Denys Turner is Horace Tracy Pitkin Professor Emeritus of Historical Theology at Yale University. His widely-acclaimed books include The Darkness of God (Cambridge University Press, 1995, which famously separated medieval mystical thought from contemporary ideas of experiential spirituality), Julian of Norwich, Theologian (Yale University Press, 2013) and Thomas Aquinas (also Yale University Press, 2014). This new book is a loosely related companion to the latter titles, completing a trilogy.

'Dante the Theologian is a significant, brilliant and illuminating contribution to theological reflection on Dante's Commedia. As such, it can both build on and help strengthen further the growing body of scholarly reflection on the theological dimensions of Dante's work. It presents an unusually compelling combination of depth of content and accessibility of style while offering new insights into Dante's poetry. Its central argument is that a theological analysis that ignores the poetic prevents us from recognizing both the uniqueness of Dante's theological voice and the contribution this can make even today to our theological thinking. Among the most significant contributions of the book are its splendidly incisive highlighting of the theological nature of Dante's poetry as poetry, and its marvellously fruitful treatment of the question of the relationship between fiction and truth. In both respects, Denys Turner's book is a powerful and novel contribution to key debates concerning Dante's work and its theological implications.' Vittorio Montemaggi, King's College London

• Introduction; 1. Theology and Poetry; Hell: 2. Hell: Dante and Aquinas; 3. Does Dante's Hell Exist?; Purgatory: 4. Purgation and Purgatory; 5. Hope, Memory, and the Earthly Paradise; Paradise: 6. Paradise and Paideia; 7. The End of Poetry.

Denys Turner is Horace Tracy Pitkin Professor Emeritus of Historical Theology at Yale University. His widely-acclaimed books include The Darkness of God (Cambridge University Press, 1995, which famously separated medieval mystical thought from contemporary ideas of experiential spirituality), Julian of Norwich, Theologian (Yale University Press, 2013) and Thomas Aquinas (also Yale University Press, 2014). This new book is a loosely related companion to the latter titles, completing a trilogy.

'Dante the Theologian is a significant, brilliant and illuminating contribution to theological reflection on Dante's Commedia. As such, it can both build on and help strengthen further the growing body of scholarly reflection on the theological dimensions of Dante's work. It presents an unusually compelling combination of depth of content and accessibility of style while offering new insights into Dante's poetry. Its central argument is that a theological analysis that ignores the poetic prevents us from recognizing both the uniqueness of Dante's theological voice and the contribution this can make even today to our theological thinking. Among the most significant contributions of the book are its splendidly incisive highlighting of the theological nature of Dante's poetry as poetry, and its marvellously fruitful treatment of the question of the relationship between fiction and truth. In both respects, Denys Turner's book is a powerful and novel contribution to key debates concerning Dante's work and its theological implications.' Vittorio Montemaggi, King's College London

• Introduction; 1. Theology and Poetry; Hell: 2. Hell: Dante and Aquinas; 3. Does Dante's Hell Exist?; Purgatory: 4. Purgation and Purgatory; 5. Hope, Memory, and the Earthly Paradise; Paradise: 6. Paradise and Paideia; 7. The End of Poetry.

Denys Turner is Horace Tracy Pitkin Professor Emeritus of Historical Theology at Yale University. His widely-acclaimed books include The Darkness of God (Cambridge University Press, 1995, which famously separated medieval mystical thought from contemporary ideas of experiential spirituality), Julian of Norwich, Theologian (Yale University Press, 2013) and Thomas Aquinas (also Yale University Press, 2014). This new book is a loosely related companion to the latter titles, completing a trilogy.

'Dante the Theologian is a significant, brilliant and illuminating contribution to theological reflection on Dante's Commedia. As such, it can both build on and help strengthen further the growing body of scholarly reflection on the theological dimensions of Dante's work. It presents an unusually compelling combination of depth of content and accessibility of style while offering new insights into Dante's poetry. Its central argument is that a theological analysis that ignores the poetic prevents us from recognizing both the uniqueness of Dante's theological voice and the contribution this can make even today to our theological thinking. Among the most significant contributions of the book are its splendidly incisive highlighting of the theological nature of Dante's poetry as poetry, and its marvellously fruitful treatment of the question of the relationship between fiction and truth. In both respects, Denys Turner's book is a powerful and novel contribution to key debates concerning Dante's work and its theological implications.' Vittorio Montemaggi, King's College London

• Introduction; 1. Theology and Poetry; Hell: 2. Hell: Dante and Aquinas; 3. Does Dante's Hell Exist?; Purgatory: 4. Purgation and Purgatory; 5. Hope, Memory, and the Earthly Paradise; Paradise: 6. Paradise and Paideia; 7. The End of Poetry.