Annette Saddik is Associate Professor of English at New York City College of Technology, CUNY. She is the author of (AUP, 1999) and co-editor of (Burgess Publishing, 1996). She is currently working on a book entitled .

• Acknowledgements; Chronology; Introduction; Chapter 1: Experimental Innovations After World War II; Chapter 2: Revisiting the American Dream; Chapter 3: African-American Theater: Voices from the Margins; Chapter 4: Avant-Garde Theater Groups: Revolutions in Performance; Chapter 5: Postmodern Presentations: Questioning Boundaries of Representation; Chapter 6: The Politics of Identity and Exclusion; Chapter 7: Fragmented Representations of American Identity in the Theater of the Vietnam War; Chapter 8: The 'NEA Four' and Performance Art: Making the Invisible Visible; Conclusion; Guide to Further Reading; Glossary.

Annette Saddik is Associate Professor of English at New York City College of Technology, CUNY. She is the author of (AUP, 1999) and co-editor of (Burgess Publishing, 1996). She is currently working on a book entitled .

• Acknowledgements; Chronology; Introduction; Chapter 1: Experimental Innovations After World War II; Chapter 2: Revisiting the American Dream; Chapter 3: African-American Theater: Voices from the Margins; Chapter 4: Avant-Garde Theater Groups: Revolutions in Performance; Chapter 5: Postmodern Presentations: Questioning Boundaries of Representation; Chapter 6: The Politics of Identity and Exclusion; Chapter 7: Fragmented Representations of American Identity in the Theater of the Vietnam War; Chapter 8: The 'NEA Four' and Performance Art: Making the Invisible Visible; Conclusion; Guide to Further Reading; Glossary.

Annette Saddik is Associate Professor of English at New York City College of Technology, CUNY. She is the author of (AUP, 1999) and co-editor of (Burgess Publishing, 1996). She is currently working on a book entitled .

• Acknowledgements; Chronology; Introduction; Chapter 1: Experimental Innovations After World War II; Chapter 2: Revisiting the American Dream; Chapter 3: African-American Theater: Voices from the Margins; Chapter 4: Avant-Garde Theater Groups: Revolutions in Performance; Chapter 5: Postmodern Presentations: Questioning Boundaries of Representation; Chapter 6: The Politics of Identity and Exclusion; Chapter 7: Fragmented Representations of American Identity in the Theater of the Vietnam War; Chapter 8: The 'NEA Four' and Performance Art: Making the Invisible Visible; Conclusion; Guide to Further Reading; Glossary.