Meher McArthur is a freelance Asian art curator, author and educator. She has curated many Asian art exhibitions, and her publications include Reading Buddhist Art: An Illustrated Guide to Buddhist Signs and Symbols; The Arts of Asia: Materials, Techniques, Styles; An ABC of What Art Can Be; Confucius: A Throneless King and Folding Paper: The Infinite Possibilities of Origami, which she co-authored with Robert J. Lang. She lives with her family in Los Angeles.Foreword by:Dr. Robert J. Lang, a student of origami for over 40 years, is recognized as one of the world's leading masters of the art and one of the pioneers of the marriage of origami with mathematics and science. He has authored or co-authored 13 books and lectures widely on origami and its applications.

"The Japanese have long enjoyed creating within limited boundaries of size and materials, from bonsai to netsuke, allowing narrowly defined restrictions to fuel their creativity. Meher McArthur provides a new survey of how artists and scientists worldwide have amplified spectacularly the one tiny world of origami." -- Hollis Goodall, Curator of Japanese Art at the Los Angeles County Museum of Art (LACMA)

Meher McArthur is a freelance Asian art curator, author and educator. She has curated many Asian art exhibitions, and her publications include Reading Buddhist Art: An Illustrated Guide to Buddhist Signs and Symbols; The Arts of Asia: Materials, Techniques, Styles; An ABC of What Art Can Be; Confucius: A Throneless King and Folding Paper: The Infinite Possibilities of Origami, which she co-authored with Robert J. Lang. She lives with her family in Los Angeles.Foreword by:Dr. Robert J. Lang, a student of origami for over 40 years, is recognized as one of the world's leading masters of the art and one of the pioneers of the marriage of origami with mathematics and science. He has authored or co-authored 13 books and lectures widely on origami and its applications.

"The Japanese have long enjoyed creating within limited boundaries of size and materials, from bonsai to netsuke, allowing narrowly defined restrictions to fuel their creativity. Meher McArthur provides a new survey of how artists and scientists worldwide have amplified spectacularly the one tiny world of origami." -- Hollis Goodall, Curator of Japanese Art at the Los Angeles County Museum of Art (LACMA)

Meher McArthur is a freelance Asian art curator, author and educator. She has curated many Asian art exhibitions, and her publications include Reading Buddhist Art: An Illustrated Guide to Buddhist Signs and Symbols; The Arts of Asia: Materials, Techniques, Styles; An ABC of What Art Can Be; Confucius: A Throneless King and Folding Paper: The Infinite Possibilities of Origami, which she co-authored with Robert J. Lang. She lives with her family in Los Angeles.Foreword by:Dr. Robert J. Lang, a student of origami for over 40 years, is recognized as one of the world's leading masters of the art and one of the pioneers of the marriage of origami with mathematics and science. He has authored or co-authored 13 books and lectures widely on origami and its applications.

"The Japanese have long enjoyed creating within limited boundaries of size and materials, from bonsai to netsuke, allowing narrowly defined restrictions to fuel their creativity. Meher McArthur provides a new survey of how artists and scientists worldwide have amplified spectacularly the one tiny world of origami." -- Hollis Goodall, Curator of Japanese Art at the Los Angeles County Museum of Art (LACMA)