Chris R. Kyle is Associate Professor of History at Syracuse University. He is the editor ofParliament, Politics and Elections (2001) and The Oxford Works of Francis Bacon, Vol VII: Legal and Political Writings 1613–1626 (forthcoming).

"This study is a very major effort to reassemble the culture of parliamentary politics in a way that is historically and historiographically innovatory and welcome."—Michael Questier, The Journal of Modern History "In cleverly framing his study, Kyle gives himself every chance to write a new and substantial account of early Stuart parliaments that are fully contextualized in contemporary metropolitan culture . . . Kyle's fine empirical work is suggestive of a host of processes that explain the transforming and transformative role of parliament in English society"—Phil Withington, American Historical Review "The picture of Parliament that emerges from Kyle's study is one of a robust institution taking on new functions and responsiblities, and despite (or because of) conflict with the Crown, deeply engaged with a public that eagerly followed its affairs."—Robert Zaller, Law and History Review "Chris Kyle illuminates for us a much broader portrait of parliament, especially by bringing to life the character of the sessions and the nature of the environment in which the houses met."—Seventeenth-Century News "Concise and well written, the volume makes a contribution to the political atmosphere that provided the context for the destruction of trust in 1640. It was theater in one sense, but it had real consequences."—Richard Cosgrove, University of Arizona, Journal of British Studies "This graciously written synthesis of the growing interaction between Parliament and the public sphere will prove to be a useful book for scholars interested in the institutional and cultural worlds of politics and print in early seventeenth-centruy England. It is particularly valuable for the meticulous annotation and full bibliography that provide the reader with ready access to all of the archival and printed primary materials of the period as well as to relevant secondary works."—Maija Jansson, Yale University, Renaissance Quarterly "Kyle concludes that during its eight sessions in 1621-29, Parliament became too powerful and too popular for Charles I. . . . Kyle's somewhat controversial conclusions are thoroughly researched and vigorously argued. Summing Up: Recommended."—R. Fritze, CHOICE "Kyle frames the demotics, theatrics, and staging of parliamentary speech in terms of the history of communication. No account of early modern politics will be complete without reference to the murmuring, hissing, shouting, and silences that this books reveals."—David Cressy, The Ohio State University "Kyle will wake everyone up. He has an inspired idea of setting parliamentary history firmly within contemporary political culture, arguably the most influential mode of scholarly analysis in the period. This book could well transform the field."—Thomas Cogswell, University of California, Riverside

Chris R. Kyle is Associate Professor of History at Syracuse University. He is the editor ofParliament, Politics and Elections (2001) and The Oxford Works of Francis Bacon, Vol VII: Legal and Political Writings 1613–1626 (forthcoming).

"This study is a very major effort to reassemble the culture of parliamentary politics in a way that is historically and historiographically innovatory and welcome."—Michael Questier, The Journal of Modern History "In cleverly framing his study, Kyle gives himself every chance to write a new and substantial account of early Stuart parliaments that are fully contextualized in contemporary metropolitan culture . . . Kyle's fine empirical work is suggestive of a host of processes that explain the transforming and transformative role of parliament in English society"—Phil Withington, American Historical Review "The picture of Parliament that emerges from Kyle's study is one of a robust institution taking on new functions and responsiblities, and despite (or because of) conflict with the Crown, deeply engaged with a public that eagerly followed its affairs."—Robert Zaller, Law and History Review "Chris Kyle illuminates for us a much broader portrait of parliament, especially by bringing to life the character of the sessions and the nature of the environment in which the houses met."—Seventeenth-Century News "Concise and well written, the volume makes a contribution to the political atmosphere that provided the context for the destruction of trust in 1640. It was theater in one sense, but it had real consequences."—Richard Cosgrove, University of Arizona, Journal of British Studies "This graciously written synthesis of the growing interaction between Parliament and the public sphere will prove to be a useful book for scholars interested in the institutional and cultural worlds of politics and print in early seventeenth-centruy England. It is particularly valuable for the meticulous annotation and full bibliography that provide the reader with ready access to all of the archival and printed primary materials of the period as well as to relevant secondary works."—Maija Jansson, Yale University, Renaissance Quarterly "Kyle concludes that during its eight sessions in 1621-29, Parliament became too powerful and too popular for Charles I. . . . Kyle's somewhat controversial conclusions are thoroughly researched and vigorously argued. Summing Up: Recommended."—R. Fritze, CHOICE "Kyle frames the demotics, theatrics, and staging of parliamentary speech in terms of the history of communication. No account of early modern politics will be complete without reference to the murmuring, hissing, shouting, and silences that this books reveals."—David Cressy, The Ohio State University "Kyle will wake everyone up. He has an inspired idea of setting parliamentary history firmly within contemporary political culture, arguably the most influential mode of scholarly analysis in the period. This book could well transform the field."—Thomas Cogswell, University of California, Riverside