Tobias Hochscherf is a professor of audio-visual media at University of Applied Sciences in Kiel, Germany. His research on European film and television culture has been widely published. James Leggott is a senior lecturer in film and television studies at Northumbria University, Newcastle-upon-Tyne, England. He has published on various aspects of British film and television culture.

• Table of ContentsAcknowledgments      Introduction: British Science Fiction Beyond the TARDISTOBIAS HOCHSCHERF and JAMES LEGGOTT      1. H.G. Wells and Science Fiction CinemaJAMES CHAPMAN      2. Aftermaths: Post-Apocalyptic ImageryCHRISTIAN HOFFSTADT and DOMINIK SCHREY      3. The BBC Versus “Science Fiction”: The Collision of Transnational Genre and National Identity in Television of the Early 1950sDEREK JOHNSTON      4. Hammer Horror and Science FictionDAVID SIMMONS      5. Robert Fuest and The Final Programme: Science Fiction and the Question of StyleMICHAEL DU PLESSIS      6. “Anything Can Happen in the Next Half-Hour”: Gerry Anderson’s Transnational Science FictionJONATHAN BIGNELL      7. Tracking UFO: Format, Text and ContextPETER HUTCHINGS      8. A Clockwork Orange, Exploitation and the Art FilmI.Q. HUNTER      9. Visions of an English Dystopia: History, Technology and the Rural Landscape in The TripodsLINCOLN GERAGHTY      10. The Future of History in Dennis Potter’s Cold LazarusCHRISTINE SPRENGLER      11. Expatriate! Expatriate! Doctor Who: The Movie and Commercial Negotiation of a Multiple TextPETER WRIGHT      12. Invasion of the Brit-Snatchers: National Identity in Contemporary Science Fiction CinemaAIDAN POWER      13. A Cosy Catastrophe: Genre, National Cinema, and Fan Responses to 28 Days LaterBRIGID CHERRY      14. Desiring the Doctor: Identity, Gender and Genre in Online FandomREBECCA WILLIAMS      15. Invaders from Space, Time Travel and Omnisexuality: The Multi-Layered Narrative of TorchwoodLEE BARRON      Chapter Notes      Select Bibliography      About the Contributors      Index

Tobias Hochscherf is a professor of audio-visual media at University of Applied Sciences in Kiel, Germany. His research on European film and television culture has been widely published. James Leggott is a senior lecturer in film and television studies at Northumbria University, Newcastle-upon-Tyne, England. He has published on various aspects of British film and television culture.

• Table of ContentsAcknowledgments      Introduction: British Science Fiction Beyond the TARDISTOBIAS HOCHSCHERF and JAMES LEGGOTT      1. H.G. Wells and Science Fiction CinemaJAMES CHAPMAN      2. Aftermaths: Post-Apocalyptic ImageryCHRISTIAN HOFFSTADT and DOMINIK SCHREY      3. The BBC Versus “Science Fiction”: The Collision of Transnational Genre and National Identity in Television of the Early 1950sDEREK JOHNSTON      4. Hammer Horror and Science FictionDAVID SIMMONS      5. Robert Fuest and The Final Programme: Science Fiction and the Question of StyleMICHAEL DU PLESSIS      6. “Anything Can Happen in the Next Half-Hour”: Gerry Anderson’s Transnational Science FictionJONATHAN BIGNELL      7. Tracking UFO: Format, Text and ContextPETER HUTCHINGS      8. A Clockwork Orange, Exploitation and the Art FilmI.Q. HUNTER      9. Visions of an English Dystopia: History, Technology and the Rural Landscape in The TripodsLINCOLN GERAGHTY      10. The Future of History in Dennis Potter’s Cold LazarusCHRISTINE SPRENGLER      11. Expatriate! Expatriate! Doctor Who: The Movie and Commercial Negotiation of a Multiple TextPETER WRIGHT      12. Invasion of the Brit-Snatchers: National Identity in Contemporary Science Fiction CinemaAIDAN POWER      13. A Cosy Catastrophe: Genre, National Cinema, and Fan Responses to 28 Days LaterBRIGID CHERRY      14. Desiring the Doctor: Identity, Gender and Genre in Online FandomREBECCA WILLIAMS      15. Invaders from Space, Time Travel and Omnisexuality: The Multi-Layered Narrative of TorchwoodLEE BARRON      Chapter Notes      Select Bibliography      About the Contributors      Index

Tobias Hochscherf is a professor of audio-visual media at University of Applied Sciences in Kiel, Germany. His research on European film and television culture has been widely published. James Leggott is a senior lecturer in film and television studies at Northumbria University, Newcastle-upon-Tyne, England. He has published on various aspects of British film and television culture.

• Table of ContentsAcknowledgments      Introduction: British Science Fiction Beyond the TARDISTOBIAS HOCHSCHERF and JAMES LEGGOTT      1. H.G. Wells and Science Fiction CinemaJAMES CHAPMAN      2. Aftermaths: Post-Apocalyptic ImageryCHRISTIAN HOFFSTADT and DOMINIK SCHREY      3. The BBC Versus “Science Fiction”: The Collision of Transnational Genre and National Identity in Television of the Early 1950sDEREK JOHNSTON      4. Hammer Horror and Science FictionDAVID SIMMONS      5. Robert Fuest and The Final Programme: Science Fiction and the Question of StyleMICHAEL DU PLESSIS      6. “Anything Can Happen in the Next Half-Hour”: Gerry Anderson’s Transnational Science FictionJONATHAN BIGNELL      7. Tracking UFO: Format, Text and ContextPETER HUTCHINGS      8. A Clockwork Orange, Exploitation and the Art FilmI.Q. HUNTER      9. Visions of an English Dystopia: History, Technology and the Rural Landscape in The TripodsLINCOLN GERAGHTY      10. The Future of History in Dennis Potter’s Cold LazarusCHRISTINE SPRENGLER      11. Expatriate! Expatriate! Doctor Who: The Movie and Commercial Negotiation of a Multiple TextPETER WRIGHT      12. Invasion of the Brit-Snatchers: National Identity in Contemporary Science Fiction CinemaAIDAN POWER      13. A Cosy Catastrophe: Genre, National Cinema, and Fan Responses to 28 Days LaterBRIGID CHERRY      14. Desiring the Doctor: Identity, Gender and Genre in Online FandomREBECCA WILLIAMS      15. Invaders from Space, Time Travel and Omnisexuality: The Multi-Layered Narrative of TorchwoodLEE BARRON      Chapter Notes      Select Bibliography      About the Contributors      Index