This book attempts to study Panjab historiography from the viewpoint of cosmography, the concept derived from the cosmological paradigm which Professor Harjeet Singh Gill, an eminent semiotician, developed in his oeuvre.

Since its introduction in the colonial Panjab, the discipline of historiography subdued the indigenous craft of history writing such as katha, qissa, janamsakhi, and jangnama wherein what Professor Gill has conceptualized as “the dialectic of representation and transcendence” remained ever active.

This title has been co-published with Aakar Books.

This book attempts to study Panjab historiography from the viewpoint of cosmography, the concept derived from the cosmological paradigm which Professor Harjeet Singh Gill, an eminent semiotician, developed in his oeuvre.

Since its introduction in the colonial Panjab, the discipline of historiography subdued the indigenous craft of history writing such as katha, qissa, janamsakhi, and jangnama wherein what Professor Gill has conceptualized as “the dialectic of representation and transcendence” remained ever active.

This title has been co-published with Aakar Books.

This book attempts to study Panjab historiography from the viewpoint of cosmography, the concept derived from the cosmological paradigm which Professor Harjeet Singh Gill, an eminent semiotician, developed in his oeuvre.

Since its introduction in the colonial Panjab, the discipline of historiography subdued the indigenous craft of history writing such as katha, qissa, janamsakhi, and jangnama wherein what Professor Gill has conceptualized as “the dialectic of representation and transcendence” remained ever active.

This title has been co-published with Aakar Books.