Federica Coluzzi is Leverhulme Early Career Research Fellow at the University of Warwick, UK. She was previously Government of Ireland Postdoctoral Fellow at University College Cork, Ireland. Her first monograph Dante Beyond Influence: Rethinking Reception in Victorian Literary Culture came out in 2021. Her research encompasses reception theory and Dante studies, nineteenth-century periodicals, and the history of publishing and reading. She has published in Dante Studies, Tre Corone, Palgrave Encyclopedia of Victorian Women’s Writing, Nineteenth Century Prose, Studium, and Strumenti Critici.Jacob Blakesley is Professor in Comparative Literature and Literary Translation at the University of Leeds, UK, where he co-directs the Leeds Centre for Dante Studies. He directs the Leeds Studies on Dante series (with Matthew Treherne), and the Routledge Studies in Literary Translation series (with Duncan Large). He has published two monographs, A Sociological Approach to Poetry Translation: Modern European Poet-Translators (2018) and Modern Italian Poets: Translators of the Impossible (2014), and edited Sociologies of Poetry Translation: Emerging Perspectives (2018). He is currently writing the first global translation history of Dante’s Commedia.

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• List of ContributorsAcknowledgementsIntroduction. The Anglophone Vita Nova: readers and translators, Jacob Blakesley and Federica ColuzziPart I. The birth and development of the English Vita nova1. ‘That Prayer-Book of Love’: La Vita nuova and the Shelley-Byron Pisan Circle, 1819-22, Diego Saglia2. Early English Lives of the Vita Nova: 1835–46, Nick Havely 3. Fair Beatrice: The Vita Nuova in Nineteenth-Century America, Kathleen Verduin 4. ‘The Vita Nuova Will Yet Have American Successors’: Translating Dante in Nineteenth-Century New England, Igor Candido5. Dante Gabriel Rossetti’s The New Life, Fabio Camilletti6. Intermedial Configurations in Dante Gabriel Rossetti’s Reception of the Vita Nuova, Julia Straub7. The Vita nova in the Victorian Fin de Siècle: Translations, Editions and Commentary, 1893–1906, Federica ColuzziPart II. The English Vita nova between Modernism and New American Poetry8. The Secretest Chamber of the Heart: The Vita nova in British and American Modernism, Teresa Prudente9. ‘A fraternity of poets’:The reception of Dante and the Vita Nuova in the San Francisco Renaissance, Valentina Mele Part III. The resurgence of the English Vita nova: from the 1950s to the Digital Turn10. Between concatenatio pulcra and the ‘Tyranny of Rhyme’: Translating Dante’s libello, Daragh O’Connell 11. Contemporary Translations of the Vita Nuova: Cervigni/Vasta, Frisardi and Slavitt, Ronald M. De Rooy12. Re-reading Dante’s Vita nova in Anglophone Contexts, David BoweAppendix 1. The Vita nova ‘a l’altro polo’, Emma Louise BarlowAppendix 2. For an Editorial History of Dante’s Vita nova, Laura Banella BibliographyIndex

Federica Coluzzi is Leverhulme Early Career Research Fellow at the University of Warwick, UK. She was previously Government of Ireland Postdoctoral Fellow at University College Cork, Ireland. Her first monograph Dante Beyond Influence: Rethinking Reception in Victorian Literary Culture came out in 2021. Her research encompasses reception theory and Dante studies, nineteenth-century periodicals, and the history of publishing and reading. She has published in Dante Studies, Tre Corone, Palgrave Encyclopedia of Victorian Women’s Writing, Nineteenth Century Prose, Studium, and Strumenti Critici.Jacob Blakesley is Professor in Comparative Literature and Literary Translation at the University of Leeds, UK, where he co-directs the Leeds Centre for Dante Studies. He directs the Leeds Studies on Dante series (with Matthew Treherne), and the Routledge Studies in Literary Translation series (with Duncan Large). He has published two monographs, A Sociological Approach to Poetry Translation: Modern European Poet-Translators (2018) and Modern Italian Poets: Translators of the Impossible (2014), and edited Sociologies of Poetry Translation: Emerging Perspectives (2018). He is currently writing the first global translation history of Dante’s Commedia.

Select Guide Rating

• List of ContributorsAcknowledgementsIntroduction. The Anglophone Vita Nova: readers and translators, Jacob Blakesley and Federica ColuzziPart I. The birth and development of the English Vita nova1. ‘That Prayer-Book of Love’: La Vita nuova and the Shelley-Byron Pisan Circle, 1819-22, Diego Saglia2. Early English Lives of the Vita Nova: 1835–46, Nick Havely 3. Fair Beatrice: The Vita Nuova in Nineteenth-Century America, Kathleen Verduin 4. ‘The Vita Nuova Will Yet Have American Successors’: Translating Dante in Nineteenth-Century New England, Igor Candido5. Dante Gabriel Rossetti’s The New Life, Fabio Camilletti6. Intermedial Configurations in Dante Gabriel Rossetti’s Reception of the Vita Nuova, Julia Straub7. The Vita nova in the Victorian Fin de Siècle: Translations, Editions and Commentary, 1893–1906, Federica ColuzziPart II. The English Vita nova between Modernism and New American Poetry8. The Secretest Chamber of the Heart: The Vita nova in British and American Modernism, Teresa Prudente9. ‘A fraternity of poets’:The reception of Dante and the Vita Nuova in the San Francisco Renaissance, Valentina Mele Part III. The resurgence of the English Vita nova: from the 1950s to the Digital Turn10. Between concatenatio pulcra and the ‘Tyranny of Rhyme’: Translating Dante’s libello, Daragh O’Connell 11. Contemporary Translations of the Vita Nuova: Cervigni/Vasta, Frisardi and Slavitt, Ronald M. De Rooy12. Re-reading Dante’s Vita nova in Anglophone Contexts, David BoweAppendix 1. The Vita nova ‘a l’altro polo’, Emma Louise BarlowAppendix 2. For an Editorial History of Dante’s Vita nova, Laura Banella BibliographyIndex