world blazing with extreme misfortune, love, courage, happiness, and vile deeds.'... Some literary critics may disagree with his provocative claims regarding the role of fiction in readers' lives, but Vargas Llosa argues so passionately that even dissenting critics will admire his zealous and meticulous reasoning... For any student of world literature who is interested in an important and hugely readable, one-stop critical analysis of Hugo's canonical novel, Vargas Llosa's book is the perfect destination."--Tim Davis, ForeWord "Vargas Llosa is ideally placed to lead a reconsideration of Victor Hugo... [He] examines the providential vein in Les Miserables that runs through both individual destinies and the life of nations."--Algis Valiunas, First Things "Mario Vargas Llosa, acclaimed novelist, critic and one-time conservative politician, has, in Hugo's epic, found the perfect vehicle for a study that is a combination of literary criticism, general essay and philosophical speculation. He dissects Hugo's style, emphasizing not just his larger-than-life characters, but, more importantly, his narrator--the biggest and most dangerous 'character' in the book of dangerous characters. What makes Hugo's book dangerous is that it just might stir the reader to pursue the ideals of a better world. Llosa, with an eloquent ease that has to be admired, relates this danger to the novel form itself, and how societies--especially repressive regimes of military, religious, left or right persuasion--have distrusted the novel."--Steve Carroll, The Age "When one distinguished author critiques the masterpiece of another, the result is not always exceptional. But in this case, it is. In this expanded version of lectures he delivered at Oxford in 2004, Vargas Llosa offers both probing insights into the characters, themes, and ultimate significance of Les Miserables and powerful lessons on the art of fiction writing."--C.B. Kerr, Choice "Vargas Llosa's book is a significant addition to the criticism of Les Miserables and of Hugo as a novelist. Vargas Llosa makes Hugo accessible to the reader as an author who was not fettered by the time period in which he wrote. He also presents valuable insights into the genre of fiction and what 'reality' means in a fictional work. Since Vargas Llosa is himself a highly respected novelist, his book has been particularly welcomed by critics in the field."--Shawncey Webb, Magill's Literary Annual

• Acknowledgments xi Introduction: Victor Hugo, the Ocean 1 Chapter I. The Divine Stenographer 11 Chapter II. The Dark Vein of Destiny 34 The Law of Chance or the Order of Coincidence 34 The Irresistible Traps 41 The Ambush in the Gorbeau Tenement 43 The Barricade at la Chanvrerie 45 The Paris Sewers 47 Elusive Freedom 52 Chapter III. Touchy Monsters 56 A Character without Qualities 57 The Saint 61 The Just Man 65 A Puritan World 70 The Fanatic 75 An Angel with a Dirty Face 80 Collective Characters 84 Chapter IV. The Great Theater of the World 87 Adjectives to Describe the Show 89 Performance, Beauty, and Life 92 Light and Shadow 95 Sets 96 The Victor at Waterloo 97 Human Putrefaction 98 Life as Fiction 102 Chapter V. Rich, Poor, Leisured, Idle, and Marginal 105 Reformist Idealism 110 The Just 114 A Society Rebuilt 118 The Victims: Confinement and Women 120 A Source of Social Injustice: The Law 122 A Stupid and Cruel Monster 124 Chapter VI. Civilized Barbarians 131 Long Live Death! 132 Slow-Motion Progress 134 Victor Hugo and the Insurrection of 1832 138 Chapter VII. From Heaven Above 146 The Enumeration of the Infinite 148 Attempting the Impossible 154 The Total Novel or the Deicidal Impulse 156 Chapter VIII. The Temptation of the Impossible 165 Notes 179 Index 185

Mario Vargas Llosa is a prolific novelist and essayist whose literary criticism includes "A Writer's Reality, Letters to a Young Novelist", and studies of Flaubert and Gabriel Garcia Marquez. One of his books of essays, "Making Waves" (Penguin), won the National Book Critics Circle Award. His novels include "Aunt Julia and the Scriptwriter, The Notebooks of Don Rigoberto", and "The Feast of the Goat". Born in Peru, he now divides his time among Lima, London, and Madrid.

One of Choice's Outstanding Academic Titles for 2007 "Although books about other books abound, there are very few that actually tell us what it is like to read. The Temptation of the Impossible, Mario Vargas Llosa's book about Victor Hugo's Les Miserables, is one of these rare confessions."--Benjamin Lytal, Los Angeles Times "Vargas Llosa discerns genius in the French novelist's artistic transmutation of ... leaden terrestrial events into a golden utopian fantasy. Readers who cherish Hugo's powerful novel will value this insightful study."--Booklist "Among the things that most fascinate Vargas Llosa is how very fictional Les Miserables is--in the sense of not being true to reality... Among the best parts are when Vargas Llosa goes at it from a writer's point of view--such as in explaining the necessity and use of the great lengths to which Hugo took this work--but even in professor-mode Vargas Llosa offers many useful tidbits (about Hugo, about the reception of the book, etc.) and opinions... Even if [Les Miserables] is only a distant memory, Vargas Llosa's look makes one eager to pick it up again."--The Complete Review "Novelist Mario Vargas Llosa contributes to the canon with his provoking and insightful study of 19th century French novelist Victor Hugo's Les Miserables in his book-length essay, Temptation of the Impossible...Vargas Llosa's study reaches beyond an analysis of Les Miserables to help define the very essence of the novel and fiction."--Robert Hicks, San Francisco Chronicle "Part literary criticism, part biography, and part personal essay, The Temptation of the Impossible is the author's perceptive tribute to Hugo's Les Miserables. For Vargas Llosa ... Hugo's marvelous novel is a brilliant portrayal of 'a world blazing with extreme misfortune, love, courage, happiness, and vile deeds.'... Some literary critics may disagree with his provocative claims regarding the role of fiction in readers' lives, but Vargas Llosa argues so passionately that even dissenting critics will admire his zealous and meticulous reasoning... For any student of world literature who is interested in an important and hugely readable, one-stop critical analysis of Hugo's canonical novel, Vargas Llosa's book is the perfect destination."--Tim Davis, ForeWord "Vargas Llosa is ideally placed to lead a reconsideration of Victor Hugo... [He] examines the providential vein in Les Miserables that runs through both individual destinies and the life of nations."--Algis Valiunas, First Things "Mario Vargas Llosa, acclaimed novelist, critic and one-time conservative politician, has, in Hugo's epic, found the perfect vehicle for a study that is a combination of literary criticism, general essay and philosophical speculation. He dissects Hugo's style, emphasizing not just his larger-than-life characters, but, more importantly, his narrator--the biggest and most dangerous 'character' in the book of dangerous characters. What makes Hugo's book dangerous is that it just might stir the reader to pursue the ideals of a better world. Llosa, with an eloquent ease that has to be admired, relates this danger to the novel form itself, and how societies--especially repressive regimes of military, religious, left or right persuasion--have distrusted the novel."--Steve Carroll, The Age "When one distinguished author critiques the masterpiece of another, the result is not always exceptional. But in this case, it is. In this expanded version of lectures he delivered at Oxford in 2004, Vargas Llosa offers both probing insights into the characters, themes, and ultimate significance of Les Miserables and powerful lessons on the art of fiction writing."--C.B. Kerr, Choice "Vargas Llosa's book is a significant addition to the criticism of Les Miserables and of Hugo as a novelist. Vargas Llosa makes Hugo accessible to the reader as an author who was not fettered by the time period in which he wrote. He also presents valuable insights into the genre of fiction and what 'reality' means in a fictional work. Since Vargas Llosa is himself a highly respected novelist, his book has been particularly welcomed by critics in the field."--Shawncey Webb, Magill's Literary Annual

• Acknowledgments xi Introduction: Victor Hugo, the Ocean 1 Chapter I. The Divine Stenographer 11 Chapter II. The Dark Vein of Destiny 34 The Law of Chance or the Order of Coincidence 34 The Irresistible Traps 41 The Ambush in the Gorbeau Tenement 43 The Barricade at la Chanvrerie 45 The Paris Sewers 47 Elusive Freedom 52 Chapter III. Touchy Monsters 56 A Character without Qualities 57 The Saint 61 The Just Man 65 A Puritan World 70 The Fanatic 75 An Angel with a Dirty Face 80 Collective Characters 84 Chapter IV. The Great Theater of the World 87 Adjectives to Describe the Show 89 Performance, Beauty, and Life 92 Light and Shadow 95 Sets 96 The Victor at Waterloo 97 Human Putrefaction 98 Life as Fiction 102 Chapter V. Rich, Poor, Leisured, Idle, and Marginal 105 Reformist Idealism 110 The Just 114 A Society Rebuilt 118 The Victims: Confinement and Women 120 A Source of Social Injustice: The Law 122 A Stupid and Cruel Monster 124 Chapter VI. Civilized Barbarians 131 Long Live Death! 132 Slow-Motion Progress 134 Victor Hugo and the Insurrection of 1832 138 Chapter VII. From Heaven Above 146 The Enumeration of the Infinite 148 Attempting the Impossible 154 The Total Novel or the Deicidal Impulse 156 Chapter VIII. The Temptation of the Impossible 165 Notes 179 Index 185