Australian Patriography

How Sons Write Fathers in Contemporary Life Writing

AvStephen Mansfield

Inbunden, Engelska, 2013

Del i serien Anthem Australian Humanities Research Series

1 287 kr

Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

Fler format och utgåvor

Häftad

471 kr

Beskrivning

The Son’s Book of the Father, as Richard Freadman termed it, is a rich field of relational autobiography, offering a unique set of tensions and insights into modes of masculinity, notions of identity and the ethics of representing another’s life in writing one’s own.This study of modern Australian life writing by sons who focus on fathers places an emerging sub-genre within its literary ancestry and its contemporary milieu. Providing compelling readings of Raimond Gaita’s ‘Romulus, My Father’, Peter Rose’s ‘Rose Boys’ and many others, this is the first study of its kind within Australian literature.

Produktinformation

Utgivningsdatum:2013-05-15
Mått:153 x 229 x 26 mm
Vikt:454 g
Format:Inbunden
Språk:Engelska
Serie:Anthem Australian Humanities Research Series
Antal sidor:222
Förlag:Anthem Press
ISBN:9780857283306

Utforska kategorier

Litteraturvetenskap inom Skönlitteratur

Mer om författaren

Stephen Mansfield is an independent scholar as well as a casual research assistant and tutor in the Department of English at Sydney University, Australia.

Innehållsförteckning

Acknowledgements; List of Illustrations; Introduction Writing Patrimony: The Son’s Book of the Father as a Sub-genre; PART I: CHALLENGING AUTHORITY: Chapter One: ‘The Paradigm Case’: Contesting the Father in Edmund Gosse’s ‘Father and Son: A Study of Two Temperaments’; Chapter Two: ‘An Indubitable Australian’: Renouncing the Father in Hal Porter’s ‘The Watcher on the Cast-Iron Balcony’; PART II: MEMORIALISING SELF-DENIAL: Chapter Three: ‘Words to Keep Fully Amongst Us’: Honouring the Father in Raimond Gaita’s ‘Romulus, My Father’; Chapter Four: ‘I Really Was the Son of Such a Man’: Replacing the Father in Richard Freadman’s ‘Shadow of Doubt: My Father and Myself’; PART III: PERFORMING MASCULINITY: Chapter Five: A Speaking Subject/A Watching Object: Addressing the Father in Peter Rose’s ‘Rose Boys’; Chapter Six: Choosing Patrimony: Performing for the Father in John Hughes’s ‘The Idea of Home’; Chapter Seven: ‘Neither to Vindicate nor to Vilify’: Becoming the Father in Robert Gray’s ‘The Land I Came Through Last’; Conclusion: The Turn to the Father in Autobiography; Bibliography; Index