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Xiaobing Tang - Visual Culture in Contemporary China, Häftad

Häftad, Engelska, 2015

Visual Culture in Contemporary China

Paradigms and Shifts

Av Xiaobing Tang

346 kr

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Beskrivning
Exploring a wealth of images ranging from woodblock prints to oil paintings, this beautifully illustrated full-color study takes up key elements of the visual culture produced in the People's Republic of China from its founding in 1949 to the present day. In a challenge to prevailing perceptions, Xiaobing Tang argues that contemporary Chinese visual culture is too complex to be understood in terms of a simple binary of government propaganda and dissident art, and that new ways must be sought to explain as well as appreciate its multiple sources and enduring visions. Drawing on rich artistic, literary, and sociopolitical backgrounds, Tang presents a series of insightful readings of paradigmatic works in contemporary Chinese visual arts and cinema. Lucidly written and organized to address provocative questions, this compelling study underscores the global and historical context of Chinese visual culture and offers a timely new perspective on our understanding of China today.
Produktinformation
  • Utgivningsdatum: 2015-01-08
  • Mått: 174 x 247 x 14 mm
  • Vikt: 590 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 287
  • Förlag: Cambridge University Press
  • ISBN: 9781107446373
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Xiaobing Tang is Helmut F. Stern Professor of Modern Chinese Studies and Professor of Comparative Literature at the University of Michigan. His research focuses on twentieth-century Chinese literature, visual arts, and cultural politics. He has published in Chinese and English on a broad range of topics and different cultural texts. His English publications include Origins of the Chinese Avant-Garde (2008) and Chinese Modern (2000). In 2011, he guest-curated Multiple Impressions: Contemporary Chinese Woodblock Prints for the University of Michigan Museum of Art and edited the exhibition catalogue.

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'This is a must-read for anyone interested in China's post-socialist and socialist eras and the continuing, lively interaction between the two. In putting visual culture at the centre of contemporary Chinese historical developments, Tang challenges our assumptions about what China is and is not.' Paul A. Clark, University of Auckland

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