Stetz, Margaret D.; Oh, Bonnie B. C.

• Part I Historical and Cultural Contexts; Chapter 1 The Japanese Imperial System and the Korean “Comfort Women” of World War II, Bonnie B. C. Oh; Chapter 2 “Comfort Women” and the Cultural Tradition of Prostitution in Japanese Erotic Art, Linda Gertner Zatlin; Chapter 3 “Comfort Women” in the Dutch East Indies, Yuki Tanaka; Chapter 4 Prostitutes versus Sex Slaves, Chunghee Sarah Soh; Part II Academic and Activist Responses; Chapter 5 Wartime Sexual Violence against Women, Margaret D. Stetz; Chapter 6 “Such an Unthinkable Thing”, Pamela Thoma; Chapter 7 Urgent Matters, Dongwoo Lee Hahm; Chapter 8 My Own Gaiatsu, Grant K. Goodman; Chapter 9 Placing Japanese War Criminals on the U.S. Justice Department’s “Watch List” of 3 December 1996, John Y. Lee; Part III Artistic Responses; Chapter 10 A Film within the Film, Dai Sil Kim-Gibson; Chapter 11 Making In the Name of the Emperor, Christine Choy; Chapter 12 Tomiyama Taeko’s, Margaret D. Stetz, Bonnie B.C. Oh, Tomiyama Taeko; Chapter 13 “Unsuspecting Souls”, Jill Medvedow, Mona Higuchi; Chapter 14 To Give a Voice, Therese Park;

Stetz, Margaret D.; Oh, Bonnie B. C.

• Part I Historical and Cultural Contexts; Chapter 1 The Japanese Imperial System and the Korean “Comfort Women” of World War II, Bonnie B. C. Oh; Chapter 2 “Comfort Women” and the Cultural Tradition of Prostitution in Japanese Erotic Art, Linda Gertner Zatlin; Chapter 3 “Comfort Women” in the Dutch East Indies, Yuki Tanaka; Chapter 4 Prostitutes versus Sex Slaves, Chunghee Sarah Soh; Part II Academic and Activist Responses; Chapter 5 Wartime Sexual Violence against Women, Margaret D. Stetz; Chapter 6 “Such an Unthinkable Thing”, Pamela Thoma; Chapter 7 Urgent Matters, Dongwoo Lee Hahm; Chapter 8 My Own Gaiatsu, Grant K. Goodman; Chapter 9 Placing Japanese War Criminals on the U.S. Justice Department’s “Watch List” of 3 December 1996, John Y. Lee; Part III Artistic Responses; Chapter 10 A Film within the Film, Dai Sil Kim-Gibson; Chapter 11 Making In the Name of the Emperor, Christine Choy; Chapter 12 Tomiyama Taeko’s, Margaret D. Stetz, Bonnie B.C. Oh, Tomiyama Taeko; Chapter 13 “Unsuspecting Souls”, Jill Medvedow, Mona Higuchi; Chapter 14 To Give a Voice, Therese Park;

Stetz, Margaret D.; Oh, Bonnie B. C.

• Part I Historical and Cultural Contexts; Chapter 1 The Japanese Imperial System and the Korean “Comfort Women” of World War II, Bonnie B. C. Oh; Chapter 2 “Comfort Women” and the Cultural Tradition of Prostitution in Japanese Erotic Art, Linda Gertner Zatlin; Chapter 3 “Comfort Women” in the Dutch East Indies, Yuki Tanaka; Chapter 4 Prostitutes versus Sex Slaves, Chunghee Sarah Soh; Part II Academic and Activist Responses; Chapter 5 Wartime Sexual Violence against Women, Margaret D. Stetz; Chapter 6 “Such an Unthinkable Thing”, Pamela Thoma; Chapter 7 Urgent Matters, Dongwoo Lee Hahm; Chapter 8 My Own Gaiatsu, Grant K. Goodman; Chapter 9 Placing Japanese War Criminals on the U.S. Justice Department’s “Watch List” of 3 December 1996, John Y. Lee; Part III Artistic Responses; Chapter 10 A Film within the Film, Dai Sil Kim-Gibson; Chapter 11 Making In the Name of the Emperor, Christine Choy; Chapter 12 Tomiyama Taeko’s, Margaret D. Stetz, Bonnie B.C. Oh, Tomiyama Taeko; Chapter 13 “Unsuspecting Souls”, Jill Medvedow, Mona Higuchi; Chapter 14 To Give a Voice, Therese Park;