Charles Reeve – författare

Reading life writing that runs from Tracey Emin, Faith Ringgold and Judy Chicago to Marie Bashkirtseff, Benvenuto Cellini and beyond, Artists and Their Autobiographies from Today to the Renaissance and Back investigates the intriguing doubled truths of artists’ autobiographies: truth in life and truth in art; authorial truth/s and the truth of their art as they saw it. However, this book focuses specifically on the truth of sincerity, which here—following classic discussions by Reindert Dhondt, Philippe Lejeune and Lionel Trilling—appears as a truth to self that floats free from facts to link avowal and feeling. From there, this volume merges autobiography studies with a history of ideas approach to art to trace sincerity’s constancy and variability across times and cultures. Through this pre-disciplinary dialogue, this book shows that recent and historical artists’ autobiographies differ in how, not if, they intertwine sincerity in life and art. Along the way, this volume leverages the foregrounding of sincerity caused by this doubling to explore such key issues of autobiography studies as autobiography’s relation to fiction, serial autobiography, "as-told-to" narrative and what happens when liars claim to tell all.

Reading life writing that runs from Tracey Emin, Faith Ringgold and Judy Chicago to Marie Bashkirtseff, Benvenuto Cellini and beyond, Artists and Their Autobiographies from Today to the Renaissance and Back investigates the intriguing doubled truths of artists’ autobiographies: truth in life and truth in art; authorial truth/s and the truth of their art as they saw it. However, this book focuses specifically on the truth of sincerity, which here—following classic discussions by Reindert Dhondt, Philippe Lejeune and Lionel Trilling—appears as a truth to self that floats free from facts to link avowal and feeling. From there, this volume merges autobiography studies with a history of ideas approach to art to trace sincerity’s constancy and variability across times and cultures. Through this pre-disciplinary dialogue, this book shows that recent and historical artists’ autobiographies differ in how, not if, they intertwine sincerity in life and art. Along the way, this volume leverages the foregrounding of sincerity caused by this doubling to explore such key issues of autobiography studies as autobiography’s relation to fiction, serial autobiography, "as-told-to" narrative and what happens when liars claim to tell all.

This edited collection examines conflicting assumptions, expectations, and perceptions of maternity in artistic, cultural, and institutional contexts. Over the past two decades, the maternal body has gained currency in popular culture and the contemporary art world, with many books and exhibitions foregrounding artists’ experiences and art histor

This book puts the spotlight on Southern Africa, presentinga cutting-edge concept never previously explored in the context of climatechange and putting forward arguments for regional integration and cooperation.The Climate Resilient Infrastructure Development Facility (CRIDF) is the newwater infrastructure program of the UK Department for International Development(DFID) for Southern Africa. The CRIDF promotes the establishment of small tomedium-scale infrastructure across the Southern African Development Community(SADC) through technical assistance aimed at developing sustainable pro-poorprojects, while also facilitating access to the financial resources needed todeliver said infrastructure. Further, it focuses on regional water resourcemanagement goals and basin plans, as well as on building climate resilience forthe beneficiary communities. The Facility’s Virtual Water and Nexus Projectworks to improve regional peace dividends by translating the Nexus concept intonational and regional policies; it ultimately promotes sovereign securitythrough greater regional integration across the water, food and energy sectors,while taking into account potential benefits in connection with carbonsequestration and emission mitigation.