Urvashi Chakravarty is Associate Professor of English at the University of Toronto.

"Few academic books can be described as paradigm-shifting. This one is. Chakravarty places the presence of racialized slavery at the heart of quotidian life in early modern England. From its cover to its complex content and to its political citational practices, Fictions of Consent weaves together richly textured threads of scholarship, literary criticism, and archival memory...For years to come, a wide range of readers will benefit greatly from [the book's] theorization of the pedagogical, philosophical, and intellectual disciplines seeding, conditioning, and shaping the horrific project of trans-Atlantic slavery and its vicious economies. It is a labor of epistemic and political reckoning to enter this book's impeccable universe of thought, to learn from its capacious historical methodologies, and to think expansively with its author." (Shakespeare Quarterly) "Chakravarty's book masterfully [pulls] together archival work, literary analysis of dramatic and non-dramatic texts, and engagement with the classical past to follow one of the paths that would make England a central player in the transatlantic slave trade...Fictions of Consent exemplifies the rigorous, powerful, deeply historical work Premodern Critical Race Studies offers premodern studies by vitally expanding our literary and historical comprehension of how early modern England's culture laid the groundwork for racialized servitude, as well as how it disseminated that ideological groundwork through its literature, particularly its drama...Chakravarty's monograph sets an impressive standard for analyzing relationships between the racial histories informing the premodern world, racial formation in the Renaissance itself, and the racial legacy of early modernity." (Early Theatre) "The book makes a definitive statement within early modern studies that will also be valuable to those who work on classical reception, the later Middle Ages, and hemispheric early American studies, to scholars interested in the persistence of the feudal and those interested in the emergence of Atlantic capitalism. Its economic, social, and political range is tremendous; its theoretical apparatus sophisticated but unobtrusive—due, in part, to the precise language employed in her thorough development of the central claim. From undergraduates to advanced researchers, Fictions of Consent will provide much to consider and debate for years to come. Chakravarty has both solidified the early promise of early modern critical race studies and opened the door for a newly invigorated dialogue with early American studies, Black studies, and queer studies, to mention but a few pertinent fields." (Modern Philology) "This intelligent, edgy, wide-ranging, and insightful book makes the reader aware of the profound impact classical city comedy had on the new discourses of slavery and servitude in English literature. In doing so, this book in turn also makes us rethink the larger understanding of what English humanism is about as a cultural, pedagogical, philological, and imaginative enterprise if a revealing locus of this transformation is slavery." (Renaissance and Reformation) "Early modern political polemics often relied on the trope of England as a nation of free persons, intolerant of slavery on its home island; but in what ways did English culture and society contradict this national self-image? And how might those structures, submerged under rhetoric of freedom, have contributed to the evolution of racialized human tra8cking and transatlantic slavery? Urvashi Chakravarty probes these questions in Fictions of Consent—a monograph that rewards the reader with essential concepts, unexpected evidence, and thought provoking analysis." (Seventeenth Century News) "Urvashi Chakravarty's Fictions of Consent is an ambitious book that should be used as a key reference point for any future study of slavery and servitude in early modern English fiction. As stimulating as it is wide-ranging in its topical scope, this book is sure to benefit a multitude of scholars with interest in the literary history of labour and service." (The Seventeenth Century) "Simultaneously a literary study of early modern English service and a careful genealogy of Atlantic racial slavery, Fictions of Consent offers important interventions in many fields. Perhaps most importantly, it demonstrates that conceptions of slavery were ubiquitous in early modern England. The development of racial slavery across the emerging British Empire was not only the result of encounter and interaction, but also had roots within specifically English performances and representations of fictional free service." (Journal of Global Slavery) "[Chakravarty] has redrawn the landscape of early modern English literary studies to reveal the central place of slavery within it, and the ground is shifting in the aftermath. Scholars of classical drama, labor history, critical race studies, and historians of slavery from all periods will want to read this book, as will early modernists across specialisms. Its magnitude and importance will become increasingly evident in the conversations it makes possible between its readers." (The Spenser Review) "In this timely and persuasive book, Urvashi Chakravarty traces the classical Roman origins for the conceptual and rhetorical contours of the transatlantic slave trade by paying attention to the inflections that were given to ancient rituals, vocabulary, and literary texts in early modern England and passed on to the New world from the first moments of imperial expansion. Like the sixteenth-century humanists examined in its pages, in other words, Fictions of Consent leans back to lean forward." (Lynn Enterline, Vanderbilt University) "Urvashi Chakravarty brilliantly crafts a project that boasts historical, textual detail – indeed, her project betrays a dazzling and fastidious attention to sources – while also making crucial theoretical interventions into some of the most important issues in the field: servitude, slavery, racialization, and the law. She is the rare critic who sees, and can analyze, both the forest and the trees." (Rebecca Lemon, University of Southern California) "Fictions of Consent is a tour de force that effectively debunks many older chestnuts about England's lack of knowledge about, and engagement with, slavery and forced labor. Urvashi Chakravarty systematically demonstrates how actively engaged the early modern English society was with both notions and practices of slavery. Moreover, she has an expert's attentiveness to archival materials, discovering both new materials and reading older ones in new and illuminating ways. Fictions of Consent is a vital piece of early modern scholarship." (Ayanna Thompson, Arizona State University)

Urvashi Chakravarty is Associate Professor of English at the University of Toronto.

"Few academic books can be described as paradigm-shifting. This one is. Chakravarty places the presence of racialized slavery at the heart of quotidian life in early modern England. From its cover to its complex content and to its political citational practices, Fictions of Consent weaves together richly textured threads of scholarship, literary criticism, and archival memory...For years to come, a wide range of readers will benefit greatly from [the book's] theorization of the pedagogical, philosophical, and intellectual disciplines seeding, conditioning, and shaping the horrific project of trans-Atlantic slavery and its vicious economies. It is a labor of epistemic and political reckoning to enter this book's impeccable universe of thought, to learn from its capacious historical methodologies, and to think expansively with its author." (Shakespeare Quarterly) "Chakravarty's book masterfully [pulls] together archival work, literary analysis of dramatic and non-dramatic texts, and engagement with the classical past to follow one of the paths that would make England a central player in the transatlantic slave trade...Fictions of Consent exemplifies the rigorous, powerful, deeply historical work Premodern Critical Race Studies offers premodern studies by vitally expanding our literary and historical comprehension of how early modern England's culture laid the groundwork for racialized servitude, as well as how it disseminated that ideological groundwork through its literature, particularly its drama...Chakravarty's monograph sets an impressive standard for analyzing relationships between the racial histories informing the premodern world, racial formation in the Renaissance itself, and the racial legacy of early modernity." (Early Theatre) "The book makes a definitive statement within early modern studies that will also be valuable to those who work on classical reception, the later Middle Ages, and hemispheric early American studies, to scholars interested in the persistence of the feudal and those interested in the emergence of Atlantic capitalism. Its economic, social, and political range is tremendous; its theoretical apparatus sophisticated but unobtrusive—due, in part, to the precise language employed in her thorough development of the central claim. From undergraduates to advanced researchers, Fictions of Consent will provide much to consider and debate for years to come. Chakravarty has both solidified the early promise of early modern critical race studies and opened the door for a newly invigorated dialogue with early American studies, Black studies, and queer studies, to mention but a few pertinent fields." (Modern Philology) "This intelligent, edgy, wide-ranging, and insightful book makes the reader aware of the profound impact classical city comedy had on the new discourses of slavery and servitude in English literature. In doing so, this book in turn also makes us rethink the larger understanding of what English humanism is about as a cultural, pedagogical, philological, and imaginative enterprise if a revealing locus of this transformation is slavery." (Renaissance and Reformation) "Early modern political polemics often relied on the trope of England as a nation of free persons, intolerant of slavery on its home island; but in what ways did English culture and society contradict this national self-image? And how might those structures, submerged under rhetoric of freedom, have contributed to the evolution of racialized human tra8cking and transatlantic slavery? Urvashi Chakravarty probes these questions in Fictions of Consent—a monograph that rewards the reader with essential concepts, unexpected evidence, and thought provoking analysis." (Seventeenth Century News) "Urvashi Chakravarty's Fictions of Consent is an ambitious book that should be used as a key reference point for any future study of slavery and servitude in early modern English fiction. As stimulating as it is wide-ranging in its topical scope, this book is sure to benefit a multitude of scholars with interest in the literary history of labour and service." (The Seventeenth Century) "Simultaneously a literary study of early modern English service and a careful genealogy of Atlantic racial slavery, Fictions of Consent offers important interventions in many fields. Perhaps most importantly, it demonstrates that conceptions of slavery were ubiquitous in early modern England. The development of racial slavery across the emerging British Empire was not only the result of encounter and interaction, but also had roots within specifically English performances and representations of fictional free service." (Journal of Global Slavery) "[Chakravarty] has redrawn the landscape of early modern English literary studies to reveal the central place of slavery within it, and the ground is shifting in the aftermath. Scholars of classical drama, labor history, critical race studies, and historians of slavery from all periods will want to read this book, as will early modernists across specialisms. Its magnitude and importance will become increasingly evident in the conversations it makes possible between its readers." (The Spenser Review) "In this timely and persuasive book, Urvashi Chakravarty traces the classical Roman origins for the conceptual and rhetorical contours of the transatlantic slave trade by paying attention to the inflections that were given to ancient rituals, vocabulary, and literary texts in early modern England and passed on to the New world from the first moments of imperial expansion. Like the sixteenth-century humanists examined in its pages, in other words, Fictions of Consent leans back to lean forward." (Lynn Enterline, Vanderbilt University) "Urvashi Chakravarty brilliantly crafts a project that boasts historical, textual detail – indeed, her project betrays a dazzling and fastidious attention to sources – while also making crucial theoretical interventions into some of the most important issues in the field: servitude, slavery, racialization, and the law. She is the rare critic who sees, and can analyze, both the forest and the trees." (Rebecca Lemon, University of Southern California) "Fictions of Consent is a tour de force that effectively debunks many older chestnuts about England's lack of knowledge about, and engagement with, slavery and forced labor. Urvashi Chakravarty systematically demonstrates how actively engaged the early modern English society was with both notions and practices of slavery. Moreover, she has an expert's attentiveness to archival materials, discovering both new materials and reading older ones in new and illuminating ways. Fictions of Consent is a vital piece of early modern scholarship." (Ayanna Thompson, Arizona State University)

Urvashi Chakravarty is Associate Professor of English at the University of Toronto.

"Few academic books can be described as paradigm-shifting. This one is. Chakravarty places the presence of racialized slavery at the heart of quotidian life in early modern England. From its cover to its complex content and to its political citational practices, Fictions of Consent weaves together richly textured threads of scholarship, literary criticism, and archival memory...For years to come, a wide range of readers will benefit greatly from [the book's] theorization of the pedagogical, philosophical, and intellectual disciplines seeding, conditioning, and shaping the horrific project of trans-Atlantic slavery and its vicious economies. It is a labor of epistemic and political reckoning to enter this book's impeccable universe of thought, to learn from its capacious historical methodologies, and to think expansively with its author." (Shakespeare Quarterly) "Chakravarty's book masterfully [pulls] together archival work, literary analysis of dramatic and non-dramatic texts, and engagement with the classical past to follow one of the paths that would make England a central player in the transatlantic slave trade...Fictions of Consent exemplifies the rigorous, powerful, deeply historical work Premodern Critical Race Studies offers premodern studies by vitally expanding our literary and historical comprehension of how early modern England's culture laid the groundwork for racialized servitude, as well as how it disseminated that ideological groundwork through its literature, particularly its drama...Chakravarty's monograph sets an impressive standard for analyzing relationships between the racial histories informing the premodern world, racial formation in the Renaissance itself, and the racial legacy of early modernity." (Early Theatre) "The book makes a definitive statement within early modern studies that will also be valuable to those who work on classical reception, the later Middle Ages, and hemispheric early American studies, to scholars interested in the persistence of the feudal and those interested in the emergence of Atlantic capitalism. Its economic, social, and political range is tremendous; its theoretical apparatus sophisticated but unobtrusive—due, in part, to the precise language employed in her thorough development of the central claim. From undergraduates to advanced researchers, Fictions of Consent will provide much to consider and debate for years to come. Chakravarty has both solidified the early promise of early modern critical race studies and opened the door for a newly invigorated dialogue with early American studies, Black studies, and queer studies, to mention but a few pertinent fields." (Modern Philology) "This intelligent, edgy, wide-ranging, and insightful book makes the reader aware of the profound impact classical city comedy had on the new discourses of slavery and servitude in English literature. In doing so, this book in turn also makes us rethink the larger understanding of what English humanism is about as a cultural, pedagogical, philological, and imaginative enterprise if a revealing locus of this transformation is slavery." (Renaissance and Reformation) "Early modern political polemics often relied on the trope of England as a nation of free persons, intolerant of slavery on its home island; but in what ways did English culture and society contradict this national self-image? And how might those structures, submerged under rhetoric of freedom, have contributed to the evolution of racialized human tra8cking and transatlantic slavery? Urvashi Chakravarty probes these questions in Fictions of Consent—a monograph that rewards the reader with essential concepts, unexpected evidence, and thought provoking analysis." (Seventeenth Century News) "Urvashi Chakravarty's Fictions of Consent is an ambitious book that should be used as a key reference point for any future study of slavery and servitude in early modern English fiction. As stimulating as it is wide-ranging in its topical scope, this book is sure to benefit a multitude of scholars with interest in the literary history of labour and service." (The Seventeenth Century) "Simultaneously a literary study of early modern English service and a careful genealogy of Atlantic racial slavery, Fictions of Consent offers important interventions in many fields. Perhaps most importantly, it demonstrates that conceptions of slavery were ubiquitous in early modern England. The development of racial slavery across the emerging British Empire was not only the result of encounter and interaction, but also had roots within specifically English performances and representations of fictional free service." (Journal of Global Slavery) "[Chakravarty] has redrawn the landscape of early modern English literary studies to reveal the central place of slavery within it, and the ground is shifting in the aftermath. Scholars of classical drama, labor history, critical race studies, and historians of slavery from all periods will want to read this book, as will early modernists across specialisms. Its magnitude and importance will become increasingly evident in the conversations it makes possible between its readers." (The Spenser Review) "In this timely and persuasive book, Urvashi Chakravarty traces the classical Roman origins for the conceptual and rhetorical contours of the transatlantic slave trade by paying attention to the inflections that were given to ancient rituals, vocabulary, and literary texts in early modern England and passed on to the New world from the first moments of imperial expansion. Like the sixteenth-century humanists examined in its pages, in other words, Fictions of Consent leans back to lean forward." (Lynn Enterline, Vanderbilt University) "Urvashi Chakravarty brilliantly crafts a project that boasts historical, textual detail – indeed, her project betrays a dazzling and fastidious attention to sources – while also making crucial theoretical interventions into some of the most important issues in the field: servitude, slavery, racialization, and the law. She is the rare critic who sees, and can analyze, both the forest and the trees." (Rebecca Lemon, University of Southern California) "Fictions of Consent is a tour de force that effectively debunks many older chestnuts about England's lack of knowledge about, and engagement with, slavery and forced labor. Urvashi Chakravarty systematically demonstrates how actively engaged the early modern English society was with both notions and practices of slavery. Moreover, she has an expert's attentiveness to archival materials, discovering both new materials and reading older ones in new and illuminating ways. Fictions of Consent is a vital piece of early modern scholarship." (Ayanna Thompson, Arizona State University)