Rana Abughannam is assistant professor at the School of Architecture and Landscape Architecture, University of British Columbia. She taught at Carleton University, the Canadian University Dubai and Birzeit University. She is a registered architect in Palestine with a degree in architectural engineering (Birzeit University) and a master of history and theory of architecture (McGill University). Her doctoral research (Carleton University) focuses on counter-colonial practices in Palestine.Émèlie Desrochers-Turgeon is assistant professor at the Dalhousie University School of Architecture. Her research areas include the relationship between built environments and grounds through material fictions, architectural representation, extractive infrastructures and liquid landscapes. Educated professionally in architecture (McGill University) and environmental design (UQAM), she practiced design in Canada and Germany before pursuing her PhD in architecture at Carleton University.Pallavi Swaranjali is program coordinator and professor in the Bachelor of Interior Design program, Algonquin College, Ottawa. She holds a PhD in architecture (Azrieli School of Architecture and Urbanism, Carleton University), a BA in architecture and an MDesign in industrial design from India, where she also practiced. She is an intern architect with the Ontario Association of Architects. Her research centers on architecture and storytelling.Federica Goffi is professor of architecture, and co-chair of the architecture PhD Program at the Azrieli School of Architecture and Urbanism at Carleton University, Canada. She published on architectural representation and the role of time in architecture. She holds a PhD in architecture and design research (Virginia Tech), a Dottore in Architettura (University of Genoa), and is a licensed architect in her native country, Italy.

"This volume performs a masterful reveal of architecture’s masked motives and methods. Its elegant structure presents remarkably rich and diverse insights into architecture’s invisible agencies."Leslie Van Duzer, Professor of Architecture, University of British Columbia "The editors have assembled a wide-ranging cast of scholars to account for the unaccounted. Aggregating terms with a family resemblance to the gerund 'hiding' – from camouflage to clutter, violence to veils – the authors discuss how buildings and builders actively occlude their own political, physical, and cultural orders. Interested in post-truth history and criticism of the built world? Then this is a book for you."David Theodore, Associate Professor, McGill University“At a time of greater enforcement of data protection principles for the personal information of individuals, this invaluable book delves into an essential topic: understanding the dynamics, the imaginative possibilities, the moral dilemmas and ethical responsibilities of concealment and revealment in architecture, its histories, theories, power structures and overlooked narratives.”Sophia Psarra, Professor of Architecture and Spatial Design, Bartlett School of Architecture, UCL

• Part 1: Modes of Hiding: Veiled Devices Beyond the Gaze Interlude 1: Verdures: Mimicry and Camouflage 1. Camouflage After the Bauhaus: Oskar Schlemmer, László Moholy-Nagy and György Kepes 2. Walls and Hidden Forms of Walling: The Production of Spatial Violence in Beirut 3. Hiding, Veiling and Transversing: Nubian Madyafa Post-Displacement 4. From Concealed Caves to Dis(Cover)ed Bunkers: Gaetano Pesce’s Pre-/Post-Historical Atomic Shelter 5. Concealed Behind Transparencies: A Closer Look at Architecture’s Hidden Performativity Through the Barcelona Pavilion 6. Happy Schools: The Visible and Invisible in the Sven Lokrantz School and the Architecture of Special Education Interlude 2: Deformative, Yet Silent Part 2: Motives of Hiding: Disguised Narratives Interlude 3: Avert 7. Hiding in Plain Sight: The White House Solarium and the Projection of History 8. Urban Alibi and Its Terms of Concealment: Cases From Shanghai 9. Hiding Behind Colonial Roots: Investigating the Reconstruction of the Palestinian Presidential Headquarters (the Muqata’a) in Ramallah 10. [Hidden Architecture]: The Paracontextual in Superstudio’s Project of Instrumentalizable Muteness 11. Architects’ Hidden Building Signatures 12. Clutter, Tidying and Architectural Desires Interlude 4: Hidden Relics Part 3: Concealed Apparatus: Latencies and Potentialities in Material Realities Interlude 5: Yellow + Blue: An Apparatus for Fabricating Illusionary Architecture 13. Hiding in the Wings: A Culture of the Onlooker in Eighteenth-Century France 14. Principles of Masking: Wall Paintings by Thomas Schütte and Ludger Gerdes, Circa 1977 15. Concealment, Costume and Modern Architecture 16. Architecture, Infrastructure and Occlusion in Miami: The Network Access Point of the Americas 17. Drawn Lines Conceal Multitudes: The Hidden Traces of Time in Carlo Scarpa’s Drawn Factures for the Brion Memorial 18. Impossible Gag: Clues to a Hidden Reality in Winsor McCay’s and Buster Keaton’s Representations of Dreams Interlude 6: A New Approach to Hidden History: The Reconstruction of History Through Nodal Spaces in the Ghost City of Lifta Coda: The Architecture of Hiddenness: Latency and Virtuality in the Topology of Concealment

Rana Abughannam is assistant professor at the School of Architecture and Landscape Architecture, University of British Columbia. She taught at Carleton University, the Canadian University Dubai and Birzeit University. She is a registered architect in Palestine with a degree in architectural engineering (Birzeit University) and a master of history and theory of architecture (McGill University). Her doctoral research (Carleton University) focuses on counter-colonial practices in Palestine.Émèlie Desrochers-Turgeon is assistant professor at the Dalhousie University School of Architecture. Her research areas include the relationship between built environments and grounds through material fictions, architectural representation, extractive infrastructures and liquid landscapes. Educated professionally in architecture (McGill University) and environmental design (UQAM), she practiced design in Canada and Germany before pursuing her PhD in architecture at Carleton University.Pallavi Swaranjali is program coordinator and professor in the Bachelor of Interior Design program, Algonquin College, Ottawa. She holds a PhD in architecture (Azrieli School of Architecture and Urbanism, Carleton University), a BA in architecture and an MDesign in industrial design from India, where she also practiced. She is an intern architect with the Ontario Association of Architects. Her research centers on architecture and storytelling.Federica Goffi is professor of architecture, and co-chair of the architecture PhD Program at the Azrieli School of Architecture and Urbanism at Carleton University, Canada. She published on architectural representation and the role of time in architecture. She holds a PhD in architecture and design research (Virginia Tech), a Dottore in Architettura (University of Genoa), and is a licensed architect in her native country, Italy.

"This volume performs a masterful reveal of architecture’s masked motives and methods. Its elegant structure presents remarkably rich and diverse insights into architecture’s invisible agencies."Leslie Van Duzer, Professor of Architecture, University of British Columbia "The editors have assembled a wide-ranging cast of scholars to account for the unaccounted. Aggregating terms with a family resemblance to the gerund 'hiding' – from camouflage to clutter, violence to veils – the authors discuss how buildings and builders actively occlude their own political, physical, and cultural orders. Interested in post-truth history and criticism of the built world? Then this is a book for you."David Theodore, Associate Professor, McGill University“At a time of greater enforcement of data protection principles for the personal information of individuals, this invaluable book delves into an essential topic: understanding the dynamics, the imaginative possibilities, the moral dilemmas and ethical responsibilities of concealment and revealment in architecture, its histories, theories, power structures and overlooked narratives.”Sophia Psarra, Professor of Architecture and Spatial Design, Bartlett School of Architecture, UCL

• Part 1: Modes of Hiding: Veiled Devices Beyond the Gaze Interlude 1: Verdures: Mimicry and Camouflage 1. Camouflage After the Bauhaus: Oskar Schlemmer, László Moholy-Nagy and György Kepes 2. Walls and Hidden Forms of Walling: The Production of Spatial Violence in Beirut 3. Hiding, Veiling and Transversing: Nubian Madyafa Post-Displacement 4. From Concealed Caves to Dis(Cover)ed Bunkers: Gaetano Pesce’s Pre-/Post-Historical Atomic Shelter 5. Concealed Behind Transparencies: A Closer Look at Architecture’s Hidden Performativity Through the Barcelona Pavilion 6. Happy Schools: The Visible and Invisible in the Sven Lokrantz School and the Architecture of Special Education Interlude 2: Deformative, Yet Silent Part 2: Motives of Hiding: Disguised Narratives Interlude 3: Avert 7. Hiding in Plain Sight: The White House Solarium and the Projection of History 8. Urban Alibi and Its Terms of Concealment: Cases From Shanghai 9. Hiding Behind Colonial Roots: Investigating the Reconstruction of the Palestinian Presidential Headquarters (the Muqata’a) in Ramallah 10. [Hidden Architecture]: The Paracontextual in Superstudio’s Project of Instrumentalizable Muteness 11. Architects’ Hidden Building Signatures 12. Clutter, Tidying and Architectural Desires Interlude 4: Hidden Relics Part 3: Concealed Apparatus: Latencies and Potentialities in Material Realities Interlude 5: Yellow + Blue: An Apparatus for Fabricating Illusionary Architecture 13. Hiding in the Wings: A Culture of the Onlooker in Eighteenth-Century France 14. Principles of Masking: Wall Paintings by Thomas Schütte and Ludger Gerdes, Circa 1977 15. Concealment, Costume and Modern Architecture 16. Architecture, Infrastructure and Occlusion in Miami: The Network Access Point of the Americas 17. Drawn Lines Conceal Multitudes: The Hidden Traces of Time in Carlo Scarpa’s Drawn Factures for the Brion Memorial 18. Impossible Gag: Clues to a Hidden Reality in Winsor McCay’s and Buster Keaton’s Representations of Dreams Interlude 6: A New Approach to Hidden History: The Reconstruction of History Through Nodal Spaces in the Ghost City of Lifta Coda: The Architecture of Hiddenness: Latency and Virtuality in the Topology of Concealment

Rana Abughannam is assistant professor at the School of Architecture and Landscape Architecture, University of British Columbia. She taught at Carleton University, the Canadian University Dubai and Birzeit University. She is a registered architect in Palestine with a degree in architectural engineering (Birzeit University) and a master of history and theory of architecture (McGill University). Her doctoral research (Carleton University) focuses on counter-colonial practices in Palestine.Émèlie Desrochers-Turgeon is assistant professor at the Dalhousie University School of Architecture. Her research areas include the relationship between built environments and grounds through material fictions, architectural representation, extractive infrastructures and liquid landscapes. Educated professionally in architecture (McGill University) and environmental design (UQAM), she practiced design in Canada and Germany before pursuing her PhD in architecture at Carleton University.Pallavi Swaranjali is program coordinator and professor in the Bachelor of Interior Design program, Algonquin College, Ottawa. She holds a PhD in architecture (Azrieli School of Architecture and Urbanism, Carleton University), a BA in architecture and an MDesign in industrial design from India, where she also practiced. She is an intern architect with the Ontario Association of Architects. Her research centers on architecture and storytelling.Federica Goffi is professor of architecture, and co-chair of the architecture PhD Program at the Azrieli School of Architecture and Urbanism at Carleton University, Canada. She published on architectural representation and the role of time in architecture. She holds a PhD in architecture and design research (Virginia Tech), a Dottore in Architettura (University of Genoa), and is a licensed architect in her native country, Italy.

"This volume performs a masterful reveal of architecture’s masked motives and methods. Its elegant structure presents remarkably rich and diverse insights into architecture’s invisible agencies."Leslie Van Duzer, Professor of Architecture, University of British Columbia "The editors have assembled a wide-ranging cast of scholars to account for the unaccounted. Aggregating terms with a family resemblance to the gerund 'hiding' – from camouflage to clutter, violence to veils – the authors discuss how buildings and builders actively occlude their own political, physical, and cultural orders. Interested in post-truth history and criticism of the built world? Then this is a book for you."David Theodore, Associate Professor, McGill University“At a time of greater enforcement of data protection principles for the personal information of individuals, this invaluable book delves into an essential topic: understanding the dynamics, the imaginative possibilities, the moral dilemmas and ethical responsibilities of concealment and revealment in architecture, its histories, theories, power structures and overlooked narratives.”Sophia Psarra, Professor of Architecture and Spatial Design, Bartlett School of Architecture, UCL

• Part 1: Modes of Hiding: Veiled Devices Beyond the Gaze Interlude 1: Verdures: Mimicry and Camouflage 1. Camouflage After the Bauhaus: Oskar Schlemmer, László Moholy-Nagy and György Kepes 2. Walls and Hidden Forms of Walling: The Production of Spatial Violence in Beirut 3. Hiding, Veiling and Transversing: Nubian Madyafa Post-Displacement 4. From Concealed Caves to Dis(Cover)ed Bunkers: Gaetano Pesce’s Pre-/Post-Historical Atomic Shelter 5. Concealed Behind Transparencies: A Closer Look at Architecture’s Hidden Performativity Through the Barcelona Pavilion 6. Happy Schools: The Visible and Invisible in the Sven Lokrantz School and the Architecture of Special Education Interlude 2: Deformative, Yet Silent Part 2: Motives of Hiding: Disguised Narratives Interlude 3: Avert 7. Hiding in Plain Sight: The White House Solarium and the Projection of History 8. Urban Alibi and Its Terms of Concealment: Cases From Shanghai 9. Hiding Behind Colonial Roots: Investigating the Reconstruction of the Palestinian Presidential Headquarters (the Muqata’a) in Ramallah 10. [Hidden Architecture]: The Paracontextual in Superstudio’s Project of Instrumentalizable Muteness 11. Architects’ Hidden Building Signatures 12. Clutter, Tidying and Architectural Desires Interlude 4: Hidden Relics Part 3: Concealed Apparatus: Latencies and Potentialities in Material Realities Interlude 5: Yellow + Blue: An Apparatus for Fabricating Illusionary Architecture 13. Hiding in the Wings: A Culture of the Onlooker in Eighteenth-Century France 14. Principles of Masking: Wall Paintings by Thomas Schütte and Ludger Gerdes, Circa 1977 15. Concealment, Costume and Modern Architecture 16. Architecture, Infrastructure and Occlusion in Miami: The Network Access Point of the Americas 17. Drawn Lines Conceal Multitudes: The Hidden Traces of Time in Carlo Scarpa’s Drawn Factures for the Brion Memorial 18. Impossible Gag: Clues to a Hidden Reality in Winsor McCay’s and Buster Keaton’s Representations of Dreams Interlude 6: A New Approach to Hidden History: The Reconstruction of History Through Nodal Spaces in the Ghost City of Lifta Coda: The Architecture of Hiddenness: Latency and Virtuality in the Topology of Concealment