José Ortega y Gasset (1883–1955) was a Spanish philosopher and essayist. His many books include What is Knowledge? and The Revolt of the Masses. Anthony J. Cascardi is dean of arts and humanities and professor of comparative literature, rhetoric, and Spanish at the University of California, Berkeley.

"José Ortega y Gasset is certainly the greatest philosophical essayist of the first half of the 20th century, and very likely one of its few genuinely seminal minds. . . . The Dehumanization of Art is still among the best efforts to define and interpret the radical break in continuity between modern art and the whole Renaissance tradition of representation which ended in the 19th century."—Joseph Frank, New Republic

José Ortega y Gasset (1883–1955) was a Spanish philosopher and essayist. His many books include What is Knowledge? and The Revolt of the Masses. Anthony J. Cascardi is dean of arts and humanities and professor of comparative literature, rhetoric, and Spanish at the University of California, Berkeley.

"José Ortega y Gasset is certainly the greatest philosophical essayist of the first half of the 20th century, and very likely one of its few genuinely seminal minds. . . . The Dehumanization of Art is still among the best efforts to define and interpret the radical break in continuity between modern art and the whole Renaissance tradition of representation which ended in the 19th century."—Joseph Frank, New Republic

José Ortega y Gasset (1883–1955) was a Spanish philosopher and essayist. His many books include What is Knowledge? and The Revolt of the Masses. Anthony J. Cascardi is dean of arts and humanities and professor of comparative literature, rhetoric, and Spanish at the University of California, Berkeley.

"José Ortega y Gasset is certainly the greatest philosophical essayist of the first half of the 20th century, and very likely one of its few genuinely seminal minds. . . . The Dehumanization of Art is still among the best efforts to define and interpret the radical break in continuity between modern art and the whole Renaissance tradition of representation which ended in the 19th century."—Joseph Frank, New Republic