Charles Reeve is Associate Professor of Art History at OCAD University, where he is Chair of Liberal Studies. He is past President of the Universities Art Association of Canada and Co-editor, with Rachel Epp Buller, of Inappropriate Bodies: Art, Design, and Maternity (2019).

• Introduction: How to Use This BookChapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the Authentically InsincereChapter 3: Andy Warhol’s Deaths and the Assembly-Line AutobiographyChapter 4: Bitter Whimsy: Saul Steinberg's Reflections and ShadowsChapter 5: Explicit Metaphor: Judy Chicago’s Self-RefashioningChapter 6: From Art to Life: Faith Ringgold’s Flights of ImaginationChapter 7: Crossing Borders: Leonora Carrington, Autopathography and the Porous SelfChapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie Bashkirtseff and the Irony of the SelfChapter 9: Lifewriting, Imperialism, Collage: Mary Delany’s Autobiography and CorrespondenceChapter 10: False Starts: Cellini, Hogarth, Diderot…and Back Again

Charles Reeve is Associate Professor of Art History at OCAD University, where he is Chair of Liberal Studies. He is past President of the Universities Art Association of Canada and Co-editor, with Rachel Epp Buller, of Inappropriate Bodies: Art, Design, and Maternity (2019).

• Introduction: How to Use This BookChapter 1: Putting the "Lie" in "Line": Eric Hebborn's Drawn to Trouble Chapter 2: Who Killed Greta Bismarck: Autobiography, Autofiction and the Authentically InsincereChapter 3: Andy Warhol’s Deaths and the Assembly-Line AutobiographyChapter 4: Bitter Whimsy: Saul Steinberg's Reflections and ShadowsChapter 5: Explicit Metaphor: Judy Chicago’s Self-RefashioningChapter 6: From Art to Life: Faith Ringgold’s Flights of ImaginationChapter 7: Crossing Borders: Leonora Carrington, Autopathography and the Porous SelfChapter 8: Why Have There Been No Great Women Artist-Autobiographers: Marie Bashkirtseff and the Irony of the SelfChapter 9: Lifewriting, Imperialism, Collage: Mary Delany’s Autobiography and CorrespondenceChapter 10: False Starts: Cellini, Hogarth, Diderot…and Back Again