Disintegration in Frames

Pavle Levi is Assistant Professor of Film Studies at Stanford University.

"As Catherine Portugues put it in her evaluation of the book, Disintegration in Frames will find its audience among both academics and curious readers. On the other hand, Levi's volume could be used as a very informative handbook for various types of college courses. On the other hand, the book will allow those who simply enjoy watching the movies that Levi analyzes to begin to see them as a product of the times in which they were made." - Bojan Belic (University of Washington) "Disintegration in Frames alerts readers to the vibrancy and genius of Yugoslav/post-Yugoslav cinema and will make them want to rush to the nearest video store." - CHOICE "Disintegration in Frames foregrounds the politics and aesthetics of Balkan cinema for both an academic audience and a more general readership. Levi's impressive command of contemporary cultural studies—its reading practices and theoretical perspectives—at once deepens and amplifies the work of other contemporary film scholars of Balkan cinema, providing a fresh perspective grounded in historiography." - Catherine Portuges (University of Massachusetts, Amherst) "Although the post-Yugoslav war is today half-forgotten, it was never really accounted for: its murderous violence continues to haunt us all. Levi's analysis is one of the few serious attempts at understanding its ideological roots and investments. He does not approach the catastrophe directly, but through its echoes in Yugoslav and post-Yugoslav cinema. However, far from using cinema just as an external illustration, Levi provides an immanent analysis at the highest theoretical level, detecting ideological dimensions in stylistic shifts and formal procedures. The results are breathtaking. The complicity and involvement of many Yugoslav cineasts celebrated in the West, Emir Kusturica the first among them, is fully demonstrated. In this book, contemporary cinema has definitely lost its political innocence. A book not only for all those interested in today's cinema, but, perhaps even more, for all who want to understand explosions of ethnic violence—and our co-responsibility for it. There are no innocent bystanders in Levi's book!" (Slavoj Zizek)

• @fmct:Contents @toc4:AcknowledgmentsXXX @toc2:Introduction1 @toc2:1.The Black Wave and Marxist Revisionism000 @toc3:New Yugoslav Film000 Sex and the Socialist Revolution000 Montage: Praxis000 The Raw Image000 Tito and Jesus000 @toc2:2.Yugoslavism Without Limit000 @toc3:New Primitivism000 Sarajevo Surrealists000 "Sucking the Wooden Pole"000 From the War-Torn Sarajevo000 @toc2:3.Aesthetics of Nationalist Pleasure000 @toc3:The Father000 An Aesthetic of the Genitofugal Libido000 Yugoslavism with (Ethnocentric) Reserve000 The Question of Responsibility000 Enjoyment as Danse Macabre000 @toc2:4.Hatred Explained, Hatred Legitimized000 @toc3:"Inevitable Wars"000 War Veteran as Filmmaker000 Collective Belief000 Croats as Serb Extremists000 Transvestites, Punks, and (Once Again) New Primitivs 000 Joke, and Its Relation to War000 @toc2:5.Of Ethnic Enemy as Acousmetre000 @toc3:Politics and Noise000 Ogre in a Boar's Head000 Contra Essentialism000 @toc2:Post Scriptum000 @toc4:Notes000 Bibliography000 Index000