Lilla Maria Crisafulli is Professor of English at the University of Bologna. She is director of the Interuniversity Centre for the Study of Romanticism and editor of the journal La Questione Romantica. She has published extensively on P.B. Shelley, on Anglo-Italian Literature, on Romantic women poets and playwrights (see, with Cecilia Pietropoli, Romantic Women Poets: Genre and Gender, Rodopi 2007; and, with Keir Elam, Women’s Romantic Theatre and Drama: History, Agency, Performance, Ashgate 2010).Tilottama Rajan is Distinguished University Professor and Canada Researh Chair in English and Theory at the University of Western Ontario. She is the founder or the North American Society for the Study of Romanticism, editor of seven books, and author of over seventy five articles and four books, most recently Deconstruction and the Remainders of Phenomenology: Sartre, Derrida, Foucault, Baudrillard (Stanford, 2002), and Romantic Narrative: Shelley, Hays, Godwin, Wollstonecraft (Johns Hopkins, 2010).Diego Saglia is Associate Professor of English Literature at the University of Parma (Italy). His research focuses on Romantic-period literature and its connections with other contemporary European traditions. He is the author of Poetic Castles in Spain: British Romanticism and Figurations of Iberia (2000), and editor (with Laura Bandiera) of British Romanticism and Italian Literature: Translating, Reviewing, Rewriting (2005).

Select Guide Rating

• PART I1. Introduction: the survival of tragedy in European Romanticisms Diego Saglia2. Tragedy without society: Alfieri’s Italian theater and the discourse of value Joseph Luzzi3. Alexandre Dumas père’s La Tour de Nesle (1832): tragedy or melodrama? Barbara T. Cooper4. The Polis, Romantic tragedy, and untimeliness in Frei Luis de Sousa Helena BuescuPART II5. Introduction Tilottama Rajan and Lilla Maria CrisafulliTransnational Encounters6. Theorizing a republican poetics: P.B. Shelley and Alfieri Michael Rossington7. The translator and the fairies: Christoph Martin Wieland’s Oberon and the British Romantics Carlotta Farese8. Romanticism displaced and placeless Stuart Curran9. Feeling cosmopolitan: the novel politician after Byron Emily Allen and Dino Franco FellugaEpistemic Encounters10. Imagination as inter-science Richard C. Sha11. Formal relocations: the method of Southey’s Thalaba the Destroyer (1801) Dahlia Porter12. Gained horizons: Buddhism in Tibetan colonial travelogues Elena Spandri13. Euthanasia’s handkerchief; or, The object at the end of history Sonia HofkoshEncountering Community14. Readers respond to Godwin: Romantic republicanism in letters Pamela Clemit15. The (inoperative) epistolary community in Eliza Fenwick’s Secresy Christopher Bundock16. The inoperative community of Romantic psychiatry Joel Faflak

Lilla Maria Crisafulli is Professor of English at the University of Bologna. She is director of the Interuniversity Centre for the Study of Romanticism and editor of the journal La Questione Romantica. She has published extensively on P.B. Shelley, on Anglo-Italian Literature, on Romantic women poets and playwrights (see, with Cecilia Pietropoli, Romantic Women Poets: Genre and Gender, Rodopi 2007; and, with Keir Elam, Women’s Romantic Theatre and Drama: History, Agency, Performance, Ashgate 2010).Tilottama Rajan is Distinguished University Professor and Canada Researh Chair in English and Theory at the University of Western Ontario. She is the founder or the North American Society for the Study of Romanticism, editor of seven books, and author of over seventy five articles and four books, most recently Deconstruction and the Remainders of Phenomenology: Sartre, Derrida, Foucault, Baudrillard (Stanford, 2002), and Romantic Narrative: Shelley, Hays, Godwin, Wollstonecraft (Johns Hopkins, 2010).Diego Saglia is Associate Professor of English Literature at the University of Parma (Italy). His research focuses on Romantic-period literature and its connections with other contemporary European traditions. He is the author of Poetic Castles in Spain: British Romanticism and Figurations of Iberia (2000), and editor (with Laura Bandiera) of British Romanticism and Italian Literature: Translating, Reviewing, Rewriting (2005).

Select Guide Rating

• PART I1. Introduction: the survival of tragedy in European Romanticisms Diego Saglia2. Tragedy without society: Alfieri’s Italian theater and the discourse of value Joseph Luzzi3. Alexandre Dumas père’s La Tour de Nesle (1832): tragedy or melodrama? Barbara T. Cooper4. The Polis, Romantic tragedy, and untimeliness in Frei Luis de Sousa Helena BuescuPART II5. Introduction Tilottama Rajan and Lilla Maria CrisafulliTransnational Encounters6. Theorizing a republican poetics: P.B. Shelley and Alfieri Michael Rossington7. The translator and the fairies: Christoph Martin Wieland’s Oberon and the British Romantics Carlotta Farese8. Romanticism displaced and placeless Stuart Curran9. Feeling cosmopolitan: the novel politician after Byron Emily Allen and Dino Franco FellugaEpistemic Encounters10. Imagination as inter-science Richard C. Sha11. Formal relocations: the method of Southey’s Thalaba the Destroyer (1801) Dahlia Porter12. Gained horizons: Buddhism in Tibetan colonial travelogues Elena Spandri13. Euthanasia’s handkerchief; or, The object at the end of history Sonia HofkoshEncountering Community14. Readers respond to Godwin: Romantic republicanism in letters Pamela Clemit15. The (inoperative) epistolary community in Eliza Fenwick’s Secresy Christopher Bundock16. The inoperative community of Romantic psychiatry Joel Faflak

Lilla Maria Crisafulli is Professor of English at the University of Bologna. She is director of the Interuniversity Centre for the Study of Romanticism and editor of the journal La Questione Romantica. She has published extensively on P.B. Shelley, on Anglo-Italian Literature, on Romantic women poets and playwrights (see, with Cecilia Pietropoli, Romantic Women Poets: Genre and Gender, Rodopi 2007; and, with Keir Elam, Women’s Romantic Theatre and Drama: History, Agency, Performance, Ashgate 2010).Tilottama Rajan is Distinguished University Professor and Canada Researh Chair in English and Theory at the University of Western Ontario. She is the founder or the North American Society for the Study of Romanticism, editor of seven books, and author of over seventy five articles and four books, most recently Deconstruction and the Remainders of Phenomenology: Sartre, Derrida, Foucault, Baudrillard (Stanford, 2002), and Romantic Narrative: Shelley, Hays, Godwin, Wollstonecraft (Johns Hopkins, 2010).Diego Saglia is Associate Professor of English Literature at the University of Parma (Italy). His research focuses on Romantic-period literature and its connections with other contemporary European traditions. He is the author of Poetic Castles in Spain: British Romanticism and Figurations of Iberia (2000), and editor (with Laura Bandiera) of British Romanticism and Italian Literature: Translating, Reviewing, Rewriting (2005).

Select Guide Rating

• PART I1. Introduction: the survival of tragedy in European Romanticisms Diego Saglia2. Tragedy without society: Alfieri’s Italian theater and the discourse of value Joseph Luzzi3. Alexandre Dumas père’s La Tour de Nesle (1832): tragedy or melodrama? Barbara T. Cooper4. The Polis, Romantic tragedy, and untimeliness in Frei Luis de Sousa Helena BuescuPART II5. Introduction Tilottama Rajan and Lilla Maria CrisafulliTransnational Encounters6. Theorizing a republican poetics: P.B. Shelley and Alfieri Michael Rossington7. The translator and the fairies: Christoph Martin Wieland’s Oberon and the British Romantics Carlotta Farese8. Romanticism displaced and placeless Stuart Curran9. Feeling cosmopolitan: the novel politician after Byron Emily Allen and Dino Franco FellugaEpistemic Encounters10. Imagination as inter-science Richard C. Sha11. Formal relocations: the method of Southey’s Thalaba the Destroyer (1801) Dahlia Porter12. Gained horizons: Buddhism in Tibetan colonial travelogues Elena Spandri13. Euthanasia’s handkerchief; or, The object at the end of history Sonia HofkoshEncountering Community14. Readers respond to Godwin: Romantic republicanism in letters Pamela Clemit15. The (inoperative) epistolary community in Eliza Fenwick’s Secresy Christopher Bundock16. The inoperative community of Romantic psychiatry Joel Faflak