Charles Hersch is Associate Professor of Political Science at Cleveland State University.

"Hersch demonstrates Hegel's idea that, in any historical and cultural period, there is an underlying unity that animates all forms of human activity. He shows profound spiritual affinities between all sorts of people and movements who have never before been linked together in any convincing way. Hersch develops his arguments through close interpretive readings of poems, critical essays, jazz pieces in various styles, folk and rock songs, and political manifestos. He is impressive in sheer intellectual power, but also in his fluency in engaging very different genres and media, and in his sophistication in bringing so many different forms of discourse together as a coherent whole." — Marshall Berman, The City College of The City University of New York"What distinguishes this book is the combination of a sophisticated but appropriately plastic understanding of 'democracy' and an equally sophisticated engagement with literature and music. The writing is clear and economical and totally free of any kind of jargon, which is, unfortunately, rare these days." — Nicholas Xenos, University of Massachusetts at Amherst

• Preface Introduction 1. Literature and Democracy: The New York Intellectuals 2. Liberalism, the Novel, and the Self: Lionel Trilling and the Dilemmas of Political Action 3. The Sixties: Politics, Aesthetics, and Everyday Life 4. "Let Freedom Ring!": Jazz and African American Politics, 1950-1970 5. Authenticity and Surreality: Bob Dylan, the New Left, and the Counterculture Conclusion Notes Index

Charles Hersch is Associate Professor of Political Science at Cleveland State University.

"Hersch demonstrates Hegel's idea that, in any historical and cultural period, there is an underlying unity that animates all forms of human activity. He shows profound spiritual affinities between all sorts of people and movements who have never before been linked together in any convincing way. Hersch develops his arguments through close interpretive readings of poems, critical essays, jazz pieces in various styles, folk and rock songs, and political manifestos. He is impressive in sheer intellectual power, but also in his fluency in engaging very different genres and media, and in his sophistication in bringing so many different forms of discourse together as a coherent whole." — Marshall Berman, The City College of The City University of New York"What distinguishes this book is the combination of a sophisticated but appropriately plastic understanding of 'democracy' and an equally sophisticated engagement with literature and music. The writing is clear and economical and totally free of any kind of jargon, which is, unfortunately, rare these days." — Nicholas Xenos, University of Massachusetts at Amherst

• Preface Introduction 1. Literature and Democracy: The New York Intellectuals 2. Liberalism, the Novel, and the Self: Lionel Trilling and the Dilemmas of Political Action 3. The Sixties: Politics, Aesthetics, and Everyday Life 4. "Let Freedom Ring!": Jazz and African American Politics, 1950-1970 5. Authenticity and Surreality: Bob Dylan, the New Left, and the Counterculture Conclusion Notes Index

Charles Hersch is Associate Professor of Political Science at Cleveland State University.

"Hersch demonstrates Hegel's idea that, in any historical and cultural period, there is an underlying unity that animates all forms of human activity. He shows profound spiritual affinities between all sorts of people and movements who have never before been linked together in any convincing way. Hersch develops his arguments through close interpretive readings of poems, critical essays, jazz pieces in various styles, folk and rock songs, and political manifestos. He is impressive in sheer intellectual power, but also in his fluency in engaging very different genres and media, and in his sophistication in bringing so many different forms of discourse together as a coherent whole." — Marshall Berman, The City College of The City University of New York"What distinguishes this book is the combination of a sophisticated but appropriately plastic understanding of 'democracy' and an equally sophisticated engagement with literature and music. The writing is clear and economical and totally free of any kind of jargon, which is, unfortunately, rare these days." — Nicholas Xenos, University of Massachusetts at Amherst

• Preface Introduction 1. Literature and Democracy: The New York Intellectuals 2. Liberalism, the Novel, and the Self: Lionel Trilling and the Dilemmas of Political Action 3. The Sixties: Politics, Aesthetics, and Everyday Life 4. "Let Freedom Ring!": Jazz and African American Politics, 1950-1970 5. Authenticity and Surreality: Bob Dylan, the New Left, and the Counterculture Conclusion Notes Index