Image and Imperialism in the Ottoman Revolutionary Press, 1908-1911

AvPalmira Brummett

Inbunden, Engelska, 2000

Del i serien SUNY series in the Social and Economic History of the Middle East

1 088 kr

Tillfälligt slut

Fler format och utgåvor

Häftad

626 kr

Beskrivning

An illustrated work focusing on the ways in which satirical publications revealed evolution in Ottoman society.Palmira Brummett provides a new vision, through the prism of 100 cartoons, of the confrontation between tradition and modernity, "Orient" and "Occident," and rhetoric and reality. Taking a unique period in modern Middle Eastern history, the Ottoman Constitutional Revolution of 1908, Brummett examines the Istanbul satirical press and artfully weaves the narrative and images of political, economic, and cultural transformation to create a new vision of the Middle East at the end of the empire.This pioneering work of cultural history is drawn against the backgrounds of Ottoman-European relations and press history. It shows how Ottoman cartoonists merged the literary and artistic cultures of East and West through comparisons to the press production and art of Europe, India, Latin America, and the Middle East. In doing so, it intersects with the broader set of studies in European history, the implications of modernity, and the rhetorical uses of images.

Produktinformation

Utgivningsdatum:2000-03-02
Mått:152 x 229 x 31 mm
Vikt:748 g
Format:Inbunden
Språk:Engelska
Serie:SUNY series in the Social and Economic History of the Middle East
Antal sidor:490
Förlag:State University of New York Press
ISBN:9780791444634

Utforska kategorier

Media och underhållning inom Ekonomi och Ledarskap

Mer om författaren

Palmira Brummett is Associate Professor of History, University of Tennessee. She is the author of Ottoman Seapower and Levantine Diplomacy in the Age of Discovery, also published by SUNY Press.

Recensioner i media

"…a very interesting, stimulating, and thought-provoking study." — Digest of Middle East Studies"This is a truly innovative book. Its importance lies in several dimensions. It does not merely interpret political cartoons—it has much to say about the material condition in which the presses functioned in that period. It provides a history of the Istanbul press and demonstrates that late Ottoman intellectuals had a wide range of thoughts and emotions concerning the Ottoman state and its place in the context of other European powers. It breaks new ground. In connecting the Ottoman situation to that of other formally colonized places, Brummett provides an expanded context for treating the specific circumstances of the place and time. The author's command of the subtleties for the Turkish language and the cultural symbolisms of women is also most impressive." — Gregory C. Kozlowski, author of The Concise History of Islam and the Origin of Empires

Innehållsförteckning

List of IllustrationsAcknowledgmentsDatingOn Translating CartoonsA Note on TransliterationIIntroductiona. Historical Backgroundb. MethodIIPublishing, Format, Images, and ReadersIIIThe Voice and Image of the Public, and Its TargetsIVRevolutionary Exemplars: France and IranVThe Comic Sovereign: The Satirical Critique of AuthorityVIThe Comic Aggressor: The Critique of European Political and Economic HegemonyVIIThe Comic Culture: The Critique of Society, Culture, and European InfluenceVIIIFashion Satire and the Honor of the NationIXDogs, Crime, Women, Cholera, and Other Menaces in the StreetsXTechnology, Transport, and the "Modern" StreetXIConclusion: Revolutionary Options, Satiric Imagery, and the Historiographic FrameAppendicesAppendix 1. List of GazettesAppendix 2. Price and PostAppendix 3. Location of PublishersNotesBibliographyIndex