Angelique Haugerud is Associate Professor of Anthropology at Rutgers University and Editor of American Ethnologist.

"No Billionaire Left Behind is an absorbing and entertaining account of the rise of political satire in the United States . . . The ethnography is theoretically sophisticated yet extraordinarily accessible. It will appeal to anyone interested in political or economic anthropology, social movements, or comparative political studies. Several books published in the wake of the financial crisis have demonstrated how anthropology can illuminate urgent economic and political issues . . . Angelique Haugerud's excellent ethnography fits squarely within this growing body of critical and relevant work."—Roberto J. González, American Anthropologist "The activists profiled in Haugerud's lively study of political satire don tuxedos and furs for rallies and hold champagne flutes as protest props. Under fictive, ultra-rich personas like 'Alan Greenspend' and 'Robin Eublind', the Billionaires question 'the compatibility of wealth and democracy' through a polished form of 'political street theater' . . . Behind-the-scene details like prank-day jitters or the hours of improvisation and mannerism practice needed to get into 'billionaire shape' should charm fans of Stephen Colbert's satirical comedy, while grassroots organizations from any political bent will appreciate Haugerud's analysis of the efficacy of parody and image marketing. A danger of their theatrics is that details of the issues they champion can get lost among the irony-deficient. Nevertheless, Haugerud successfully illuminates America's staggering wealth inequality at the core of the Billionaire's message while investigating the comedic possibilities and limitations of their methods. "—Publisher's Weekly "Angelique Haugerud's accessible and engaging book is important reading for anyone interested in the optimism of political satire, the hope that motivates activism, the clarity of critique, and the beauty of great ethnography. In Leave No Billionaire Behind, Haugerud deftly combines economic anthropology, activism, performance, and the literature from news and journalism to build her powerful portrait of what The Billionaires are trying to accomplish and why."—Catherine Besteman, Colby College "This hilarious book addresses today's most pressing issues—social justice, skewed distributions of wealth and income, movements for change—and brilliantly reveals how whacky activists challenge the establishment and overly serious protest movements. Haugerud's book is a welcome addition to the appallingly dry corpus of much social movement scholarship."—Marc Edelman, Hunter College and the CUNY Graduate Center "This brilliant study of the 'Billionaires for Bush' explains how and why irony has become such a powerful vehicle of political sincerity in the age of neoliberal monology. Whether or not one believes that satire is capable of reopening the terms of political discourse in the West by itself, we would all do well to heed Haugerud's persuasive argument that parody has potential to 'defamiliarize the familiar' by surfacing and inverting our conventions of understanding the world. Activists like the Billionaires have generated political effects, she shows us, by occupying the language of power."—Dominic Boyer, Rice University "In this pathbreaking book Angelique Haugerud presents a highly original account of novel forms of activism and engagement that seek to redefine the parameters of the political. It is difficult to imagine a more important or timely contribution to the comparative study of politics."—David Nugent, Emory University

Angelique Haugerud is Associate Professor of Anthropology at Rutgers University and Editor of American Ethnologist.

"No Billionaire Left Behind is an absorbing and entertaining account of the rise of political satire in the United States . . . The ethnography is theoretically sophisticated yet extraordinarily accessible. It will appeal to anyone interested in political or economic anthropology, social movements, or comparative political studies. Several books published in the wake of the financial crisis have demonstrated how anthropology can illuminate urgent economic and political issues . . . Angelique Haugerud's excellent ethnography fits squarely within this growing body of critical and relevant work."—Roberto J. González, American Anthropologist "The activists profiled in Haugerud's lively study of political satire don tuxedos and furs for rallies and hold champagne flutes as protest props. Under fictive, ultra-rich personas like 'Alan Greenspend' and 'Robin Eublind', the Billionaires question 'the compatibility of wealth and democracy' through a polished form of 'political street theater' . . . Behind-the-scene details like prank-day jitters or the hours of improvisation and mannerism practice needed to get into 'billionaire shape' should charm fans of Stephen Colbert's satirical comedy, while grassroots organizations from any political bent will appreciate Haugerud's analysis of the efficacy of parody and image marketing. A danger of their theatrics is that details of the issues they champion can get lost among the irony-deficient. Nevertheless, Haugerud successfully illuminates America's staggering wealth inequality at the core of the Billionaire's message while investigating the comedic possibilities and limitations of their methods. "—Publisher's Weekly "Angelique Haugerud's accessible and engaging book is important reading for anyone interested in the optimism of political satire, the hope that motivates activism, the clarity of critique, and the beauty of great ethnography. In Leave No Billionaire Behind, Haugerud deftly combines economic anthropology, activism, performance, and the literature from news and journalism to build her powerful portrait of what The Billionaires are trying to accomplish and why."—Catherine Besteman, Colby College "This hilarious book addresses today's most pressing issues—social justice, skewed distributions of wealth and income, movements for change—and brilliantly reveals how whacky activists challenge the establishment and overly serious protest movements. Haugerud's book is a welcome addition to the appallingly dry corpus of much social movement scholarship."—Marc Edelman, Hunter College and the CUNY Graduate Center "This brilliant study of the 'Billionaires for Bush' explains how and why irony has become such a powerful vehicle of political sincerity in the age of neoliberal monology. Whether or not one believes that satire is capable of reopening the terms of political discourse in the West by itself, we would all do well to heed Haugerud's persuasive argument that parody has potential to 'defamiliarize the familiar' by surfacing and inverting our conventions of understanding the world. Activists like the Billionaires have generated political effects, she shows us, by occupying the language of power."—Dominic Boyer, Rice University "In this pathbreaking book Angelique Haugerud presents a highly original account of novel forms of activism and engagement that seek to redefine the parameters of the political. It is difficult to imagine a more important or timely contribution to the comparative study of politics."—David Nugent, Emory University

Angelique Haugerud is Associate Professor of Anthropology at Rutgers University and Editor of American Ethnologist.

"No Billionaire Left Behind is an absorbing and entertaining account of the rise of political satire in the United States . . . The ethnography is theoretically sophisticated yet extraordinarily accessible. It will appeal to anyone interested in political or economic anthropology, social movements, or comparative political studies. Several books published in the wake of the financial crisis have demonstrated how anthropology can illuminate urgent economic and political issues . . . Angelique Haugerud's excellent ethnography fits squarely within this growing body of critical and relevant work."—Roberto J. González, American Anthropologist "The activists profiled in Haugerud's lively study of political satire don tuxedos and furs for rallies and hold champagne flutes as protest props. Under fictive, ultra-rich personas like 'Alan Greenspend' and 'Robin Eublind', the Billionaires question 'the compatibility of wealth and democracy' through a polished form of 'political street theater' . . . Behind-the-scene details like prank-day jitters or the hours of improvisation and mannerism practice needed to get into 'billionaire shape' should charm fans of Stephen Colbert's satirical comedy, while grassroots organizations from any political bent will appreciate Haugerud's analysis of the efficacy of parody and image marketing. A danger of their theatrics is that details of the issues they champion can get lost among the irony-deficient. Nevertheless, Haugerud successfully illuminates America's staggering wealth inequality at the core of the Billionaire's message while investigating the comedic possibilities and limitations of their methods. "—Publisher's Weekly "Angelique Haugerud's accessible and engaging book is important reading for anyone interested in the optimism of political satire, the hope that motivates activism, the clarity of critique, and the beauty of great ethnography. In Leave No Billionaire Behind, Haugerud deftly combines economic anthropology, activism, performance, and the literature from news and journalism to build her powerful portrait of what The Billionaires are trying to accomplish and why."—Catherine Besteman, Colby College "This hilarious book addresses today's most pressing issues—social justice, skewed distributions of wealth and income, movements for change—and brilliantly reveals how whacky activists challenge the establishment and overly serious protest movements. Haugerud's book is a welcome addition to the appallingly dry corpus of much social movement scholarship."—Marc Edelman, Hunter College and the CUNY Graduate Center "This brilliant study of the 'Billionaires for Bush' explains how and why irony has become such a powerful vehicle of political sincerity in the age of neoliberal monology. Whether or not one believes that satire is capable of reopening the terms of political discourse in the West by itself, we would all do well to heed Haugerud's persuasive argument that parody has potential to 'defamiliarize the familiar' by surfacing and inverting our conventions of understanding the world. Activists like the Billionaires have generated political effects, she shows us, by occupying the language of power."—Dominic Boyer, Rice University "In this pathbreaking book Angelique Haugerud presents a highly original account of novel forms of activism and engagement that seek to redefine the parameters of the political. It is difficult to imagine a more important or timely contribution to the comparative study of politics."—David Nugent, Emory University