Antonio Benitez Rojo (March 14, 1931 -- January 5, 2005) was a Cuban novelist, essayist and short-story writer. He was widely regarded as the most significant Cuban author of his generation. His work has been translated into nine languages and collected in more than 50 anthologies. Born in Havana, he lived in Cuba with his mother and stepfather from the age of seven. In the mid-1950s, backed by United Nations grants, Benitez-Rojo studied statistics at the United States Department of Labor and Commerce, and later studied in Mexico. Turning down offers to work in Chile or Geneva, he returned to Cuba in 1958 and became head of the Statistics Bureau at Cuba's Labor Ministry. Benitez-Rojo began working at the Ministry of Culture in 1965 and won the Premio Casa de las Americas for the short story collection Tute de reyes in 1967. The following year, he won a writers' union prize of a trip to a socialist country; however, the government did not permit him to leave Cuba. By 1975, Benitez-Rojo had been made head of Casa de las Americas, the publishing house run by the Cuban government. Sea of Lentils, the English translation of his novel El mar de las lentejas, was selected by the New York Times as one of the Notable Books of 1992. In 1980, he was given permission to attend a conference at the Sorbonne in Paris. He traveled from Paris to Berlin, obtained a US tourist visa, and came to the United States, where he joined his wife and children (who had self-exiled years before), and became a professor of Spanish at Amherst. One of his most influential publications, La Isla que se Repite, was published in 1989 by Ediciones del Norte, and published in English as The Repeating Island by Duke University Press in 1997. Benitez-Rojo died in 2005. Jessica Powell has translated numerous Latin American authors, including works by Cesar Vallejo, Jorge Luis Borges, Ernesto Cardenal, Maria Moreno, Ana Lidia Vega Serova and Edmundo Paz Soldan. Her translation (with Suzanne Jill Levine) of Adolfo Bioy Casares and Silvina Ocampo's novel Where There's Love, There's Hate, was published by Melville House in 2013. She is the recipient of a 2011 National Endowment for the Arts Translation Fellowship in support of her translation of Antonio Benitez Rojo's novel Woman in Battle Dress.

"A fascinating novel, in a brilliant translation, about the unique fate of Henrietta Faber who played a gender-bending role in the history of Cuba."--Suzanne Jill Levine, noted translator and author of Manuel Puig and the Spider Woman: His Life and Fictions "Very few novels dare to explore the historical representation of women to the extent that Woman in Battle Dress does, with impeccable veracity and bravado. The idea that a woman must pretend to be a man in order to become a physician, and is then punished by being forced back into a woman's identity, only to escape to New Orleans as a fictional character, works as a Stendhal novel in reverse. Napoleonic France and the colonial Caribbean are chartered by men; New Orleans is extraterritorial, ready for a new saga. A true Dona Quijota, Henriette Faber takes on these roles to gain her freedom in a novel, the only modern space larger than life."----Julio Ortega, Professor at Brown University, author of Transatlantic Translations "Reviving the Renaissance and Baroque figure of the virago, in Spanish Golden Age theater the mujer varonil, Antonio Benitez Rojo creates a fascinating woman protagonist who dresses and acts like a man, mostly as a qualified medical doctor, while participating in major historical events in Europe and the Caribbean. The reader's attention is captivated by the suspense generated by the fear that her true sex will be discovered, and entertained by her wiles in trying to prevent it. Woman in Battle Dress is a rich and engaging historical novel."----Roberto Gonzalez Echevarria, Sterling Professor of Hispanic and Comparative Literature, Yale University, author of Modern Latin American Literature: A Very Short Introduction "Henriette Faber's life seems tailor-made for fiction. A Swiss orphan who disguised herself as a man, studied medicine in Paris, and served as a surgeon in Napoleon's Grand Armee during France's invasion of Russia in 1812, she later worked as a doctor in Cuba, where her identity was discovered only after she married another woman. In his impressive, hugely enjoyable final novel, the late Benitez-Rojo revivifies this little-known figure and recognizes her as an early champion of gender equality. Presented mostly chronologically, Henriette's first-person account offers the complexity of an old-fashioned adventure narrative, packed with history and incident, yet is told with a candid, modern voice. Shaping her chronicle as she wishes, she stitches together numerous episodes, moving from her romance with a dashing Hussar to her picaresque journey with a traveling show, and spends significant time on Napoleon's military victories and disasters, including the horrific retreat from Moscow. Details form Caribbean history are interwoven throughout, and through Henriette's eyes, the author also addresses the economic factors that kept slavery alive in his native land."--Booklist "This historical novel elaborates on the true story of Henriette Faber, a woman who assumed a man's identity in order to practice medicine in Cuba, where her identity was outed with disastrous results. Rojo, who defected from the island in 1980 after running the state-sponsored publishing house Casa de las Americas for years, is best known here for a collection of essays and literary criticism on the Caribbean, The Repeating Island. He gives his protagonist an irrepressible free spirit, which forces her to test the boundaries of sexual practice, identity, and nationalism of her time. Under this first-person adventure story, a somber question lingers: What's the limit to the freedom you can write into your own life?"--Alexia Nader, OZY "Benitez-Rojo's clear writing breathes life into this woman's story."--World Literature Today "Using the sparse historical records, [Benitez-Rojo] has skillfully reconstructed Henriette/Enriqueta's not-widely-known life story. The exquisitely detailed chronicle, written in the first person and seamlessly translated by Jessica Powell, is a fascinating read. We are taken along with Henriette on her epic journey, hear her thoughts, and observe the joys and pains she experiences while growing up, attending grand balls, having adventures on the battlefield, dealing with slaves, and practicing medicine in the demanding disguise of a man. ... This is a valuable addition to existing stories about courageous gender-bending women, and as such it is highly recommended."--The Historical Novels Review "Segments of [Woman in Battle Dress] flow seamlessly from romance to history to picaresque to almost magical realism, and back again. And while the novel takes place mostly in Europe and the United States, the Caribbean accent is always present. In some ways you could be reading a novel written two hundred years ago. The romanticism, the dense unhurried prose, are all there, and Jessica Powell's translation beautifully captures the style and voice of the original. Precisely because it is so unobtrusive, this translation is so worthy of praise."-Metamorphoses

Antonio Benitez Rojo (March 14, 1931 -- January 5, 2005) was a Cuban novelist, essayist and short-story writer. He was widely regarded as the most significant Cuban author of his generation. His work has been translated into nine languages and collected in more than 50 anthologies. Born in Havana, he lived in Cuba with his mother and stepfather from the age of seven. In the mid-1950s, backed by United Nations grants, Benitez-Rojo studied statistics at the United States Department of Labor and Commerce, and later studied in Mexico. Turning down offers to work in Chile or Geneva, he returned to Cuba in 1958 and became head of the Statistics Bureau at Cuba's Labor Ministry. Benitez-Rojo began working at the Ministry of Culture in 1965 and won the Premio Casa de las Americas for the short story collection Tute de reyes in 1967. The following year, he won a writers' union prize of a trip to a socialist country; however, the government did not permit him to leave Cuba. By 1975, Benitez-Rojo had been made head of Casa de las Americas, the publishing house run by the Cuban government. Sea of Lentils, the English translation of his novel El mar de las lentejas, was selected by the New York Times as one of the Notable Books of 1992. In 1980, he was given permission to attend a conference at the Sorbonne in Paris. He traveled from Paris to Berlin, obtained a US tourist visa, and came to the United States, where he joined his wife and children (who had self-exiled years before), and became a professor of Spanish at Amherst. One of his most influential publications, La Isla que se Repite, was published in 1989 by Ediciones del Norte, and published in English as The Repeating Island by Duke University Press in 1997. Benitez-Rojo died in 2005. Jessica Powell has translated numerous Latin American authors, including works by Cesar Vallejo, Jorge Luis Borges, Ernesto Cardenal, Maria Moreno, Ana Lidia Vega Serova and Edmundo Paz Soldan. Her translation (with Suzanne Jill Levine) of Adolfo Bioy Casares and Silvina Ocampo's novel Where There's Love, There's Hate, was published by Melville House in 2013. She is the recipient of a 2011 National Endowment for the Arts Translation Fellowship in support of her translation of Antonio Benitez Rojo's novel Woman in Battle Dress.

"A fascinating novel, in a brilliant translation, about the unique fate of Henrietta Faber who played a gender-bending role in the history of Cuba."--Suzanne Jill Levine, noted translator and author of Manuel Puig and the Spider Woman: His Life and Fictions "Very few novels dare to explore the historical representation of women to the extent that Woman in Battle Dress does, with impeccable veracity and bravado. The idea that a woman must pretend to be a man in order to become a physician, and is then punished by being forced back into a woman's identity, only to escape to New Orleans as a fictional character, works as a Stendhal novel in reverse. Napoleonic France and the colonial Caribbean are chartered by men; New Orleans is extraterritorial, ready for a new saga. A true Dona Quijota, Henriette Faber takes on these roles to gain her freedom in a novel, the only modern space larger than life."----Julio Ortega, Professor at Brown University, author of Transatlantic Translations "Reviving the Renaissance and Baroque figure of the virago, in Spanish Golden Age theater the mujer varonil, Antonio Benitez Rojo creates a fascinating woman protagonist who dresses and acts like a man, mostly as a qualified medical doctor, while participating in major historical events in Europe and the Caribbean. The reader's attention is captivated by the suspense generated by the fear that her true sex will be discovered, and entertained by her wiles in trying to prevent it. Woman in Battle Dress is a rich and engaging historical novel."----Roberto Gonzalez Echevarria, Sterling Professor of Hispanic and Comparative Literature, Yale University, author of Modern Latin American Literature: A Very Short Introduction "Henriette Faber's life seems tailor-made for fiction. A Swiss orphan who disguised herself as a man, studied medicine in Paris, and served as a surgeon in Napoleon's Grand Armee during France's invasion of Russia in 1812, she later worked as a doctor in Cuba, where her identity was discovered only after she married another woman. In his impressive, hugely enjoyable final novel, the late Benitez-Rojo revivifies this little-known figure and recognizes her as an early champion of gender equality. Presented mostly chronologically, Henriette's first-person account offers the complexity of an old-fashioned adventure narrative, packed with history and incident, yet is told with a candid, modern voice. Shaping her chronicle as she wishes, she stitches together numerous episodes, moving from her romance with a dashing Hussar to her picaresque journey with a traveling show, and spends significant time on Napoleon's military victories and disasters, including the horrific retreat from Moscow. Details form Caribbean history are interwoven throughout, and through Henriette's eyes, the author also addresses the economic factors that kept slavery alive in his native land."--Booklist "This historical novel elaborates on the true story of Henriette Faber, a woman who assumed a man's identity in order to practice medicine in Cuba, where her identity was outed with disastrous results. Rojo, who defected from the island in 1980 after running the state-sponsored publishing house Casa de las Americas for years, is best known here for a collection of essays and literary criticism on the Caribbean, The Repeating Island. He gives his protagonist an irrepressible free spirit, which forces her to test the boundaries of sexual practice, identity, and nationalism of her time. Under this first-person adventure story, a somber question lingers: What's the limit to the freedom you can write into your own life?"--Alexia Nader, OZY "Benitez-Rojo's clear writing breathes life into this woman's story."--World Literature Today "Using the sparse historical records, [Benitez-Rojo] has skillfully reconstructed Henriette/Enriqueta's not-widely-known life story. The exquisitely detailed chronicle, written in the first person and seamlessly translated by Jessica Powell, is a fascinating read. We are taken along with Henriette on her epic journey, hear her thoughts, and observe the joys and pains she experiences while growing up, attending grand balls, having adventures on the battlefield, dealing with slaves, and practicing medicine in the demanding disguise of a man. ... This is a valuable addition to existing stories about courageous gender-bending women, and as such it is highly recommended."--The Historical Novels Review "Segments of [Woman in Battle Dress] flow seamlessly from romance to history to picaresque to almost magical realism, and back again. And while the novel takes place mostly in Europe and the United States, the Caribbean accent is always present. In some ways you could be reading a novel written two hundred years ago. The romanticism, the dense unhurried prose, are all there, and Jessica Powell's translation beautifully captures the style and voice of the original. Precisely because it is so unobtrusive, this translation is so worthy of praise."-Metamorphoses