Judith B. Kerman, professor emerita of English at Saginaw Valley State University, has ten books or chapbooks of poetry and translations, including a seminal collection of scholarly articles about the film Blade Runner. She is publisher and editor of Mayapple Press in Woodstock, New York. John Edgar Browning is a visiting lecturer at Georgia Tech and has over twelve published and forthcoming books on Bram Stoker, vampires and horror.

• Table of ContentsAcknowledgmentsviiiForeword: The Rumpelstiltskin Factor (Jane Yolen)Editors’ Preface (Judith B. Kerman and John Edgar Browning)Introduction: Fantasy as Testimony (Gary K. Wolfe)Part I: Avenues of the Fantastic in Holocaust LiteratureUses of the Fantastic in Literature of the Holocaust (Judith B. Kerman)The Fantastic in Holocaust Literature: Writing and Unwriting the Unbearable (Michael P. McCleary)Surviving the Survivor: Art Spiegelman’s Maus (Joan Gordon)The Fantastic Search for Hitler: The Führer’s Defense in His Own Words (Eric J. Sterling)“Hidden in Plain Sight”: On Holocaust Fantasy in the ­Metaphysical Detective Story (Patricia Merivale)The Summons of Freedom: Fantastic History in Jonathan Safran Foer’s Everything Is Illuminated (Paul Eisenstein)Part II: The Holocaust and Fantasy LiteratureThe Last of the Just: Lifting Moloch to Heave (Jules Zanger)The Door to Lilith’s Cave: Memory and Imagination in Jane Yolen’s Holocaust Novels (Ellen R. Weil)Mother Goose Tales: Intergenerational Storytelling and the Holocaust in Jane Yolen’s Briar Rose and Peter Rushforth’s Kindergarten (Vandana Saxena)The Devil’s Arithmetic and Time Travel: Truth and Memory (Carol A. Senf)Part III. (Re)Imagining the Holocaust Through Horror, Humor and Science FictionA Holocaust Education in Reverse: Stephen King’s “The Summer of Corruption: Apt Pupil” (Leon Stein)Holocaust-as-Horror, Science Fiction and the “Look” of the “Real/Reel” in V (1983) (John Edgar Browning)A Dishonest Reckoning: Play-“Acting Through” Personal Trauma and the Shoah in Martin Scorsese’s Shutter Island (2010) (Kristopher Mecholsky)Going Beyond Horror: Fantasy, Humor and the Holocaust (Caroline Joan (Kay) S. Picart)BibliographyAbout the ContributorsIndex

Judith B. Kerman, professor emerita of English at Saginaw Valley State University, has ten books or chapbooks of poetry and translations, including a seminal collection of scholarly articles about the film Blade Runner. She is publisher and editor of Mayapple Press in Woodstock, New York. John Edgar Browning is a visiting lecturer at Georgia Tech and has over twelve published and forthcoming books on Bram Stoker, vampires and horror.

• Table of ContentsAcknowledgmentsviiiForeword: The Rumpelstiltskin Factor (Jane Yolen)Editors’ Preface (Judith B. Kerman and John Edgar Browning)Introduction: Fantasy as Testimony (Gary K. Wolfe)Part I: Avenues of the Fantastic in Holocaust LiteratureUses of the Fantastic in Literature of the Holocaust (Judith B. Kerman)The Fantastic in Holocaust Literature: Writing and Unwriting the Unbearable (Michael P. McCleary)Surviving the Survivor: Art Spiegelman’s Maus (Joan Gordon)The Fantastic Search for Hitler: The Führer’s Defense in His Own Words (Eric J. Sterling)“Hidden in Plain Sight”: On Holocaust Fantasy in the ­Metaphysical Detective Story (Patricia Merivale)The Summons of Freedom: Fantastic History in Jonathan Safran Foer’s Everything Is Illuminated (Paul Eisenstein)Part II: The Holocaust and Fantasy LiteratureThe Last of the Just: Lifting Moloch to Heave (Jules Zanger)The Door to Lilith’s Cave: Memory and Imagination in Jane Yolen’s Holocaust Novels (Ellen R. Weil)Mother Goose Tales: Intergenerational Storytelling and the Holocaust in Jane Yolen’s Briar Rose and Peter Rushforth’s Kindergarten (Vandana Saxena)The Devil’s Arithmetic and Time Travel: Truth and Memory (Carol A. Senf)Part III. (Re)Imagining the Holocaust Through Horror, Humor and Science FictionA Holocaust Education in Reverse: Stephen King’s “The Summer of Corruption: Apt Pupil” (Leon Stein)Holocaust-as-Horror, Science Fiction and the “Look” of the “Real/Reel” in V (1983) (John Edgar Browning)A Dishonest Reckoning: Play-“Acting Through” Personal Trauma and the Shoah in Martin Scorsese’s Shutter Island (2010) (Kristopher Mecholsky)Going Beyond Horror: Fantasy, Humor and the Holocaust (Caroline Joan (Kay) S. Picart)BibliographyAbout the ContributorsIndex

Judith B. Kerman, professor emerita of English at Saginaw Valley State University, has ten books or chapbooks of poetry and translations, including a seminal collection of scholarly articles about the film Blade Runner. She is publisher and editor of Mayapple Press in Woodstock, New York. John Edgar Browning is a visiting lecturer at Georgia Tech and has over twelve published and forthcoming books on Bram Stoker, vampires and horror.

• Table of ContentsAcknowledgmentsviiiForeword: The Rumpelstiltskin Factor (Jane Yolen)Editors’ Preface (Judith B. Kerman and John Edgar Browning)Introduction: Fantasy as Testimony (Gary K. Wolfe)Part I: Avenues of the Fantastic in Holocaust LiteratureUses of the Fantastic in Literature of the Holocaust (Judith B. Kerman)The Fantastic in Holocaust Literature: Writing and Unwriting the Unbearable (Michael P. McCleary)Surviving the Survivor: Art Spiegelman’s Maus (Joan Gordon)The Fantastic Search for Hitler: The Führer’s Defense in His Own Words (Eric J. Sterling)“Hidden in Plain Sight”: On Holocaust Fantasy in the ­Metaphysical Detective Story (Patricia Merivale)The Summons of Freedom: Fantastic History in Jonathan Safran Foer’s Everything Is Illuminated (Paul Eisenstein)Part II: The Holocaust and Fantasy LiteratureThe Last of the Just: Lifting Moloch to Heave (Jules Zanger)The Door to Lilith’s Cave: Memory and Imagination in Jane Yolen’s Holocaust Novels (Ellen R. Weil)Mother Goose Tales: Intergenerational Storytelling and the Holocaust in Jane Yolen’s Briar Rose and Peter Rushforth’s Kindergarten (Vandana Saxena)The Devil’s Arithmetic and Time Travel: Truth and Memory (Carol A. Senf)Part III. (Re)Imagining the Holocaust Through Horror, Humor and Science FictionA Holocaust Education in Reverse: Stephen King’s “The Summer of Corruption: Apt Pupil” (Leon Stein)Holocaust-as-Horror, Science Fiction and the “Look” of the “Real/Reel” in V (1983) (John Edgar Browning)A Dishonest Reckoning: Play-“Acting Through” Personal Trauma and the Shoah in Martin Scorsese’s Shutter Island (2010) (Kristopher Mecholsky)Going Beyond Horror: Fantasy, Humor and the Holocaust (Caroline Joan (Kay) S. Picart)BibliographyAbout the ContributorsIndex