Ethics of (In-)Attention in Contemporary Anglophone Narrative

Jean-Michel Ganteau is Professor of Contemporary British Literature at the University Paul Valéry Montpellier 3 (France) and a member of the Academia Europaea. He is the editor of the journal Études britanniques contemporaines. He is the author of four monographs: David Lodge: le choix de l’éloquence (2001), Peter Ackroyd et la musique du passé (2008), The Ethics and Aesthetics of Vulnerability in Contemporary British Literature (2015), and The Poetics and Ethics of Attention in Contemporary British Narrative (Routledge 2023). He is also the editor, with Christine Reynier, of several volumes of essays (Impersonality and Emotion, Autonomy and Commitment). He has also co-edited with Susana Onega several volumes on trauma, vulnerability, transmodernity, and grievability (The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction, 2023). He has published extensively on contemporary British fiction, with a special interest in the ethics of affects trauma, the ethics of vulnerability, and the ethics of attention.Susana Onega is Emeritus Professor of English Literature at the University of Zaragoza and a member of the Academia Europaea. She was granted the Miguel Servet Award for Research Excellence by the Government of Aragón in 2021. She belongs to the Research Institute of Employment, Digital Society and Sustainability (IEDIS), to the excellence research team “Contemporary Narrative in English” (code H03_17R), financed by the Aragonese Government and the European Regional Development Fund (DGI/ERDF), and participates in a national project (PID2021-124841NB-I00), financed by the Spanish Ministry of Science and Innovation (MICIN/AEI). She has written extensively on contemporary fiction, narrative theory, ethics, and trauma and the transition from postmodernism to transmodernism. She has edited or co-edited fourteen volumes of collected essays (eight with Jean-Michel Ganteau) and is the author of five monographs, including Form and Meaning in the Novels of John Fowles (1989), Metafiction and Myth in the Novels of Peter Ackroyd (1999), and Jeanette Winterson (2006). She is currently coediting with Jean-Michel Ganteau the Brill Handbook of Literary Criticism and Ethics

By placing both attention and inattention at the centre of literary and ethical inquiry, The Ethics of (In-)Attention in Contemporary Anglophone Narrative makes a compelling contribution to contemporary literary studies. Through a diverse range of perspectives and case studies, this volume effectively demonstrates how fiction not only reflects but also actively shapes attentional and inattentional dynamics, encouraging readers to ponder their own perceptual habits and question their ethical responsibilities. The significance of the topic extends beyond literary studies, as it also carries profound philosophical, ethical, and socio-political implications. In an era defined by information overload, digital distractions, and systemic inequalities, the study of attention holds increasing significance. By exploring how literature directs our attention to certain lives, histories, and environments, Ganteau and Onega’s volume invites reflection on the ethical weight of our attentional choices not only in fiction but also in their reality.---LOLA ARTACHO MARTÍN, Universidad de Málaga, Nexus 2025-01

• List of ContributorsAcknowledgementsIntroduction: The Ethics of (In-)Attention in Contemporary Anglophone NarrativeJean-Michel Ganteau and Susana OnegaPart IFrames and Readers 1. “The thing was to make yourself invisible, she said”: Jon McGregor’s Reframing of the Norms of Perception of Working-Class Women in So Many Ways to Begin.Susana Onega2. Attention to What? The Poetics, Ethics and Attentional Economies in Dave Eggers’s The Parade.Miriam Fernández-Santiago3. Interstitial Ethics: Attending to Frames of Intelligibility in Harry Parker’s Anatomy of a Soldier.Katia MarcellinPart IIHistorical Invisibilities4. Attending to the Victims of (In-)Visible Violence: Elided Potentialities Revisited in Claire Keegan’s Small Things Like These.Merve Sarıkaya-Şen5. From Shrouded Presence to Impactful Mentorship: Drawing Attention to the Romani Housewife in Mikey Walsh’s Gypsy Boy. Alejandro Nadal-Ruiz6. “Creating a Scene: Minor Literature and the Ecologies of Critical Attention.Ivan CallusPart IIIThe Forces of Inattention7. Surveillance and (In-)Visibility: Reading Jenni Fagan’s The Panopticon through an Ethics of Attention. Ángela Rivera-Izquierdo8. “I can’t be silent or invisible any longer”: Reorienting Attention and Care in Jan Carson’s The Last Resort.Paula Romo-Mayor9. The Ethics of Carelessness: Inattention in Kazuo Ishiguro’s Never Let Me Go.Alice BennettPart IVThe Natural World10. The Ecology of Attention in Inga Simpson’s Where the Trees Were.Bárbara Arizti11. Vibrant Matter, Polyphony and the Ecology of Attention in Sarah Moss’s Summerwater.Angelo Monaco12. The Sharpness of the Post-Pastoral: Melissa Harrison’s At Hawthorn Time.Jean-Michel GanteauIndex