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    1. Skönlitteratur
    2. Litteraturvetenskap
    3. Litteraturvetenskap

    Interdisciplinary/Multidisciplinary Woolf

    AvAnn Martin,Kathryn Holland

    Häftad, Engelska, 2013

    Del i serien Clemson University Press w/ LUP

    652 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Interdisciplinary/Multidisciplinary Woolf comprises thirty-five essays selected from papers delivered at the 22nd Annual International Conference on Virginia Woolf, hosted by the University of Saskatchewan. Contributors link inter- and multidisciplinary scholarship to the intellectual and creative projects of Woolf and her modernist peers. Essays that identify and extend points of contact between literary studies and varied disciplines are arranged in four thematic sections: "History, Materiality, Multiplicity"; "Patterns, Practices, Principles"; "Art, Influence, Embodiment"; and "Publishing, Politics, Publics." This collection contains writing by established and emergent scholars, including Susan Brown, Patricia Clements, and Isobel Grundy (editors of Orlando: Women's Writing in the British Isles, from the Beginnings to the Present); Leslie Kathleen Hankins; Maggie Humm; and Brenda Silver.

    Produktinformation

    • Utgivningsdatum:2013-06-01
    • Mått:152 x 229 x undefined mm
    • Format:Häftad
    • Språk:Engelska
    • Serie:Clemson University Press w/ LUP
    • Antal sidor:314
    • Förlag:Clemson University Digital Press
    • ISBN:9780989082624

    Utforska kategorier

    • Litteraturvetenskap inom Skönlitteratur

    Mer om författaren

    Ann R. C. Martin is Assistant Professor at the University of Saskatchewan. Kathryn Holland is Professor in the English Department at MacEwan University.

    Innehållsförteckning

    • Introduction to Interdisciplinary/Multidisciplinary Woolf - Ann Martin and Kathryn HollandAcknowledgmentsList of AbbreviationsPART ONE: History, Materiality, Multiplicity1. Multidisciplinary Woolf / Multiple Woolfs? - Maggie Humm2. Woolf, History, Us - Melba Cuddy-Keane3. “Full of Experiments and Reforms”: Virginia Woolf, John Maynard Keynes, and the Impossibility of Economic Modeling - Alice Keane4. Desiring Statues and Ambiguous Sexualities in Jacob’s Room - Vara Neverow5. Challenging the Family Script: Woolf, the Stephen Family, and Victorian Evangelical Theology - Jane de Gay6. History as Scaffolding: Woolf’s Use of The Times in The Years - Eleanor McNees7. Vincent van Gogh, Virginia Woolf, and Old Shoes: A Cross-Cultural Iconography of Historical Trauma from the Great War to the Iraq War - Marlene A. Briggs8. Stopped at the Border: Virginia Woolf and the Criminalization of Dissent in Democratic Societies - J. Ashley Foster9. “Q. And babies? A. And babies”: On Pacifism, Visual Trauma, and the Body Heap - Conor Tomas Reed10. Photography, History, and Memoir of the Spanish Civil War: Interdisciplinary Views - Lolly J. OckerstromPART TWO: Patterns, Practices, Principles11. “Waving to Virginia” - Brenda R. Silver12. Woolf, Defoe, Derrida: Interdisciplinary dogs—or the canine aesthetics and (gender) politics of creativity - Jane Goldman13. “The law is on the side of the normal”: Virginia Woolf as Crip Theorist - Madelyn Detloff14. A Healing Centre of One’s Own: Woolf’s Legacy and Public Responses to Child Abuse - Marie Lovrod and Karen Wood15. Sunflower Suture: Disseminating the Garden in The Years - Elisa Kay Sparks16. “One Must Be Scientific”: Natural History and Ecology in Mrs. Dalloway - Sarah Dunlap17. Clarissa’s Glacial Skepticism: John Tyndall and “Deep Time” in Mrs. Dalloway - Catherine W. Hollis18. Apollonian Illusion and Dionysian Truth in Mrs. Dalloway - Michael J. HorackiPART THREE: Art, Influence, Embodiment19. “Time has whizzed back an inch or two on its reel”: Relating Virginia Woolf and Emily Carr through Vintage Postcards, Lily Broscoe, Mrs. McNab, and the Cinematic Time of To the Lighthouse - Leslie Kathleen Hankins20. Speaking Citizen to Citizen in a Time of War: Miss La Trobe’s Use of Parabasis in Her Historical Pageant - Kathleen Wall21. Work as Salvation: Eureka’s Angel in the House, A Director’s Experience - Charlie Peters22. Drawing as Thinking: A Visual Response to To the Lighthouse - Sarah Blake23. Performing Feminism, Transmitting Affect: Isadora Duncan, Virginia Woolf, and the Politics of Movement - Kimberly Engdahl Coates24. Virginia Woolf and Clarice Lispector: Thinking Back Through Brazilian Mothers - Maria Aparecide de Oliviera25. Mystical Gibberish or Renegade Discourse?: Poetic Language According to Orlando - Christopher Brown26. Selves and Others as Narrative Participants in Woolf’s Novels - Kyle RobertsonPART FOUR: Publishing, Politics, Publics27. “The most unaccountable of machinery” : The Orlando Project produces a textbase of one's own - Susan Brown, Patricia Clements, and Isobel Grundy28. The Hotel at the End of the Universe - Steven D. Putzel29. Globalization, Inter Connectivity, and Anti-Imperialism: Leonard Woolf, the Hogarth Press, and Kenya - Jeanne Dubino30. Chinese Eyes and Muddled Armenians: The Hogarth Press and British Racial Discourse - Adam Barrows31. “No One Wants Biography”: The Hogarth Press Classifies Orlando - Claire Battershill32. There Goes the Bride: Virginia Woolf, Julia Strachey, and the Hogarth Press - Diane F. Gillespie33. Redefining Woolf for the 1990s: Producing and Promoting the “Definitive Collected Edition” - Elizabeth Willson Gordon34. The Believers: Writers Publishing for Readers, Or Preliminary Musings on the Hogarth Press and McSweeney's - Aurelea Mahood35. The Woolfs in Print and Online: A University Press in Transition - Wayne ChapmanNotes on ContributorsConference Program