Brad Congdon is a lecturer in the English Department at the University of Saskatchewan, located on Treaty 6 Territory and the Homeland of the Métis. He's the author of Leading with the Chin: Writing American Masculinities in Esquire, 1960–1989, winner of the 2018 Robert K. Martin book prize. Jason Haslam is McCulloch Professor of English at Dalhousie University, located in Mi'kma'ki, the ancestral and unceded territory of the Mi'kmaq. His most recent work includes The Broadview Anthology of Science Fiction and articles on SF and related genres in such journals as African American Review, ARIEL, and Science Fiction Studies.

• Introduction Brad Congdon and Jason Haslam; Part I. Weird Origins and Resurgences: 1. The old ones: precursors to the weird Roger Luckhurst; 2. H. P. Lovecraft and the cosmic weird Xavier Aldana Reyes; 3. The Lovecraft circle and weird pulp Brad Congdon; 4. Modernist weird, weirding modernism: unnamables in Lovecraft and Beckett Timothy S. Murphy; 5. Rise of the new weird Betsy Huang; Part II. World-Wide 'Weird': 6. Indigenous weird Krista Collier-Jarvis; 7. African weird Ian P. Macdonald; 8. Transgressing humanity's centrality: weird objects in three Latin American short stories Antonio Alcalá González; 9. Nordic weird Hanna Samola; 10. The weird, the strange, and the gothic: twenty-first-century Asian speculative fiction and the call of the weird Katarzyna Ancuta; Part III. Weird Media: 11. Weird games Chloé Wake; 12. Weird film and television Steen Ledet Christiansen; 13. Weird comics Dragoş Manea; Part IV. Weird Themes and Theories: 14. Eco weird Dennis Denisoff; 15. Race and the weird Maisha Wester; 16. Gender weird/gender trans and Queer Ardel Haefele-Thomas; 17. Disability and bodies in the weird Laura R. Kremmel.

Brad Congdon is a lecturer in the English Department at the University of Saskatchewan, located on Treaty 6 Territory and the Homeland of the Métis. He's the author of Leading with the Chin: Writing American Masculinities in Esquire, 1960–1989, winner of the 2018 Robert K. Martin book prize. Jason Haslam is McCulloch Professor of English at Dalhousie University, located in Mi'kma'ki, the ancestral and unceded territory of the Mi'kmaq. His most recent work includes The Broadview Anthology of Science Fiction and articles on SF and related genres in such journals as African American Review, ARIEL, and Science Fiction Studies.

• Introduction Brad Congdon and Jason Haslam; Part I. Weird Origins and Resurgences: 1. The old ones: precursors to the weird Roger Luckhurst; 2. H. P. Lovecraft and the cosmic weird Xavier Aldana Reyes; 3. The Lovecraft circle and weird pulp Brad Congdon; 4. Modernist weird, weirding modernism: unnamables in Lovecraft and Beckett Timothy S. Murphy; 5. Rise of the new weird Betsy Huang; Part II. World-Wide 'Weird': 6. Indigenous weird Krista Collier-Jarvis; 7. African weird Ian P. Macdonald; 8. Transgressing humanity's centrality: weird objects in three Latin American short stories Antonio Alcalá González; 9. Nordic weird Hanna Samola; 10. The weird, the strange, and the gothic: twenty-first-century Asian speculative fiction and the call of the weird Katarzyna Ancuta; Part III. Weird Media: 11. Weird games Chloé Wake; 12. Weird film and television Steen Ledet Christiansen; 13. Weird comics Dragoş Manea; Part IV. Weird Themes and Theories: 14. Eco weird Dennis Denisoff; 15. Race and the weird Maisha Wester; 16. Gender weird/gender trans and Queer Ardel Haefele-Thomas; 17. Disability and bodies in the weird Laura R. Kremmel.

Brad Congdon is a lecturer in the English Department at the University of Saskatchewan, located on Treaty 6 Territory and the Homeland of the Métis. He's the author of Leading with the Chin: Writing American Masculinities in Esquire, 1960–1989, winner of the 2018 Robert K. Martin book prize. Jason Haslam is McCulloch Professor of English at Dalhousie University, located in Mi'kma'ki, the ancestral and unceded territory of the Mi'kmaq. His most recent work includes The Broadview Anthology of Science Fiction and articles on SF and related genres in such journals as African American Review, ARIEL, and Science Fiction Studies.

• Introduction Brad Congdon and Jason Haslam; Part I. Weird Origins and Resurgences: 1. The old ones: precursors to the weird Roger Luckhurst; 2. H. P. Lovecraft and the cosmic weird Xavier Aldana Reyes; 3. The Lovecraft circle and weird pulp Brad Congdon; 4. Modernist weird, weirding modernism: unnamables in Lovecraft and Beckett Timothy S. Murphy; 5. Rise of the new weird Betsy Huang; Part II. World-Wide 'Weird': 6. Indigenous weird Krista Collier-Jarvis; 7. African weird Ian P. Macdonald; 8. Transgressing humanity's centrality: weird objects in three Latin American short stories Antonio Alcalá González; 9. Nordic weird Hanna Samola; 10. The weird, the strange, and the gothic: twenty-first-century Asian speculative fiction and the call of the weird Katarzyna Ancuta; Part III. Weird Media: 11. Weird games Chloé Wake; 12. Weird film and television Steen Ledet Christiansen; 13. Weird comics Dragoş Manea; Part IV. Weird Themes and Theories: 14. Eco weird Dennis Denisoff; 15. Race and the weird Maisha Wester; 16. Gender weird/gender trans and Queer Ardel Haefele-Thomas; 17. Disability and bodies in the weird Laura R. Kremmel.