Noelia Hernando-Real teaches English and North American literature at Universidad Complutense de Madrid in Spain. The author of numerous scholarly books, she is the vice president of the Susan Glaspell Society.

“impressive...highly valuable”—American Studies: A Quarterly;“extensive research...well-documented”—Revista de Estudios Norteamericanos; “Hernando-Real is to be applauded for the comprehensive nature of her study...the study’s sophistication allows it to rank highly in the current wave of Glaspell criticism, helping us to understand thematically and theatrically Susan Glaspell’s remarkable contributions to founding modern drama in the United States”—Eugene O’Neill Review.

• Table of ContentsAcknowledgmentsIntroduction1. Towards Geopathology in Glaspell’s Modern Drama2. American Geomythologies Revisited as Part of Dramatic Geopathology3. Geodichotomies in the Configuration of Dramatic Geopathology4. The Burden of the Past in Dramatic Geopathology5. Imagery of Death in Dramatic Geopathology6. Dramatic Principles of DepartureAfterwordChapter NotesBibliographyIndex

Noelia Hernando-Real teaches English and North American literature at Universidad Complutense de Madrid in Spain. The author of numerous scholarly books, she is the vice president of the Susan Glaspell Society.

“impressive...highly valuable”—American Studies: A Quarterly;“extensive research...well-documented”—Revista de Estudios Norteamericanos; “Hernando-Real is to be applauded for the comprehensive nature of her study...the study’s sophistication allows it to rank highly in the current wave of Glaspell criticism, helping us to understand thematically and theatrically Susan Glaspell’s remarkable contributions to founding modern drama in the United States”—Eugene O’Neill Review.

• Table of ContentsAcknowledgmentsIntroduction1. Towards Geopathology in Glaspell’s Modern Drama2. American Geomythologies Revisited as Part of Dramatic Geopathology3. Geodichotomies in the Configuration of Dramatic Geopathology4. The Burden of the Past in Dramatic Geopathology5. Imagery of Death in Dramatic Geopathology6. Dramatic Principles of DepartureAfterwordChapter NotesBibliographyIndex

Noelia Hernando-Real teaches English and North American literature at Universidad Complutense de Madrid in Spain. The author of numerous scholarly books, she is the vice president of the Susan Glaspell Society.

“impressive...highly valuable”—American Studies: A Quarterly;“extensive research...well-documented”—Revista de Estudios Norteamericanos; “Hernando-Real is to be applauded for the comprehensive nature of her study...the study’s sophistication allows it to rank highly in the current wave of Glaspell criticism, helping us to understand thematically and theatrically Susan Glaspell’s remarkable contributions to founding modern drama in the United States”—Eugene O’Neill Review.

• Table of ContentsAcknowledgmentsIntroduction1. Towards Geopathology in Glaspell’s Modern Drama2. American Geomythologies Revisited as Part of Dramatic Geopathology3. Geodichotomies in the Configuration of Dramatic Geopathology4. The Burden of the Past in Dramatic Geopathology5. Imagery of Death in Dramatic Geopathology6. Dramatic Principles of DepartureAfterwordChapter NotesBibliographyIndex