Matthew J. McEniry is an associate librarian and the director of the Digital Scholarship Lab at Texas Tech University. Robert Moses Peaslee is an associate professor and chair of Journalism and Electronic Media at the College of Media and Communication at Texas Tech University. His work has been published in several journals and he is coeditor of two previous essay collections on comics. Robert G. Weiner is the popular culture librarian at Texas Tech University. His work has been published in the Journal of Popular Culture, Public Library Quarterly, Journal of American Culture, International Journal of Comic Art and Popular Music and Society, and is the author/editor/coeditor of numerous books related to popular culture.

“one kick-ass textbook”—Flick Attack; “a blast to read”—Bookgasm; “wonderful...interesting history...belongs in every library that has a strong film collection, and in the hands of every serious film student...well worth reading”—ICv2.

• Table of ContentsAcknowledgmentsIntroduction (Robert G. Weiner, Robert Moses Peaslee, and Matthew J. McEniry)Part 1: Myth“Yeah? Well, MY god has a HAMMER!”: ­Myth-Taken Identity in the Marvel Cinematic Universe (Brian Cogan and Jeff Massey)“The terms of the contract have changed”: How Ghost Rider Carrieson Goethe’s Faustian Tradition (Jacob Garner and Thomas Simko)Transformers: The Movie: Making Modern Mythology the Marvel Way (Jason Bainbridge)You Can’t Stop Her: Elektra ­Re-Configured (Daniel Binns)Part 2: Licensed PropertiesDare to Be Stupid: The Fetishization of Heavy Metal and the New in Transformers: The Movie (Eric Garneau)Science Fiction in G.I. Joe: The Movie: Its Influence, Origin, Introduction and Development (Liam T. Webb)Conan the Destroyer of a Franchise? Analyzing and Evaluating the Adaptive and Narrative Features of Conan the Barbarian, Conan the Destroyer and The Horn of Azoth (Rodney Donahue)Part 3: The Japanese ConnectionMarvel and Toei (Jesus ­Jimenez-Varea and Miguel Ángel Pérez-Gómez)Japanese Characters and Culture in Marvel’s American Films (Stephen Miller)Part 4: Setting Up the Marvel Cinematic UniverseSowing the Seeds: How 1990s Marvel Animation Facilitated Today’s Cinematic Universe (Liam Burke)The Death of the First Marvel Television Universe (Arnold T. Blumberg)Frozen in Ice: Captain America’s Arduous Journey to the Silver Screen (David Ray Carter)The Primetime Heroics of Small Screen Avengers: Finding Sociopolitical Value in Marvel TV Movies (Jef Burnham)Part 5: The Attempt of Progressivism in the Marvel UniverseDamsels in Transgress: The Empowerment of the Damsel in the Marvel Cinematic Universe (Joseph Walderzak)Elektra: Critical Reception, Postfeminism and the Marvel Superheroine on Screen (Miriam Kent)Gods and Freaks, Soldiers and Men: Gender, Technologies and Marvel’s The Avengers (Jeremiah Favara)An Archetype or a Token? The Challenge of the Black Panther (Julian C. Chambliss)Part 6: Genre StudiesThe Daywalker: Reading Blade as Genre Hybridity (Naja Later)Body vs. Technology: Iron Man: The Rise of Technovore and Cyberpunk Culture (Vanessa Gerhards)On Your Stupid Earth: The ­De-Gerberized Duck (Rick Hudson)Part 7: The ­Anti-HeroPunishing the Punisher: Can Hollywood Ever Capture the Essencethe Character? (Cord A. Scott)Hulk Smash Binaries (D. Stokes Piercy and Ron Von Burg)From Comic Book ­Anti-Hero to Cinematic Supervillain: The Transmedia Extension of Magneto (Joshua Wucher)About the ContributorsIndex

Matthew J. McEniry is an associate librarian and the director of the Digital Scholarship Lab at Texas Tech University. Robert Moses Peaslee is an associate professor and chair of Journalism and Electronic Media at the College of Media and Communication at Texas Tech University. His work has been published in several journals and he is coeditor of two previous essay collections on comics. Robert G. Weiner is the popular culture librarian at Texas Tech University. His work has been published in the Journal of Popular Culture, Public Library Quarterly, Journal of American Culture, International Journal of Comic Art and Popular Music and Society, and is the author/editor/coeditor of numerous books related to popular culture.

“one kick-ass textbook”—Flick Attack; “a blast to read”—Bookgasm; “wonderful...interesting history...belongs in every library that has a strong film collection, and in the hands of every serious film student...well worth reading”—ICv2.

• Table of ContentsAcknowledgmentsIntroduction (Robert G. Weiner, Robert Moses Peaslee, and Matthew J. McEniry)Part 1: Myth“Yeah? Well, MY god has a HAMMER!”: ­Myth-Taken Identity in the Marvel Cinematic Universe (Brian Cogan and Jeff Massey)“The terms of the contract have changed”: How Ghost Rider Carrieson Goethe’s Faustian Tradition (Jacob Garner and Thomas Simko)Transformers: The Movie: Making Modern Mythology the Marvel Way (Jason Bainbridge)You Can’t Stop Her: Elektra ­Re-Configured (Daniel Binns)Part 2: Licensed PropertiesDare to Be Stupid: The Fetishization of Heavy Metal and the New in Transformers: The Movie (Eric Garneau)Science Fiction in G.I. Joe: The Movie: Its Influence, Origin, Introduction and Development (Liam T. Webb)Conan the Destroyer of a Franchise? Analyzing and Evaluating the Adaptive and Narrative Features of Conan the Barbarian, Conan the Destroyer and The Horn of Azoth (Rodney Donahue)Part 3: The Japanese ConnectionMarvel and Toei (Jesus ­Jimenez-Varea and Miguel Ángel Pérez-Gómez)Japanese Characters and Culture in Marvel’s American Films (Stephen Miller)Part 4: Setting Up the Marvel Cinematic UniverseSowing the Seeds: How 1990s Marvel Animation Facilitated Today’s Cinematic Universe (Liam Burke)The Death of the First Marvel Television Universe (Arnold T. Blumberg)Frozen in Ice: Captain America’s Arduous Journey to the Silver Screen (David Ray Carter)The Primetime Heroics of Small Screen Avengers: Finding Sociopolitical Value in Marvel TV Movies (Jef Burnham)Part 5: The Attempt of Progressivism in the Marvel UniverseDamsels in Transgress: The Empowerment of the Damsel in the Marvel Cinematic Universe (Joseph Walderzak)Elektra: Critical Reception, Postfeminism and the Marvel Superheroine on Screen (Miriam Kent)Gods and Freaks, Soldiers and Men: Gender, Technologies and Marvel’s The Avengers (Jeremiah Favara)An Archetype or a Token? The Challenge of the Black Panther (Julian C. Chambliss)Part 6: Genre StudiesThe Daywalker: Reading Blade as Genre Hybridity (Naja Later)Body vs. Technology: Iron Man: The Rise of Technovore and Cyberpunk Culture (Vanessa Gerhards)On Your Stupid Earth: The ­De-Gerberized Duck (Rick Hudson)Part 7: The ­Anti-HeroPunishing the Punisher: Can Hollywood Ever Capture the Essencethe Character? (Cord A. Scott)Hulk Smash Binaries (D. Stokes Piercy and Ron Von Burg)From Comic Book ­Anti-Hero to Cinematic Supervillain: The Transmedia Extension of Magneto (Joshua Wucher)About the ContributorsIndex

Matthew J. McEniry is an associate librarian and the director of the Digital Scholarship Lab at Texas Tech University. Robert Moses Peaslee is an associate professor and chair of Journalism and Electronic Media at the College of Media and Communication at Texas Tech University. His work has been published in several journals and he is coeditor of two previous essay collections on comics. Robert G. Weiner is the popular culture librarian at Texas Tech University. His work has been published in the Journal of Popular Culture, Public Library Quarterly, Journal of American Culture, International Journal of Comic Art and Popular Music and Society, and is the author/editor/coeditor of numerous books related to popular culture.

“one kick-ass textbook”—Flick Attack; “a blast to read”—Bookgasm; “wonderful...interesting history...belongs in every library that has a strong film collection, and in the hands of every serious film student...well worth reading”—ICv2.

• Table of ContentsAcknowledgmentsIntroduction (Robert G. Weiner, Robert Moses Peaslee, and Matthew J. McEniry)Part 1: Myth“Yeah? Well, MY god has a HAMMER!”: ­Myth-Taken Identity in the Marvel Cinematic Universe (Brian Cogan and Jeff Massey)“The terms of the contract have changed”: How Ghost Rider Carrieson Goethe’s Faustian Tradition (Jacob Garner and Thomas Simko)Transformers: The Movie: Making Modern Mythology the Marvel Way (Jason Bainbridge)You Can’t Stop Her: Elektra ­Re-Configured (Daniel Binns)Part 2: Licensed PropertiesDare to Be Stupid: The Fetishization of Heavy Metal and the New in Transformers: The Movie (Eric Garneau)Science Fiction in G.I. Joe: The Movie: Its Influence, Origin, Introduction and Development (Liam T. Webb)Conan the Destroyer of a Franchise? Analyzing and Evaluating the Adaptive and Narrative Features of Conan the Barbarian, Conan the Destroyer and The Horn of Azoth (Rodney Donahue)Part 3: The Japanese ConnectionMarvel and Toei (Jesus ­Jimenez-Varea and Miguel Ángel Pérez-Gómez)Japanese Characters and Culture in Marvel’s American Films (Stephen Miller)Part 4: Setting Up the Marvel Cinematic UniverseSowing the Seeds: How 1990s Marvel Animation Facilitated Today’s Cinematic Universe (Liam Burke)The Death of the First Marvel Television Universe (Arnold T. Blumberg)Frozen in Ice: Captain America’s Arduous Journey to the Silver Screen (David Ray Carter)The Primetime Heroics of Small Screen Avengers: Finding Sociopolitical Value in Marvel TV Movies (Jef Burnham)Part 5: The Attempt of Progressivism in the Marvel UniverseDamsels in Transgress: The Empowerment of the Damsel in the Marvel Cinematic Universe (Joseph Walderzak)Elektra: Critical Reception, Postfeminism and the Marvel Superheroine on Screen (Miriam Kent)Gods and Freaks, Soldiers and Men: Gender, Technologies and Marvel’s The Avengers (Jeremiah Favara)An Archetype or a Token? The Challenge of the Black Panther (Julian C. Chambliss)Part 6: Genre StudiesThe Daywalker: Reading Blade as Genre Hybridity (Naja Later)Body vs. Technology: Iron Man: The Rise of Technovore and Cyberpunk Culture (Vanessa Gerhards)On Your Stupid Earth: The ­De-Gerberized Duck (Rick Hudson)Part 7: The ­Anti-HeroPunishing the Punisher: Can Hollywood Ever Capture the Essencethe Character? (Cord A. Scott)Hulk Smash Binaries (D. Stokes Piercy and Ron Von Burg)From Comic Book ­Anti-Hero to Cinematic Supervillain: The Transmedia Extension of Magneto (Joshua Wucher)About the ContributorsIndex