Refuse
289 kr
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Du är på sajten för privatpersoner.
289 kr
Beställningsvara. Skickas inom 3-6 vardagar. Fri frakt över 249 kr.
Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Callaloo, BOAAT, and The Watering Hole and was the 2015 National College Slam (CUPSI) Best Poet. Julian is the curator of Winter Tangerine Review’s Lineage of Mirrors. His work has appeared or is forthcoming in publications such as New York Times Magazine, The Georgia Review, and Sixth Finch and in the anthologies Portrait in Blues, Nepantla, and New Poetry from the Midwest. He is a candidate for his MFA in Poetry at Ole Miss.
Randall’s work speaks to his refusal to abide by the expected boundaries and binaries set out for him. As we contemplate how to go forward in an America whose fault line runs deep, an immigrant son entrenched in the American experience, a black man owning his Dominican heritage, a sensualist uncowed by the magnetic poles of sexual appeals, a poet unabashedly forwards, interrogates, and illumines the fulsome measure of his ‘I’ . . . And no matter who would dare an argument, or seek to deny Randall’s utter personhood, Refuse is an inscription that won’t allow erasure.
Du är på sajten för privatpersoner.
289 kr
Beställningsvara. Skickas inom 3-6 vardagar. Fri frakt över 249 kr.
Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Callaloo, BOAAT, and The Watering Hole and was the 2015 National College Slam (CUPSI) Best Poet. Julian is the curator of Winter Tangerine Review’s Lineage of Mirrors. His work has appeared or is forthcoming in publications such as New York Times Magazine, The Georgia Review, and Sixth Finch and in the anthologies Portrait in Blues, Nepantla, and New Poetry from the Midwest. He is a candidate for his MFA in Poetry at Ole Miss.
Randall’s work speaks to his refusal to abide by the expected boundaries and binaries set out for him. As we contemplate how to go forward in an America whose fault line runs deep, an immigrant son entrenched in the American experience, a black man owning his Dominican heritage, a sensualist uncowed by the magnetic poles of sexual appeals, a poet unabashedly forwards, interrogates, and illumines the fulsome measure of his ‘I’ . . . And no matter who would dare an argument, or seek to deny Randall’s utter personhood, Refuse is an inscription that won’t allow erasure.