Black Artists in British Art

A History Since the 1950s

AvEddie Chambers

E-bok

PDF, Engelska, 2014

374 kr

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E-bok

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Beskrivning

Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.

Produktinformation

Utgivningsdatum:2014-07-29
Språk:Engelska
Antal sidor:288
Filformat:PDF
Kopieringsskydd:LCP
ISBN:9780857724090
Förlag:Bloomsbury Publishing PLC

Utforska kategorier

Konsthistoria inom Kultur

Mer om författaren

Eddie Chambers is Associate Professor in the Department of Art and Art History, University of Texas at Austin, USA, where he teaches the art history of the African Diaspora. He gained his Ph.D. from Goldsmith's College, University of London and between 2003 and 2009 he was a Visiting Professor, Art History, at Emory University, Atlanta. Since the early 1980s Eddie Chambers has been organizing and curating artists' exhibitions in Britain and a range of other countries, including the US, Australia and Jamaica.

Innehållsförteckning

Black Artists in British Art: A History from 1950 to the PresentChaptersForeword: Celebrating Nelson's ShipsIntroduction: Some Problems with History and its Treatment of Black-British Artists.Chapter One: The Pioneering Generation of Caribbean ArtistsChapter Two: Early Contributions by South Asian ArtistsChapter Three: The Significance of the 1970s Chapter Four: Uzo Egonu and Contemporary African Art in BritainChapter Five: The Earliest Black-British PractitionersChapter Six: South Asian Stories Chapter Seven: The 'Black Art' Generation and the 1980sChapter Eight: The Rise and Fall of The Black-Art GalleryChapter Nine: The Emergence of Black Women Artists: Arguments and OpinionsChapter Ten: Sonia Boyce and Other Black Women Artists Chapter Eleven: Substantial Sculpture: The work of Sokari Douglas Camp, Veronica Ryan, and Permindar Kaur.Chapter Twelve: Black Artists of the 1990s GenerationChapter Thirteen: The Triumphant Triumvirate: Yinka Shonibare, Chris Ofili, and Steve McQueen.Epilogue: The New Generation