NOELLE MORRISSETTE is an associate professor of English and program director of African American and African Diaspora Studies at University of North Carolina at Greensboro. She is author of James Weldon Johnson’s Modern Soundscapes and the editor of New Perspectives on James Weldon Johnson’s “The Autobiography of an Ex-Colored Man” (Georgia). She lives in Greensboro, North Carolina.

Anne Spencer between Worlds will make a significant contribution not only to Harlem Renaissance scholarship but also to scholarship on women’s poetry and women’s literary history. . . . The book promises to be a rich resource for scholars and students studying African American women’s literature, women’s poetry, the New Negro Movement, and the intersections between archival studies and women’s studies.

NOELLE MORRISSETTE is an associate professor of English and program director of African American and African Diaspora Studies at University of North Carolina at Greensboro. She is author of James Weldon Johnson’s Modern Soundscapes and the editor of New Perspectives on James Weldon Johnson’s “The Autobiography of an Ex-Colored Man” (Georgia). She lives in Greensboro, North Carolina.

Anne Spencer between Worlds will make a significant contribution not only to Harlem Renaissance scholarship but also to scholarship on women’s poetry and women’s literary history. . . . The book promises to be a rich resource for scholars and students studying African American women’s literature, women’s poetry, the New Negro Movement, and the intersections between archival studies and women’s studies.

NOELLE MORRISSETTE is an associate professor of English and program director of African American and African Diaspora Studies at University of North Carolina at Greensboro. She is author of James Weldon Johnson’s Modern Soundscapes and the editor of New Perspectives on James Weldon Johnson’s “The Autobiography of an Ex-Colored Man” (Georgia). She lives in Greensboro, North Carolina.

Anne Spencer between Worlds will make a significant contribution not only to Harlem Renaissance scholarship but also to scholarship on women’s poetry and women’s literary history. . . . The book promises to be a rich resource for scholars and students studying African American women’s literature, women’s poetry, the New Negro Movement, and the intersections between archival studies and women’s studies.