Adriana Cavarero is Professor of Political Philosophy at the University of Verona, Italy, and Visiting Professor at the University of California, Berkeley, and New York University. Italy's most renowned feminist philosopher, she is the author of numerous essays and books, including (in English) In Spite of Plato (1995), Relating Narratives: Storytelling and Selfhood (2000), and Stately Bodies (2002).

"Cavarero is lyrical, commanding, sweeping."—Theory & Event "The material gathered here is striking for both its breadth and the richness of treatment." —Philosophy in Review/Comptes Rendus philosophiques

• Table of Contents Translator's Introduction...Paul A. Kottman Introduction 1. The Voice According to Calvino Introduction 2. Preliminary Outline of the Theme of the Voice; or, Philosophy Closes its Ears PART I -- How Logos Lost its Voice 1. The Voice of Jacob 2. 'Saying,' Instead of the 'Said' 3. The De-vocalization of logos 4. The Voice of the Soul 5. The Strange Case of the Anti-Metaphysician Ireneo Funes 6. The Voice of Language 7. When Thinking Was Done With the Lungs... 8. Some Irresistible (and Somewhat Dangerous) Flute-Playing 9. The Rhapsodic Voice; or, Ion's Specialty PART II. Women Who Sing 1. 'Sing to Me, O Muse' 2. The Fate of the Sirens 3. Melodramatic Voices 4. The Maternal chora; or, The Voice of the Poetic Text 5. Truth Sings In Key 6. The Hurricane does not Roar in Pentameter 7. The Harmony of the Spheres; or, The Political Control of mousike PART III: A POLITICS OF VOICES 1. Echo; or, On Resonance 2.A Vocal Ontology of Uniqueness 3.Logos and Politics 4. The Reciprocal Communication of Voices Appendix: Dedicated to Derrida Notes Index

Adriana Cavarero is Professor of Political Philosophy at the University of Verona, Italy, and Visiting Professor at the University of California, Berkeley, and New York University. Italy's most renowned feminist philosopher, she is the author of numerous essays and books, including (in English) In Spite of Plato (1995), Relating Narratives: Storytelling and Selfhood (2000), and Stately Bodies (2002).

"Cavarero is lyrical, commanding, sweeping."—Theory & Event "The material gathered here is striking for both its breadth and the richness of treatment." —Philosophy in Review/Comptes Rendus philosophiques

• Table of Contents Translator's Introduction...Paul A. Kottman Introduction 1. The Voice According to Calvino Introduction 2. Preliminary Outline of the Theme of the Voice; or, Philosophy Closes its Ears PART I -- How Logos Lost its Voice 1. The Voice of Jacob 2. 'Saying,' Instead of the 'Said' 3. The De-vocalization of logos 4. The Voice of the Soul 5. The Strange Case of the Anti-Metaphysician Ireneo Funes 6. The Voice of Language 7. When Thinking Was Done With the Lungs... 8. Some Irresistible (and Somewhat Dangerous) Flute-Playing 9. The Rhapsodic Voice; or, Ion's Specialty PART II. Women Who Sing 1. 'Sing to Me, O Muse' 2. The Fate of the Sirens 3. Melodramatic Voices 4. The Maternal chora; or, The Voice of the Poetic Text 5. Truth Sings In Key 6. The Hurricane does not Roar in Pentameter 7. The Harmony of the Spheres; or, The Political Control of mousike PART III: A POLITICS OF VOICES 1. Echo; or, On Resonance 2.A Vocal Ontology of Uniqueness 3.Logos and Politics 4. The Reciprocal Communication of Voices Appendix: Dedicated to Derrida Notes Index

Adriana Cavarero is Professor of Political Philosophy at the University of Verona, Italy, and Visiting Professor at the University of California, Berkeley, and New York University. Italy's most renowned feminist philosopher, she is the author of numerous essays and books, including (in English) In Spite of Plato (1995), Relating Narratives: Storytelling and Selfhood (2000), and Stately Bodies (2002).

"Cavarero is lyrical, commanding, sweeping."—Theory & Event "The material gathered here is striking for both its breadth and the richness of treatment." —Philosophy in Review/Comptes Rendus philosophiques

• Table of Contents Translator's Introduction...Paul A. Kottman Introduction 1. The Voice According to Calvino Introduction 2. Preliminary Outline of the Theme of the Voice; or, Philosophy Closes its Ears PART I -- How Logos Lost its Voice 1. The Voice of Jacob 2. 'Saying,' Instead of the 'Said' 3. The De-vocalization of logos 4. The Voice of the Soul 5. The Strange Case of the Anti-Metaphysician Ireneo Funes 6. The Voice of Language 7. When Thinking Was Done With the Lungs... 8. Some Irresistible (and Somewhat Dangerous) Flute-Playing 9. The Rhapsodic Voice; or, Ion's Specialty PART II. Women Who Sing 1. 'Sing to Me, O Muse' 2. The Fate of the Sirens 3. Melodramatic Voices 4. The Maternal chora; or, The Voice of the Poetic Text 5. Truth Sings In Key 6. The Hurricane does not Roar in Pentameter 7. The Harmony of the Spheres; or, The Political Control of mousike PART III: A POLITICS OF VOICES 1. Echo; or, On Resonance 2.A Vocal Ontology of Uniqueness 3.Logos and Politics 4. The Reciprocal Communication of Voices Appendix: Dedicated to Derrida Notes Index