K. Suneetha Rani is Professor at the Centre for Women’s Studies, University of Hyderabad, India. She taught at the Department of English, Women's University, Tirupati and the Department of English, University of Hyderabad, before joining the Centre for Women's Studies in 2011. Her areas of interest include gender studies, cultural studies, comparative studies, new literatures in English and translation studies. She translates from Telugu to English and vice versa. She has extensively published research articles and translations in English and Telugu. Her major publications in English include Australian Aboriginal Women’s Autobiographies: A Critical Study (2006); Flowering from the Soil: Dalit Women’s Writing from Telugu (translation of Dalit women’s select writings from Telugu, 2012); English in the Dalit Context (co-editor, 2014); Vibhinna: Voices from Contemporary Telugu Writing (co-editor, 2015); A House on the Outskirts and Other Stories (translation of Devarakonda Balagangadhara Tilak’s select short fiction from Telugu, 2016); Influence of English on Indian Women Writers: Voices from the Regional Languages (2017); Identities and Assertions: Dalit Women’s Narratives (2017); and The Rock That Was Not (translation of Githanjali’s select short fiction from Telugu, 2019).

• 1. Women’s Education [February 1875] 2. Prologue to A Memorandum on Modern Telugu 3. Prologue to Radhika Santvanamu 4. Foreword to History of Telugu Literature 5. The Harm Caused to Telugu 6. The Sitamma Tikkanna Sculpted 7. Introduction to Musalamma Maranamu 8. Man and Woman (Excluding the Aspect of Love) 9. Freedom of the Artist 10. Purpose of Poetry 11. The Structure of Poetic Revolutions 12. Those Six Poets 13. Why Sanskrit, Oh Swami? 14. The Word is the World 15. The Story of Rama and the Class Character 16. First Generation Short Stories of Telangana 17. The Origins of Telugu Drama That One Does Not Wish to See 18. Literary Criticism, too, is Social Praxis 19. Music That’s Snapping Its Shackles 20. Protest against the Caste Hegemony 21. Literature and its Philosophical Premise 22. The Trajectories of Kalingandhra Story 23. Rasa and Women’s Experience 24. Why has Madhuravani Changed? 25. Reflections on Marxist Literary Criticism in Telugu 26. Coarse Winnows that Sift Literature 27. Difference of Perspectives between Dalit Literature and Revolutionary Literature 28. The Furnace 29. A Garden of Mirrors: Reclaiming the Sufi Past and Contemporary Muslim Discourse 30. Poetry is but the Reflection of Realistic Identities 31. Muslim Women’s Poetry 32. The Story of Yellamma: The Philosophical Perspective

K. Suneetha Rani is Professor at the Centre for Women’s Studies, University of Hyderabad, India. She taught at the Department of English, Women's University, Tirupati and the Department of English, University of Hyderabad, before joining the Centre for Women's Studies in 2011. Her areas of interest include gender studies, cultural studies, comparative studies, new literatures in English and translation studies. She translates from Telugu to English and vice versa. She has extensively published research articles and translations in English and Telugu. Her major publications in English include Australian Aboriginal Women’s Autobiographies: A Critical Study (2006); Flowering from the Soil: Dalit Women’s Writing from Telugu (translation of Dalit women’s select writings from Telugu, 2012); English in the Dalit Context (co-editor, 2014); Vibhinna: Voices from Contemporary Telugu Writing (co-editor, 2015); A House on the Outskirts and Other Stories (translation of Devarakonda Balagangadhara Tilak’s select short fiction from Telugu, 2016); Influence of English on Indian Women Writers: Voices from the Regional Languages (2017); Identities and Assertions: Dalit Women’s Narratives (2017); and The Rock That Was Not (translation of Githanjali’s select short fiction from Telugu, 2019).

• 1. Women’s Education [February 1875] 2. Prologue to A Memorandum on Modern Telugu 3. Prologue to Radhika Santvanamu 4. Foreword to History of Telugu Literature 5. The Harm Caused to Telugu 6. The Sitamma Tikkanna Sculpted 7. Introduction to Musalamma Maranamu 8. Man and Woman (Excluding the Aspect of Love) 9. Freedom of the Artist 10. Purpose of Poetry 11. The Structure of Poetic Revolutions 12. Those Six Poets 13. Why Sanskrit, Oh Swami? 14. The Word is the World 15. The Story of Rama and the Class Character 16. First Generation Short Stories of Telangana 17. The Origins of Telugu Drama That One Does Not Wish to See 18. Literary Criticism, too, is Social Praxis 19. Music That’s Snapping Its Shackles 20. Protest against the Caste Hegemony 21. Literature and its Philosophical Premise 22. The Trajectories of Kalingandhra Story 23. Rasa and Women’s Experience 24. Why has Madhuravani Changed? 25. Reflections on Marxist Literary Criticism in Telugu 26. Coarse Winnows that Sift Literature 27. Difference of Perspectives between Dalit Literature and Revolutionary Literature 28. The Furnace 29. A Garden of Mirrors: Reclaiming the Sufi Past and Contemporary Muslim Discourse 30. Poetry is but the Reflection of Realistic Identities 31. Muslim Women’s Poetry 32. The Story of Yellamma: The Philosophical Perspective

K. Suneetha Rani is Professor at the Centre for Women’s Studies, University of Hyderabad, India. She taught at the Department of English, Women's University, Tirupati and the Department of English, University of Hyderabad, before joining the Centre for Women's Studies in 2011. Her areas of interest include gender studies, cultural studies, comparative studies, new literatures in English and translation studies. She translates from Telugu to English and vice versa. She has extensively published research articles and translations in English and Telugu. Her major publications in English include Australian Aboriginal Women’s Autobiographies: A Critical Study (2006); Flowering from the Soil: Dalit Women’s Writing from Telugu (translation of Dalit women’s select writings from Telugu, 2012); English in the Dalit Context (co-editor, 2014); Vibhinna: Voices from Contemporary Telugu Writing (co-editor, 2015); A House on the Outskirts and Other Stories (translation of Devarakonda Balagangadhara Tilak’s select short fiction from Telugu, 2016); Influence of English on Indian Women Writers: Voices from the Regional Languages (2017); Identities and Assertions: Dalit Women’s Narratives (2017); and The Rock That Was Not (translation of Githanjali’s select short fiction from Telugu, 2019).

• 1. Women’s Education [February 1875] 2. Prologue to A Memorandum on Modern Telugu 3. Prologue to Radhika Santvanamu 4. Foreword to History of Telugu Literature 5. The Harm Caused to Telugu 6. The Sitamma Tikkanna Sculpted 7. Introduction to Musalamma Maranamu 8. Man and Woman (Excluding the Aspect of Love) 9. Freedom of the Artist 10. Purpose of Poetry 11. The Structure of Poetic Revolutions 12. Those Six Poets 13. Why Sanskrit, Oh Swami? 14. The Word is the World 15. The Story of Rama and the Class Character 16. First Generation Short Stories of Telangana 17. The Origins of Telugu Drama That One Does Not Wish to See 18. Literary Criticism, too, is Social Praxis 19. Music That’s Snapping Its Shackles 20. Protest against the Caste Hegemony 21. Literature and its Philosophical Premise 22. The Trajectories of Kalingandhra Story 23. Rasa and Women’s Experience 24. Why has Madhuravani Changed? 25. Reflections on Marxist Literary Criticism in Telugu 26. Coarse Winnows that Sift Literature 27. Difference of Perspectives between Dalit Literature and Revolutionary Literature 28. The Furnace 29. A Garden of Mirrors: Reclaiming the Sufi Past and Contemporary Muslim Discourse 30. Poetry is but the Reflection of Realistic Identities 31. Muslim Women’s Poetry 32. The Story of Yellamma: The Philosophical Perspective