Bríd Phillips is a senior lecturer at Edith Cowan University, Australia. She has a PhD in Shakespearean Studies and her research has been supported by the Australian Research Council, Centre of Excellence for The History of Emotions. Recent publications include Hamlet and Emotions, edited with Paul Megna and Robert White (2019) and ‘“Devils Will the Blackest Sins Put On”: The Emotional Register of Colour’ in Matters of Engagement: Emotions, Identity, and Cultural Contact in the Premodern World (2020).

• Introduction: The expression of emotion through systems of colour: Uncovering ways of feelingChapter One: ‘And weep to hear him speak’: Colour, emotion, and rhetoric in Titus AndronicusChapter 2: ‘For blushing cheeks by faults are bred / And fears by pale white shown’: Reading the face for colour and emotion in Love’s Labour’s LostChapter 3: ‘There’s something in his soul / O’er which his melancholy sits on brood’: Senses, science, and the ImaginationChapter 4: ‘Not black in my mind, though yellow in my legs’: Bodies, clothes, colour, and passions in Twelfth NightChapter 5: ‘O well-painted passion’: Cultural commonplaces of colour and affective patterns in OthelloAfterword

Bríd Phillips is a senior lecturer at Edith Cowan University, Australia. She has a PhD in Shakespearean Studies and her research has been supported by the Australian Research Council, Centre of Excellence for The History of Emotions. Recent publications include Hamlet and Emotions, edited with Paul Megna and Robert White (2019) and ‘“Devils Will the Blackest Sins Put On”: The Emotional Register of Colour’ in Matters of Engagement: Emotions, Identity, and Cultural Contact in the Premodern World (2020).

• Introduction: The expression of emotion through systems of colour: Uncovering ways of feelingChapter One: ‘And weep to hear him speak’: Colour, emotion, and rhetoric in Titus AndronicusChapter 2: ‘For blushing cheeks by faults are bred / And fears by pale white shown’: Reading the face for colour and emotion in Love’s Labour’s LostChapter 3: ‘There’s something in his soul / O’er which his melancholy sits on brood’: Senses, science, and the ImaginationChapter 4: ‘Not black in my mind, though yellow in my legs’: Bodies, clothes, colour, and passions in Twelfth NightChapter 5: ‘O well-painted passion’: Cultural commonplaces of colour and affective patterns in OthelloAfterword

Bríd Phillips is a senior lecturer at Edith Cowan University, Australia. She has a PhD in Shakespearean Studies and her research has been supported by the Australian Research Council, Centre of Excellence for The History of Emotions. Recent publications include Hamlet and Emotions, edited with Paul Megna and Robert White (2019) and ‘“Devils Will the Blackest Sins Put On”: The Emotional Register of Colour’ in Matters of Engagement: Emotions, Identity, and Cultural Contact in the Premodern World (2020).

• Introduction: The expression of emotion through systems of colour: Uncovering ways of feelingChapter One: ‘And weep to hear him speak’: Colour, emotion, and rhetoric in Titus AndronicusChapter 2: ‘For blushing cheeks by faults are bred / And fears by pale white shown’: Reading the face for colour and emotion in Love’s Labour’s LostChapter 3: ‘There’s something in his soul / O’er which his melancholy sits on brood’: Senses, science, and the ImaginationChapter 4: ‘Not black in my mind, though yellow in my legs’: Bodies, clothes, colour, and passions in Twelfth NightChapter 5: ‘O well-painted passion’: Cultural commonplaces of colour and affective patterns in OthelloAfterword