Elizabeth Edwards is Professor of Photographic History and Director of the Photographic History Research Centre, De Montfort University, Leicester, UK. Sigrid Lien is Professor in Art History at the department of linguistic, literary and aesthetic studies at the University of Bergen, Norway.

’This most needed volume represents a highly inspiring investigation into the role of photography as object and tool of representation in museums and archives today. Through a comprehensive selection of contributions by an interdisciplinary variety of authors - all drawing on hands-on experience - this volume fills up a void in photography and cultural studies. It is a must-read for everyone working with the materiality and meaning of photography.’ Mette Sandbye, University of Copenhagen, Denmark ’We have been needing a book like this for a long time. Looking at what photographs do, and could do, in museums, it beautifully fills a gap that has for too long stayed open in the literature on museums, museum practice, representation and photographs. On these pages we see photographs as acts of remembrance, as haunting, as absent, as representational forms and as much more besides. And throughout, this essential new volume not only explores the work of photographs in museums, but also makes a significant contribution to far wider debates on the processes of representation.’ Sandra Dudley, University of Leicester, UK

• List of Figures, Notes on Contributors, Acknowledgements, Introduction, The Affective Photograph, Curatorial Strategies 1: Working Images, Curatorial Strategies 2: Photographi Art Works, Curatorial Strategies 3: Contested Stories, Working In The Real World, Digital Environments and Photograph Collections, Index

Elizabeth Edwards is Professor of Photographic History and Director of the Photographic History Research Centre, De Montfort University, Leicester, UK. Sigrid Lien is Professor in Art History at the department of linguistic, literary and aesthetic studies at the University of Bergen, Norway.

’This most needed volume represents a highly inspiring investigation into the role of photography as object and tool of representation in museums and archives today. Through a comprehensive selection of contributions by an interdisciplinary variety of authors - all drawing on hands-on experience - this volume fills up a void in photography and cultural studies. It is a must-read for everyone working with the materiality and meaning of photography.’ Mette Sandbye, University of Copenhagen, Denmark ’We have been needing a book like this for a long time. Looking at what photographs do, and could do, in museums, it beautifully fills a gap that has for too long stayed open in the literature on museums, museum practice, representation and photographs. On these pages we see photographs as acts of remembrance, as haunting, as absent, as representational forms and as much more besides. And throughout, this essential new volume not only explores the work of photographs in museums, but also makes a significant contribution to far wider debates on the processes of representation.’ Sandra Dudley, University of Leicester, UK

• List of Figures, Notes on Contributors, Acknowledgements, Introduction, The Affective Photograph, Curatorial Strategies 1: Working Images, Curatorial Strategies 2: Photographi Art Works, Curatorial Strategies 3: Contested Stories, Working In The Real World, Digital Environments and Photograph Collections, Index

Elizabeth Edwards is Professor of Photographic History and Director of the Photographic History Research Centre, De Montfort University, Leicester, UK. Sigrid Lien is Professor in Art History at the department of linguistic, literary and aesthetic studies at the University of Bergen, Norway.

’This most needed volume represents a highly inspiring investigation into the role of photography as object and tool of representation in museums and archives today. Through a comprehensive selection of contributions by an interdisciplinary variety of authors - all drawing on hands-on experience - this volume fills up a void in photography and cultural studies. It is a must-read for everyone working with the materiality and meaning of photography.’ Mette Sandbye, University of Copenhagen, Denmark ’We have been needing a book like this for a long time. Looking at what photographs do, and could do, in museums, it beautifully fills a gap that has for too long stayed open in the literature on museums, museum practice, representation and photographs. On these pages we see photographs as acts of remembrance, as haunting, as absent, as representational forms and as much more besides. And throughout, this essential new volume not only explores the work of photographs in museums, but also makes a significant contribution to far wider debates on the processes of representation.’ Sandra Dudley, University of Leicester, UK

• List of Figures, Notes on Contributors, Acknowledgements, Introduction, The Affective Photograph, Curatorial Strategies 1: Working Images, Curatorial Strategies 2: Photographi Art Works, Curatorial Strategies 3: Contested Stories, Working In The Real World, Digital Environments and Photograph Collections, Index