Antje Gamble is an art historian of Italian modernist sculpture and trans-Atlantic exhibition practices at mid-century. She is currently an associate professor of art history in the Department of Art and Design at Murray State University in Kentucky, USA.

• Chapter 1 – Introduction: Art and Politics in an Exhibition of "Design" Chapter 2 – Organizing Italy at Work under the Auspices of the Marshall Plan Chapter 3 – Italian Americans as Stakeholders in an American Exhibition of Western Culture Chapter 4 – Ceramic Sculpture’s Special Role in Validating Italian Humanist Culture for an American Audience Chapter 5 – Displaying Italian Producers for American Consumers Chapter 6 – Thoughts on the Cultural Impacts of Italy at Work

Antje Gamble is an art historian of Italian modernist sculpture and trans-Atlantic exhibition practices at mid-century. She is currently an associate professor of art history in the Department of Art and Design at Murray State University in Kentucky, USA.

• Chapter 1 – Introduction: Art and Politics in an Exhibition of "Design" Chapter 2 – Organizing Italy at Work under the Auspices of the Marshall Plan Chapter 3 – Italian Americans as Stakeholders in an American Exhibition of Western Culture Chapter 4 – Ceramic Sculpture’s Special Role in Validating Italian Humanist Culture for an American Audience Chapter 5 – Displaying Italian Producers for American Consumers Chapter 6 – Thoughts on the Cultural Impacts of Italy at Work

Antje Gamble is an art historian of Italian modernist sculpture and trans-Atlantic exhibition practices at mid-century. She is currently an associate professor of art history in the Department of Art and Design at Murray State University in Kentucky, USA.

• Chapter 1 – Introduction: Art and Politics in an Exhibition of "Design" Chapter 2 – Organizing Italy at Work under the Auspices of the Marshall Plan Chapter 3 – Italian Americans as Stakeholders in an American Exhibition of Western Culture Chapter 4 – Ceramic Sculpture’s Special Role in Validating Italian Humanist Culture for an American Audience Chapter 5 – Displaying Italian Producers for American Consumers Chapter 6 – Thoughts on the Cultural Impacts of Italy at Work