Critical Explorations in Science Fiction and Fantasy – Serie
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Literary critics and scholars have written extensively on the demise of the "utopian spirit" in the modern novel. What has often been overlooked is the emergence of a new hybrid subgenre, particularly in science fiction and fantasy, which incorporates utopian strategies within the dystopian narrative, particularly in the feminist dystopias of the 1980s and 1990s. The author names this new subgenre "transgressive utopian dystopias."Suzette Haden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's Tale are thoroughly analyzed within the context of this this new subgenre of "transgressive utopian dystopias." Analysis focuses particularly on how these works cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative. Without completely dissolving the dualistic order, the feminist dystopias studied here contest the notions of unambiguity and authenticity that are generally part of the canon.
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Tolkien and Shakespeare: one a prolific popular dramatist and poet of the Elizabethan era, the other a twentieth-century scholar of Old English and author of a considerably smaller body of work. Though unquestionably very different writers, the two have more in common than one might expect.These essays focus on the broad themes and motifs which concerned both authors. They seek to uncover Shakespeare's influence on Tolkien through echoes of the playwright's themes and even word choices, discovering how Tolkien used, revised, updated, "corrected," and otherwise held an ongoing dialogue with Shakespeare's works.The depiction of Elves and the world of Faerie, and how humans interact with them, are some of the most obvious points of comparison and difference for the two writers. Both Tolkien and Shakespeare deeply explored the uses and abuses of power with princes, politics, war, and the lessons of history. Magic and prophecy were also of great concern to both authors, and the works of both are full of encounters with the Other: masks and disguises, mirrors that hide and reveal, or seeing stones that show only part of the truth.
Culture, Identities and Technology in the Star Wars Films
Essays on the Two Trilogies
Häftad, Engelska, 2007
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Released in May 1977, the original Star Wars movie inaugurated the age of the movie blockbuster. It also redefined the use of cinematic special effects, creating a new textual universe that now stretches through three decades, two trilogies and generations of fascinated viewers. The body of critical analysis that has developed from this epic focuses primarily on the Star Wars universe as a contemporary myth. However, like any fiction, it must also be viewed--and consequently analyzed--as a product of the culture which created it.The essays in this book analyze the Star Wars trilogies as a culturally and historically specific phenomenon. Moving away from the traditional myth-based criticism of the films, the essayists employ a cultural studies model to examine how this phenomenon intersects with social formations such as economics, technology, race and gender. Critical approaches are varied and include political and economic analysis informed by feminism, contemporary race theory, Marxism, new media studies and post-humanism. Among the topics covered are the connections between the trilogies and our own cultural landscape; the problematic issues of race and gender; and the thematic implications of Lucas' presentation of technology.Instructors considering this book for use in a course may request an examination copy here.
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When the first season of Star Trek opened to American television viewers in 1966, the thematically insightful sci-fi story line presented audiences with the exciting vision of a bold voyage into the final frontiers of space and strange, new galactic worlds. Perpetuating this enchanting vision, the story has become one of the longest running and most multifaceted franchises in television history. Moreover, it has presented an inspiring message for the future, addressing everything from social, political, philosophical, and ethical issues to progressive and humanist representations of race, gender, and class.This book contends that Star Trek is not just a set of television series, but has become a pervasive part of the identity of the millions of people who watch, read and consume the films, television episodes, network specials, novelizations, and fan stories. Examining Star Trek from various critical angles, the essays in this collection provide vital new insights into the myriad ways that the franchise has affected the culture it represents, the people who watch the series, and the industry that created it.
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An examination of science fiction editor and author Hugo Gernsback's career, this critical study explores the many ways in which his work influenced the genre. It summarizes the science fiction theories of Gernsback and his successors, considers his efforts to define science fiction both verbally and visually, and for the first time offers detailed studies of his rarest periodicals, including Technocracy Review, Superworld Comics, and Science-Fiction Plus. An analysis of his ground-breaking novel, Ralph 124C 41+: A Romance of the Year 2660, and its influences on a variety of science fiction novels, films and television programs is also offered.
One Earth, One People
The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott Card
Häftad, Engelska, 2008
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This work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters.
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The History of Middle-earth traces the evolution of J.R.R. Tolkien's literary world, stories, and characters from their earliest written forms to the final revisions Tolkien penned shortly before his death in 1973. Published posthumously by Tolkien's son Christopher, the extensively detailed 12-volume work allows readers to follow the development of the texts that eventually became Tolkien's immensely popular The Hobbit, The Lord of The Rings, The Silmarillion, and Unfinished Tales.This work provides a thorough study of Tolkien's life and influences through an analysis of The History of Middle-earth. The work begins with a brief biography and an analysis of the major influences in Tolkien's life. Following chapters deal with elements common to Tolkien's popular works, including the cosmogony, theogony, cosmology, metaphysics, and eschatology of Middle-earth. The study also reviews some of the myths with which Tolkien was most familiar--Greek, Roman, Finnish, and Norse--and reveals the often overlapping relationship between mythology, biblical stories, and Tolkien's popular works.
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While Kim Stanley Robinson is perhaps best known for his hard science fiction works Red Mars, Green Mars and Blue Mars, the epic trilogy exploring ecological and sociological themes involved in human settlement of the Red Planet, his contributions to utopian science fiction are diverse and numerous. Along with aspects of sociology and ecology in the Mars trilogy and other topics, these essays examine Robinson's use of alternate history and politics, both in his many novels and in his short stories. While Robinson has long been a subject of literary criticism, this collection, which includes five new essays and is drawn from writers on four continents, broadens the interpretive debate surrounding Robinson's science fiction and argues for consideration of the author as an intellectual figure of the first rank.
Del 14 - Critical Explorations in Science Fiction and Fantasy
Inter-Galactic Playground
A Critical Study of Children's and Teens' Science Fiction
Häftad, Engelska, 2009
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Science fiction is often considered the genre of ideas and imagination, which would seem to make it ideal for juveniles and young adults; however, the ideas are often dispensed by adults. This book considers the development of science fiction for children and teens between 1950 and 2010, exploring why it differs from science fiction aimed at adults. In a broader sense, this critical examination of 400 texts sheds light on changing attitudes toward children and teenagers, toward science education, and toward the authors' expectations and sociological views of their audience.
Feminist Narrative and the Supernatural
The Function of Fantastic Devices in Seven Recent Novels
Häftad, Engelska, 2008
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Women authors have explored fantasy fiction in ways that connect with feminist narrative theories, as examined here by Katherine J. Weese in seven modern novels. These include Margaret Atwood's Lady Oracle, Iris Murdoch's The Sea, the Sea, Marilynne Robinson's Housekeeping, Carol Shields's The Stone Diaries, Barbara Kingsolver's The Poisonwood Bible, and Toni Morrison's Beloved and Paradise.The fantastic devices highlight various feminist narrative concerns such as the authority of the female voice, the implications of narrative form for gender construction, revisions to traditional genre conventions by women writers, and the recovery of alternative versions of stories suppressed by dominant historical narratives. Weese also frames the fantastic elements in the scope of traditional fictional structure.Instructors considering this book for use in a course may request an examination copy here.
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This book studies the treatment of science and technology from ancient myths to current works, demonstrating the importance of science to human civilization as evidenced in literature. Works studied include the Bible, Greek mythology, tales from the Middle Ages (including those about the Golem and Dr. Faustus), Gulliver's Travels, Frankenstein, Dr. Jekyll and Mr. Hyde, and works by Jules Verne, H.G. Wells, George Orwell, Bertrand Russell, and Aldous Huxley, among others.
Science of Fiction and the Fiction of Science
Collected Essays on SF Storytelling and the Gnostic Imagination
Häftad, Engelska, 2009
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A member of the Pulitzer Prize jury, the late Frank McConnell helped science fiction gain standing as serious literature. His 16 essays herein were first presented as papers at the prestigious Eaton Conferences. Initially believing that science fiction is primarily one of many forms of storytelling, McConnell gradually recognized science fiction as a modern expression of Gnosticism, rejecting bodily concerns for an emphasis on spirituality.
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Considered George MacDonald's greatest work, Lilith (1895) is among the most popular and profound fantasy novels of the Victorian era. This collection of critical essays is the first book-length study of this important literary work. The selections function in working dialogue with one another, driven by the central idea of liminality in fantasy literature. In addition to providing fresh interpretations of the novel, these essays implement esteemed background scholarship on Lilith, including that of notable author C.S. Lewis. Analytical topics include MacDonald's rhetorical strategy as a writer of prose romance, the implications of the novel's famous "endless ending," and the significance of Lilith in the development of modern fantasy.
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This first book-length study of French-language science fiction from Canada provides an introduction to the subgenre known as "SFQ" (science fiction from Quebec). In addition, it offers in-depth analyses of SFQ sagas by Jacques Brossard, Esther Rochon, and Elisabeth Vonarburg. It demonstrates how these multivolume narratives of colonization and postcolonial societies exploit themes typical of postcolonial literatures, including the denunciation of oppressive colonial systems, the utopian hope for a better future, and the celebration of tolerant pluralistic societies. A bibliography of SFQ available in English translation is included.
Comics as a Nexus of Cultures
Essays on the Interplay of Media, Disciplines and International Perspectives
Häftad, Engelska, 2010
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These essays from various critical disciplines examine how comic books and graphic narratives move between various media, while merging youth and adult cultures and popular and high art. The articles feature international perspectives on comics and graphic novels published in the U.S., Canada, Great Britain, Portugal, Germany, Turkey, India, and Japan. Topics range from film adaptation, to journalism in comics, to the current manga boom.
Anatomy of Utopia
Narration, Estrangement and Ambiguity in More, Wells, Huxley and Clarke
Häftad, Engelska, 2010
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Since the early rise of the novel, utopian stories have held the public imagination. This critical text argues that though these books are commonly seen as social statements or ideological propaganda, they should be treated as literary texts, not as blueprints for a human community. Thomas More's Utopia, H.G. Wells's A Modern Utopia, Aldous Huxley's Brave New World, and Arthur C. Clarke's The City and the Stars are examined as texts representative of utopianism during specific historical periods. This thoughtful study is a vital addition to critical discussion of utopian literature.
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The first book-length treatment of Le Guin's feminism, this text offers a career-spanning look at her engagement with modern gender theory and practice. During the 1970s, Le Guin experienced a paradigm shift to feminism, a change which had profound effects on her work. This critical examination explores the masculinist nature of her early writing and how her work changed both thematically and aesthetically as a result of her newfound feminism. Of particular interest is her later phase, wherein Le Guin transitions to a more inclusive post-feminism, privileging unity and balance over separatism. A vital addition to Le Guin criticism.
Stephen R. Donaldson and the Modern Epic Vision
A Critical Study of the "Chronicles of Thomas Covenant" Novels
Häftad, Engelska, 2009
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This critical study analyzes Stephen R. Donaldson's role as a modern writer who uses the fantasy genre to discuss situations and predicaments germane to the modern world. Donaldson reclaims an epic vision in his Thomas Covenant novels that is lacking in most modern literature. Chapters demonstrate how this use of epic heroism helps solve seemingly insurmountable problems and provides more meaning and purpose for individuals. As Donaldson's characters learn to transcend their world, the reader is engaged in a serious, enlightened discussion about the need for imagination, responsibility and acceptance to resolve such problems as alienation, pollution, disease and despair.
Science Fiction and the Two Cultures
Essays on Bridging the Gap Between the Sciences and the Humanities
Häftad, Engelska, 2009
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Essays in this volume demonstrate how science fiction can serve as a bridge between the sciences and the humanities. The essays show how early writers like Dante and Mary Shelley revealed a gradual shift toward a genuine understanding of science; how H.G. Wells first showed the possibilities of combining scientific and humanistic perspectives; how writers influenced by Gernsback's ideas, like Isaac Asimov, illustrated the ways that literature could interact with science and assist in its progress; and how more recent writers offer critiques of science and its practitioners.
Cult Telefantasy Series
A Critical Analysis of The Prisoner, Twin Peaks, The X-Files, Buffy the Vampire Slayer, Lost, Heroes, Doctor Who and Star Trek
Häftad, Engelska, 2011
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From The Prisoner in the 1960s to the more recent Heroes and Lost, a group of television series with strong elements of fantasy have achieved cult status. Focusing on eight such series, this work analyzes their respective innovations and influences. Assessing the strategies used to promote "cult" appeal, it also appraises increased opportunities for interaction between series creators and fans and evaluates how television fantasy has utilized transmedia storytelling. Notable changes within broadcasting are discussed to explain how challenging long-form dramas have emerged, and why telefantasy has transcended niche status to enjoy significant prominence and popularity.
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Robert A. Heinlein's early, juvenile science fiction novels appeared between 1947 and 1963, just as America was emerging from World War II and entering the space age, and are among his richest and most warmly remembered books. This comprehensive work defines the many names, terms and cultural references that appear in Heinlein's juvenile novels, noting where they are found, explaining their sources and tracking their occurrences throughout the series. Of particular interest is the way in which Heinlein used science fiction to parallel the exploration of outer space with the settlement of the North American continent. Appendices provide a precis of the plot of each book, and speculate on some of the names and terms for which no specific reference could be found.
Illuminating Torchwood
Essays on Narrative, Character and Sexuality in the BBC Series
Häftad, Engelska, 2010
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Created in 2006 as a spinoff of Doctor Who, the internationally popular BBC television series Torchwood is a unique blend of science fiction and fantasy, with much more of an adult flavor than its progenitor. The series' "omnisexual" protagonist, maverick 51st-century time agent Captain Jack Harkness, leads a team of operatives from the present-day Torchwood Institute, a secret organization dedicated to battling supernatural and extraterrestrial criminals. With its archetypal characters, adult language, subversive humor and openly homosexual and bisexual storylines, Torchwood provides a wealth of material for scholarly analysis and debate.Using Torchwood as its focal point, this timely collection of essays by a range of experts and enthusiasts provides an interpretive framework for understanding the continually developing forms and genres of contemporary television drama.
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Written by international experts from a range of disciplines, these essays examine the uniquely British contribution to science fiction film and television. Viewing British SF as a cultural phenomenon that challenges straightforward definitions of genre, nationhood, authorship and media, the editors provide a conceptual introduction placing the essays within their critical context. Essay topics include Hammer science fiction films, the various incarnations of Doctor Who, Stanley Kubrick's A Clockwork Orange, and such 21st-century productions as 28 Days Later and Torchwood.
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Fantasy writing, like literature in general, provides a powerful vehicle for challenging the status quo. Via symbolism, imagery and supernaturalism, fantasy constructs secondary-world narratives that both mirror and critique the political paradigms of our own world. This critical work explores the role of the portal in fantasy, investigating the ways in which magical nexus points and movement between worlds are used to illustrate real-world power dynamics, especially those impacting women and children. Through an examination of high and low fantasy, fairy tales, children's literature, the Gothic, and science fiction, the portal is identified as a living being, place or magical object of profound metaphorical and cultural significance.
Del 20 - Critical Explorations in Science Fiction and Fantasy
Animal Fable in Science Fiction and Fantasy
Häftad, Engelska, 2010
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Though animal stories and fables stretch back into the antiquity of ancient India, Persia, Greece and Rome, the reasons for writing them and their resonance for readers (and listeners) remain consistent to the present. This work argues that they were essential sources of amusement and instruction--and were also often profoundly unsettling. Such authors in the realm of the animal fable as Tolkien, Freud, Voltaire, Bakhtin, Cordwainer Smith, Karel Capek, Vladimir Propp, and many more are discussed.
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Robert Holdstock was a prolific writer whose oeuvre included horror, fantasy, mystery and the novelization of films, often published under pseudonyms. These twelve critical essays explore Holdstock's varied output by displaying his works against the backdrop of folk and fairy tales, dissecting their spatiotemporal order, and examining them as psychic fantasies of our unconscious life or as exempla of the sublime. The individual novels of the Mythago Wood sequence are explored, as is Holdstock's early science fiction and the Merlin Codex series.
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The 13 essays in this volume explore Stephenie Meyer's wildly popular Twilight series in the contexts of literature, religion, fairy tales, film, and the gothic. Several examine Meyer's emphasis on abstinence, considering how, why, and if the author's Mormon faith has influenced the series' worldview. Others look at fan involvement in the Twilight world, focusing on how the series' avid following has led to an economic transformation in Forks, Washington, the real town where the fictional series is set. Other topics include Meyer's use of Quileute shape-shifting legends, Twilight's literary heritage and its frequent references to classic works of literature, and the series' controversial depictions of femininity.
Science Fiction and the Prediction of the Future
Essays on Foresight and Fallacy
Häftad, Engelska, 2011
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Science fiction has always challenged readers with depictions of the future. Can the genre actually provide glimpses of the world of tomorrow? This collection of fifteen international and interdisciplinary essays examines the genre's predictions and breaks new ground by considering the prophetic functions of science fiction films as well as SF literature. Among the texts and topics examined are classic stories by Murray Leinster, C. L. Moore, and Cordwainer Smith; 2001: A Space Odyssey and its sequels, Japanese anime and Hong Kong cinema; and electronic fiction.
Del 24 - Critical Explorations in Science Fiction and Fantasy
Anticipation Novelists of 1950s French Science Fiction
Stepchildren of Voltaire
Häftad, Engelska, 2010
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Following World War II, the Fleuve Noir publishing house published popular American genre fiction in translation for a French audience. Their imprint Anticipation specialized in science fiction, but mostly eschewed translations from English, preferring instead French work, thus making the imprint an important outlet for native French postwar ideas and aesthetics. This critical text examines in ideological terms eleven writers who published under the Anticipation imprint, revealing the way these writers criticized midcentury notions of progress while adapting and reworking American genre formats.
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When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy.Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010).