Warren Buckland is Associate Professor of Film Studies at Chapman University in Southern California. His research interests include contemporary Hollywood cinema, film theory, and film studies pedagogy.

"Buckland offers...a close examination of the filmic structures of Spielberg's blockbusters-from Jaws to War of the Worlds-with practically a shot-by-shot breakdown of some scenes. In deconstructing these films, Buckland uses his own definition of poetics: the activities and techniques involved in constructing a work of art. [He] is an admirer of Spielberg's and absolves him of the oft-repeated accusation that his production of the ‘first'  blockbuster (Jaws) ultimately spelled doom for the ‘little' movie.... highly enlightening." - Library Journal, May 15

• Introduction; Chapter 1: An overview of the production, exhibition, financial, and managerial structures predominant in contemporary Hollywood cinema.; Chapter 2: Poetics, aesthetics, formalism and stylistics.; Chapter 3: Night Gallery: Eyes, Columbo: Murder by the Book, Duel.; Chapter 4: Jaws; Chapter 5: Close Encounters of the Third Kind; Chapter 6: Raiders of the Lost Ark. Chapter 7: E. T; Chapter 8: Jurassic Park; Chapter 9: Minority Report; Conclusion.

Warren Buckland is Associate Professor of Film Studies at Chapman University in Southern California. His research interests include contemporary Hollywood cinema, film theory, and film studies pedagogy.

"Buckland offers...a close examination of the filmic structures of Spielberg's blockbusters-from Jaws to War of the Worlds-with practically a shot-by-shot breakdown of some scenes. In deconstructing these films, Buckland uses his own definition of poetics: the activities and techniques involved in constructing a work of art. [He] is an admirer of Spielberg's and absolves him of the oft-repeated accusation that his production of the ‘first'  blockbuster (Jaws) ultimately spelled doom for the ‘little' movie.... highly enlightening." - Library Journal, May 15

• Introduction; Chapter 1: An overview of the production, exhibition, financial, and managerial structures predominant in contemporary Hollywood cinema.; Chapter 2: Poetics, aesthetics, formalism and stylistics.; Chapter 3: Night Gallery: Eyes, Columbo: Murder by the Book, Duel.; Chapter 4: Jaws; Chapter 5: Close Encounters of the Third Kind; Chapter 6: Raiders of the Lost Ark. Chapter 7: E. T; Chapter 8: Jurassic Park; Chapter 9: Minority Report; Conclusion.

Warren Buckland is Associate Professor of Film Studies at Chapman University in Southern California. His research interests include contemporary Hollywood cinema, film theory, and film studies pedagogy.

"Buckland offers...a close examination of the filmic structures of Spielberg's blockbusters-from Jaws to War of the Worlds-with practically a shot-by-shot breakdown of some scenes. In deconstructing these films, Buckland uses his own definition of poetics: the activities and techniques involved in constructing a work of art. [He] is an admirer of Spielberg's and absolves him of the oft-repeated accusation that his production of the ‘first'  blockbuster (Jaws) ultimately spelled doom for the ‘little' movie.... highly enlightening." - Library Journal, May 15

• Introduction; Chapter 1: An overview of the production, exhibition, financial, and managerial structures predominant in contemporary Hollywood cinema.; Chapter 2: Poetics, aesthetics, formalism and stylistics.; Chapter 3: Night Gallery: Eyes, Columbo: Murder by the Book, Duel.; Chapter 4: Jaws; Chapter 5: Close Encounters of the Third Kind; Chapter 6: Raiders of the Lost Ark. Chapter 7: E. T; Chapter 8: Jurassic Park; Chapter 9: Minority Report; Conclusion.