Victorian Jamaica

Tim Barringer is Paul Mellon Professor and Chair of the Department of the History of Art at Yale University.Wayne Modest is Head of the Research Center for Material Culture at the Stichting Nationaal Museum van Wereldculturen and Professor of Material Culture and Critical Heritage Studies at Vrije Universiteit Amsterdam.

"The many contributors give a detail and depth unachievable in a single-authored book, and one thing that makes Victorian Jamaica special is the picture it begins to make visible of Jamaican life as a whole." - William Ghosh (TLS) "The volume illustrates in graphic and rigorous detail how visuality and material objects helped embody rapidly transforming racial and gendered subjectivities." - Utathya Chattopadhyaya (Victorian Literature and Culture) "Victorian Jamaica is a striking achievement. This hefty tome goes a long way toward filling a significant historiographical gap on the nineteenth century history of this Caribbean island." - Stephen G. Hague (Itinerario) "Victorian Jamaica is a must-read for anyone interested in the complex negotiations over freedom, citizenship, economic agency, and cultural production in the period that followed the legal abolition of slavery in Jamaica." - Sasha Turner (Social History) "With its emphasis on material culture, Victorian Jamaica extends significantly the conventional archive of sources for studying nineteenth- and early twentieth-century Jamaica and its transnational contexts, and serves to counteract many of the silences of the written archive. . . . This superb collection, emphasizing constraint, accommodation, and transformation, contributes significantly to postcolonial studies and to rethinking pasts and presents on both sides of the Atlantic." - Charles V. Carnegie (New West Indian Guide) "The contributors to this volume weave a complex and multitextured picture of Victorian Jamaica, and it must be said that the book is much more coherent than many such collections. It makes an extremely important contribution to our understanding of Jamaica-both in and of itself and within the wider contexts of the British empire and Atlantic region. . . . Victorian Jamaica provides a visually compelling engagement with the period, evoking a manysided portrait of this unique Caribbean colony in a time of social conflict, political upheaval, and economic transformation." - Christer Petley (History) "Barringer and Modest’s Victorian Jamaica is a big, brilliant, beautiful attempt to render Jamaican history outside of the big, empire-scaling events that courted and court the attention of observers elsewhere. . . . It renders the ordinary rhythms of this full world in elegant, beautifully reproduced detail. Victorian Jamaica should become an important resource for researchers in, and teachers of, Caribbean history and culture, visual culture and race, and global Victorian studies." - Chris Taylor (Nineteenth-Century Contexts) "Bursting with gorgeous, high-quality images throughout its many pages, Victorian Jamaica is itself a stunning repository of nineteenth-century sources on the island. It documents the many facets of daily life, and it produces a rich sense of the colonial experience. . . . Perhaps more than any other book on the subject, Victorian Jamaica reveals the messiness of categories in a colonized space, at all levels of society." - Daniel Livesay (The Historian) “Victorian Jamaica is far more than a collection of essays; it is at once an encyclopedia and a box of delights, and like both objects it is likely to include in its contents something that will appeal...to anyone interested in the intertwined histories of Britain and the Caribbean in a politically volatile yet culturally rich era.” - Natalie Zacek (Victorian Studies)

• Acknowledgments  xxiIntroduction / Wayne Modest and Tim Barringer  1Object LessonsIntroduction to Object Lessons  Wayne Modest and Tim Barringer  511. The Cruickshank Lock, circa 1838 / Wayne Modest  552. Table, circa 1830–1840 / John Cross  593. A Tread-Mill Scene in Jamaica, 1837 / Diana Paton  614. Sligoville with Misson Premises, 1843 / Catherine Hall  635. A View of Coke Chapel from the Parade, circa 1846–1847 / James Robertson  676. The Ordinance of Baptism / Dianne M. Stewart  697. Kidd's New Plan of the City of Kingston, Jamaica, 1854 / Rivke Jaffe8. Grave of Eighty Rebels near Morant Bay, Jamaica / Wayne Modest  779. Map Recording of Rebellion of 1865 / Gad Heuman  7910. The Vale of St. Thomas, Jamaica, 1867 / Jennifer Raab  8311. Newcastle, Jamaica, 1884 / Tim Barringer  8512. Opening the Railway Line at Porus / James Robertson  8913. Day School Children, Jamaica / Patrick Bryan  9114. Wedding Group, Jamaica / Anthony Bogues  9515. Child's Outdoor Cap. Lace-bark, circa 1850–1861 / Steeve O. Buckridge  9716. Portrait of a Woman of Chinese Origin, circa  1895–1861 / Patrick Bryan  9917. Mary Seacole, 1871 / Jan Marsh  10318. Fatima, circa 1886 / Erica Moiah James  10519. Selection of Jamaican Wood Samples Made for the 1891 Exhibition / Veerle Poupeye, Nicole Smythe-Johnson, and O'Neil Lawrence  10920. Illustration of an Obeah Figure, 1893 / Diana Paton  11121. Castleton Gardens / Krista A.Thompson  11522. Queen Victoria, 1915 / Petrina Dacres  117Part I. Making Victorian Subjects1. State Formation in Victorian Jamaica / Diana Paton  1252. Victorian Jamaica: The View from the Colonial Office / Gad Heuman  1393. Liberalism, Colonial Power, Subjectivities, and the Technologies of Pastoral Coloniality: The Jamaican Case / Anthony Bogues  1564. Dirt, Disease, and Difference in Victorian Jamaica: The Politics of Sanitary Reform n the Milroy Report of 1852 / Rivke Jaffe  1745. Creating Good Colonial Citizens: Industrial Schools and Reformatories in Victorian Jamaica / Shani Roper  1906. Botany in Victorian Jamaica / Mark Nesbitt  2097. Victorian Sport in Jamaica, 1863–1909 / Julian Cresser  2408. Rewriting the Past: Imperial Histories of Antislavery Nation / Catherine Hall  263Part II. Visual and Material Cultures9. Land, Labor, Landscape: Views of the Plantation in Victorian Jamaica / Tim Barringer  28110. The Duperly Family and Photography in Victorian Jamaica / David Boxer  32211. Noel B. Livingston's Gallery of Illustrious Jamaicans / Gillian Forrester  35712. Picturing South Asians in Victorian Jamaica / Anna Arabindan-Kesson  39513. Victorian Furniture in Jamaica / John M. Cross  42014. Jamacia's Victorian Architectures: 1834–1907 / James Robertson  43915. Creole Architecture in Victorian Jamaica / Elizabeth Pigou-Dennis  47416. "Keeping Alive Before the People's Eyes This Great Event": Kingston's Queen Victoria Monument / Petrina Dacres  49317. "A Period of Exhibitions": World's Fairs, Museums, and the Laboring Black Body in Jamaica / Wayne Modest  523Part III. Race, Performance, Ritual18. "Most Intensely Jamaican": The Rise of Brown Identity in Jamaica / Belinda Edmondson  55319. "Black Skin, White Mask?": Race, Class, and the Politics of Dress in Victorian Jamaican Society, 1837–1901 / Steeve O. Buckridge  57720. Kumina: A Spiritual Vocabulary of Nationhood in Victorian Jamaica / Dianne M. Stewart  60221. Jamaican Performance in the Age of Emancipation / Nadia Ellis  62222. Black Jamaica and the Victorian Musical Imaginary / Daniel T. Neely  64123. "A Mysterious Murder": Considering Jamaican Victorianism / Faith Smith  658Contributors  675Index  685