Simon O'Sullivan is Lecturer in Art History/ Visual Culture at Goldsmiths College, University of London, UK. He is the author of Art Encounters Deleuze and Guattari: Thought Beyond Representation (Palgrave, 2005). Stephen Zepke is an independent researcher living in Vienna, Austria. He is the author of Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (Routledge, 2005).

"The collection is...a strong one: well-written, entertaining and diverse. Further, its lack of formal structure and closure does have certain advantages, not the least that it remains true to some of Deleuze and Guattari's key ethical imperatives, namely: the importance of opening up movement and forging rhizomatic and transversal connections between problems and concepts." Notre Dame: Philosophical Reviews, January 2010

• 1. Introduction: The Production of the New, Simon O'Sullivan (Goldsmith's College, University of London, UK) and Stephen Zepke (Academy of Fine Arts, Austria); 2. Sci Phi: Gilles Deleuze and the Future of Philosophy, Gregory Flaxman (University of North Carolina, USA); 3. Alterity and Desire, Bifo (Franco Berardi) (Accademia di belle Arti, Milan, Italy); 4. The Readymade: Art as the Refrain of Life, Stephen Zepke (Academy of Fine Arts, Vienna, Austria); 5. Art Methodologies in Media Ecology, Matthew Fuller (Goldsmiths College, University of London, UK); 6. In Praise of Negativism, Alberto Toscano (Goldsmith's College, University of London, UK); 7. Affective Vectors: Icons, Guattari, and Art, Felicity J. Colman (University of Melbourne, Australia); 8. A Portrait of Deleuze-Foucault for Contemporary Art, John Rajchman (University of Columbia, USA); 9. The Production of the New and the Care of the Self, Simon O'Sullivan (Goldsmith's College, University of London, UK); 10. Thirty-Four (New) Ways of Expressing 'Becoming-Thinking' Through the Literary Work of Art and Sexuality, Dorothea Olkowski (University of Colorado, USA); 11. Readymades, Lavender Mist and Mirror Travel: Deleuze, Badiou and the Time of Art Practice, Dave Burrows (University of Central England, UK); 12. Beauty as the Promise of Happiness: Waste and the Present, Claire Colebrook (University of Edinburgh, UK); 13. Contemporary Matisse (Variations in Three, Two, One), Eric Alliez (Middlesex University, UK); 14. Deleuze and the Production of the New, Daniel W. Smith (Purdue University, USA); 15. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle, Michael Goddard (University of Lodz, Poland); 16. The Aesthetic Paradigm, Maurizio Lazzarato (Philosopher); 17. Painting Time With Light, Darren Ambrose (University of Warwick, UK); 18. Jazz Improvisation: Music of the People to Come, Eugene Holland (Ohio State University, USA); 19. Novelty and Double Causality in Kant, Whitehead and Deleuze, Steven Shaviro (Wayne State University, USA); 20. Resistance and Creation: An Introduction to Guattari's 'Consciousness and Subjectivity', David Reggio (Goldsmith's College, University of London, UK); 21. Consciousness and Subjectivity, Felix Guattari (Philosopher and psychoanalyst). Bibliography; Index.

Simon O'Sullivan is Lecturer in Art History/ Visual Culture at Goldsmiths College, University of London, UK. He is the author of Art Encounters Deleuze and Guattari: Thought Beyond Representation (Palgrave, 2005). Stephen Zepke is an independent researcher living in Vienna, Austria. He is the author of Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (Routledge, 2005).

"The collection is...a strong one: well-written, entertaining and diverse. Further, its lack of formal structure and closure does have certain advantages, not the least that it remains true to some of Deleuze and Guattari's key ethical imperatives, namely: the importance of opening up movement and forging rhizomatic and transversal connections between problems and concepts." Notre Dame: Philosophical Reviews, January 2010

• 1. Introduction: The Production of the New, Simon O'Sullivan (Goldsmith's College, University of London, UK) and Stephen Zepke (Academy of Fine Arts, Austria); 2. Sci Phi: Gilles Deleuze and the Future of Philosophy, Gregory Flaxman (University of North Carolina, USA); 3. Alterity and Desire, Bifo (Franco Berardi) (Accademia di belle Arti, Milan, Italy); 4. The Readymade: Art as the Refrain of Life, Stephen Zepke (Academy of Fine Arts, Vienna, Austria); 5. Art Methodologies in Media Ecology, Matthew Fuller (Goldsmiths College, University of London, UK); 6. In Praise of Negativism, Alberto Toscano (Goldsmith's College, University of London, UK); 7. Affective Vectors: Icons, Guattari, and Art, Felicity J. Colman (University of Melbourne, Australia); 8. A Portrait of Deleuze-Foucault for Contemporary Art, John Rajchman (University of Columbia, USA); 9. The Production of the New and the Care of the Self, Simon O'Sullivan (Goldsmith's College, University of London, UK); 10. Thirty-Four (New) Ways of Expressing 'Becoming-Thinking' Through the Literary Work of Art and Sexuality, Dorothea Olkowski (University of Colorado, USA); 11. Readymades, Lavender Mist and Mirror Travel: Deleuze, Badiou and the Time of Art Practice, Dave Burrows (University of Central England, UK); 12. Beauty as the Promise of Happiness: Waste and the Present, Claire Colebrook (University of Edinburgh, UK); 13. Contemporary Matisse (Variations in Three, Two, One), Eric Alliez (Middlesex University, UK); 14. Deleuze and the Production of the New, Daniel W. Smith (Purdue University, USA); 15. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle, Michael Goddard (University of Lodz, Poland); 16. The Aesthetic Paradigm, Maurizio Lazzarato (Philosopher); 17. Painting Time With Light, Darren Ambrose (University of Warwick, UK); 18. Jazz Improvisation: Music of the People to Come, Eugene Holland (Ohio State University, USA); 19. Novelty and Double Causality in Kant, Whitehead and Deleuze, Steven Shaviro (Wayne State University, USA); 20. Resistance and Creation: An Introduction to Guattari's 'Consciousness and Subjectivity', David Reggio (Goldsmith's College, University of London, UK); 21. Consciousness and Subjectivity, Felix Guattari (Philosopher and psychoanalyst). Bibliography; Index.

Simon O'Sullivan is Lecturer in Art History/ Visual Culture at Goldsmiths College, University of London, UK. He is the author of Art Encounters Deleuze and Guattari: Thought Beyond Representation (Palgrave, 2005). Stephen Zepke is an independent researcher living in Vienna, Austria. He is the author of Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (Routledge, 2005).

"The collection is...a strong one: well-written, entertaining and diverse. Further, its lack of formal structure and closure does have certain advantages, not the least that it remains true to some of Deleuze and Guattari's key ethical imperatives, namely: the importance of opening up movement and forging rhizomatic and transversal connections between problems and concepts." Notre Dame: Philosophical Reviews, January 2010

• 1. Introduction: The Production of the New, Simon O'Sullivan (Goldsmith's College, University of London, UK) and Stephen Zepke (Academy of Fine Arts, Austria); 2. Sci Phi: Gilles Deleuze and the Future of Philosophy, Gregory Flaxman (University of North Carolina, USA); 3. Alterity and Desire, Bifo (Franco Berardi) (Accademia di belle Arti, Milan, Italy); 4. The Readymade: Art as the Refrain of Life, Stephen Zepke (Academy of Fine Arts, Vienna, Austria); 5. Art Methodologies in Media Ecology, Matthew Fuller (Goldsmiths College, University of London, UK); 6. In Praise of Negativism, Alberto Toscano (Goldsmith's College, University of London, UK); 7. Affective Vectors: Icons, Guattari, and Art, Felicity J. Colman (University of Melbourne, Australia); 8. A Portrait of Deleuze-Foucault for Contemporary Art, John Rajchman (University of Columbia, USA); 9. The Production of the New and the Care of the Self, Simon O'Sullivan (Goldsmith's College, University of London, UK); 10. Thirty-Four (New) Ways of Expressing 'Becoming-Thinking' Through the Literary Work of Art and Sexuality, Dorothea Olkowski (University of Colorado, USA); 11. Readymades, Lavender Mist and Mirror Travel: Deleuze, Badiou and the Time of Art Practice, Dave Burrows (University of Central England, UK); 12. Beauty as the Promise of Happiness: Waste and the Present, Claire Colebrook (University of Edinburgh, UK); 13. Contemporary Matisse (Variations in Three, Two, One), Eric Alliez (Middlesex University, UK); 14. Deleuze and the Production of the New, Daniel W. Smith (Purdue University, USA); 15. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle, Michael Goddard (University of Lodz, Poland); 16. The Aesthetic Paradigm, Maurizio Lazzarato (Philosopher); 17. Painting Time With Light, Darren Ambrose (University of Warwick, UK); 18. Jazz Improvisation: Music of the People to Come, Eugene Holland (Ohio State University, USA); 19. Novelty and Double Causality in Kant, Whitehead and Deleuze, Steven Shaviro (Wayne State University, USA); 20. Resistance and Creation: An Introduction to Guattari's 'Consciousness and Subjectivity', David Reggio (Goldsmith's College, University of London, UK); 21. Consciousness and Subjectivity, Felix Guattari (Philosopher and psychoanalyst). Bibliography; Index.