Charles Hersch – författare

Creating Democracy brings into dialogue for the first time two important theorists of democracy: Hannah Arendt (1906–75) and Mikhail Bakhtin (1895–975). Their shared conception of democracy stemming from their encounters with totalitarian governments – Nazi Germany for Arendt and Stalinist Russia for Bakhtin – and the rise of authoritarian populism in both Europe and America make their ideas more relevant than ever.Charles Hersch contends that Arendt and Bakhtin have a unique vision of democracy that centers on creation and creativity. These two thinkers imagine a world that both makes room for the cultivation and expression of each person’s individuality and facilitates healthy interdependence, one that does not reduce us to sameness. They also describe the many threats to such a humanistic world, whether ideological, social, or political.Creating Democracy also makes a unique contribution to debates in political theory about the possibility of freedom in modern society. Offering an alternative to poststructuralism and liberalism, Arendt and Bakhtin show us how, in a variety of complex ways, subjects who are influenced by their culture, especially by the language in which they speak and think, can nonetheless help construct themselves and the world. For both thinkers, humans are meaning-making beings who shape the world, primarily through language, even as it shapes us. This book brings to light a rich vision of democracy that is sorely needed in a time when authoritarianism threatens us more than it has in decades. Students and scholars in political science, cultural studies, and literature will all find this book indispensable.

Focusing on the political movements of the 1950s and 1960s, this book argues that the arts can strengthen democracy by politically educating citizens.Focusing on a period in which the meaning of democracy came to the forefront of public debate, the fifties and sixties, the author argues that the arts can strengthen democracy by politically educating citizens. Hersch addresses this issue by first looking at the ideas of Lionel Trilling and the New York Intellectuals in the 1950s, as expressed through literature and social commentary, and then by showing how jazz and rock musicians in the 1960s, through their individual songs and performances, expressed the ideas and ideals of the political movements of that decade. Democratic Artworks is the first to consider the New York Intellectuals, sixties jazz, or Bob Dylan from the perspective of political theory and to focus on their contributions to democracy.